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Author: Richard Toscan
Publisher: Franz Press
ISBN: 0615608213
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
Playwriting Seminars is "a treasure-trove of information, philosophy, and inspiration" (Theatre Journal), "an absolutely essential guide to all aspects of playwriting and a valuable whitewater raft trip down the rapids of Hollywood screenwriting" (Magellan), and "a terrific learning environment for writers" (WebCrawler Select). It was also a recommended resource for playwrights at New Dramatists (NYC). The Handbook's initial concepts came from the author's work with Lucasfilm and the BBC. It was originally developed for playwrights and screenwriters, but has since been used by writers of fiction and nonfiction books. This new edition covers all aspects of writing full-length plays with an expanded treatment of screenwriting for Hollywood and independent film as well as diagrams of key elements of dramatic structure. Playwriting techniques are explained with many examples from classic and contemporary plays performed today by America's regional theatres as well as on Broadway and Off-Broadway. The 392 page Handbook explains the interconnections between characters and plot and the importance of subtext to character development in the contemporary theatre (what characters don't tell us matters as much as what they say in dialogue). Key exercises are included for developing "voice" as a writer and for creating the essential dual plot structure that supports intriguing characters in today's theatre. Many professionals in theatre and film are quoted on key parts of the art and craft of playwriting and screenwriting to help explain effective techniques. Special sections of the Handbook focus on getting inspiration and avoiding writer's block, editing first drafts, professional script formats for theatre and film (including software), how to launch new scripts, putting together submission packages for theatres and competitions, how to write an effective script synopsis and writer's bio, working with directors, actors and agents, how to survive audience "talkbacks" following readings and workshop productions, methods to adjust your playwriting skills for screenwriting and television work, and options for making a living at the craft of dramatic writing.
Author: Richard Toscan
Publisher: Franz Press
ISBN: 0615608213
Category : Performing Arts
Languages : en
Pages : 392
Get Book Here
Book Description
Playwriting Seminars is "a treasure-trove of information, philosophy, and inspiration" (Theatre Journal), "an absolutely essential guide to all aspects of playwriting and a valuable whitewater raft trip down the rapids of Hollywood screenwriting" (Magellan), and "a terrific learning environment for writers" (WebCrawler Select). It was also a recommended resource for playwrights at New Dramatists (NYC). The Handbook's initial concepts came from the author's work with Lucasfilm and the BBC. It was originally developed for playwrights and screenwriters, but has since been used by writers of fiction and nonfiction books. This new edition covers all aspects of writing full-length plays with an expanded treatment of screenwriting for Hollywood and independent film as well as diagrams of key elements of dramatic structure. Playwriting techniques are explained with many examples from classic and contemporary plays performed today by America's regional theatres as well as on Broadway and Off-Broadway. The 392 page Handbook explains the interconnections between characters and plot and the importance of subtext to character development in the contemporary theatre (what characters don't tell us matters as much as what they say in dialogue). Key exercises are included for developing "voice" as a writer and for creating the essential dual plot structure that supports intriguing characters in today's theatre. Many professionals in theatre and film are quoted on key parts of the art and craft of playwriting and screenwriting to help explain effective techniques. Special sections of the Handbook focus on getting inspiration and avoiding writer's block, editing first drafts, professional script formats for theatre and film (including software), how to launch new scripts, putting together submission packages for theatres and competitions, how to write an effective script synopsis and writer's bio, working with directors, actors and agents, how to survive audience "talkbacks" following readings and workshop productions, methods to adjust your playwriting skills for screenwriting and television work, and options for making a living at the craft of dramatic writing.
Author:
Publisher:
ISBN:
Category : Playwriting
Languages : en
Pages :
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Book Description
Author: Jacqueline Goldfinger
Publisher: Routledge
ISBN: 1000425061
Category : Performing Arts
Languages : en
Pages : 118
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Book Description
Playwriting with Purpose: A Guide and Workbook for New Playwrights provides a holistic approach to playwriting from an award-winning playwright and instructor. This book incorporates craft lessons by contemporary playwrights and provides concrete guidance for new and emerging playwrights. The author takes readers through the entire creative process, from creating characters and writing dialogue and silent moments to analyzing elements of well-made plays and creating an atmospheric environment. Each chapter is followed by writing prompts and pro tips that address unique facets of the conversation about the art and craft of playwriting. The book also includes information on the business of playwriting and a recommended reading list of published classic and contemporary plays, providing all the tools to successfully transform an idea into a script, and a script into a performance. Playwriting with Purpose gives writers and students of playwriting hands-on lessons, artistic concepts, and business savvy to succeed in today’s theater industry.
Author: Jonathan Charles Dorf
Publisher: Young Playwrights 101
ISBN: 1599710692
Category : Performing Arts
Languages : en
Pages : 153
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Book Description
YOUNG PLAYWRIGHTS 101 is a complete playwriting course that uses easy-to-follow lessons and practical exercises to guide playwrights from idea through submission. While it was originally written with young playwrights and their teachers in mind, you dont have to be a student or drama teacher to benefit from YOUNG PLAYWRIGHTS 101: no matter what your age or experience, if youre looking for detailed, no-nonsense advice about the craft and business of playwriting-and to write plays that will actually be produced-this is the resource for you. Here are just a few examples of topics youll find inside: Creating Characters Conflict Play Structure Choosing the Right Setting The "Question" of the Play How to Use an Outline Handling Exposition Using Punctuation to Write Better Dialogue Opening and Ending Your Play The Writing Process Dealing with Writer's Block Choosing the Best Title Recentering Your Play Rewriting Using the Expanded Writer's Web and Troubleshooter's Checklist How to Have a Useful Play Reading The Playwright's Bill of Rights and much, much more Whether youre writing your first play, want to brush up on your skills or are looking for that missing something in your writing, YOUNG PLAYWRIGHTS 101 is the jumpstart you need to write plays that make it to the stage.
Author: Stephen Jeffreys
Publisher: Theatre Communications Group
ISBN: 9781559369725
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
This essential guide to the craft of playwriting, from the author of The Libertine, reveals the various invisible frameworks and mechanisms that are at the heart of each and every successful play.
Author: Bhāratīya Natya Sangh
Publisher:
ISBN:
Category : Playwriting
Languages : en
Pages :
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Book Description
Author: William Missouri Downs
Publisher:
ISBN: 9781935247319
Category : Drama
Languages : en
Pages : 0
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Book Description
""Naked Playwriting" is a complete, comprehensive playwriting course-from developing a theme through plotting and structuring a play, developing characters, creating dialog, formatting a script, and plying methods that aid the actual writing and rewriting processes. It also offers guidance on marketing and submitting play scripts for both contests and production, getting an agent, protecting one's copyright, and working with directors, actors, and theater companies. This new edition, in addition to fully updating the material in the popular first edition, adds detailed information on such recent develops as "Zoom plays" and "devised theater"; writing non-formulaic plays that create their own structures; a new emphasis on writing 10-minute and one-act plays; completely revised play submission guidelines that reflect a process that has wholly changed since the first edition was published; an section on the now-popular trend of moving from playwriting to TV scripting; material on the growing trend toward playwrights directing their own plays; and much more. Well-written and filled with illustrative examples, it provides both innovative and tried-and-true writing techniques, sage advice from veteran writers, a short study of the major schools of dramatic thought, and pertinent writing anecdotes. This one-of-a-kind playwriting book will help both novices and working writers discover and improve their playwriting skills and get their plays produced"--
Author: HowExpert
Publisher: HowExpert
ISBN: 1647587298
Category : Performing Arts
Languages : en
Pages : 108
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Book Description
To write for the theatre you need to know about theatre. Ideas are easy to come by. Examine your background, interest, and beliefs. Examine the world around you. Exercises can help you come up with ideas. Choose the audience you want to reach and write to that audience. To learn to write dialogue listen to and record everyday conversations. Dialogue should sound like ordinary conversations but has more direction. Know as much as you can about your central characters. Do a character analysis. Choose the character traits to emphasize. A character should come across as both typical and individual. Most plays have a plot, which involves conflict between the protagonist and the antagonist. The parts of a plot are: inciting incident, rising action, turning point, climax, and falling action. Other types of organization for a play are circular and thematic. Before starting to write, you need to develop a central idea. Plays exist for a number of reasons—entertainment, to bring attention to something, and to teach. You need to decide what you want to accomplish. It’s easier to gain an audience’s interest if you start with a theme they agree with. A play needs a sense of universality. A play should be unified, but it also needs contrast. Since theatre is a collaborative art, the director, actor, and designers may see the different facets differently than you do. It’s not difficult to have a well-written produced. Possible markets are schools, organizations, and professional theatre. Finished plays have to follow a particular format. About the Expert Marsh Cassady has had thirty-eight plays published and/or produced—including Off-Broadway. A former theatre professor with a Ph.D. degree, he started a playwriting program at Montclair State in New Jersey that included beginning and advanced classes, workshops, and individual projects. He also taught creative writing, including playwriting, at UCSD. Marsh is the author of sixty published books in a variety of genres from theatre textbooks to novels to true crime, and hundreds of shorter pieces. For about thirty-five years he led all-genre writing workshops in San Diego and in Rosarito, BC, Mexico, where he has lived since 1997. HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.
Author: Paul C. Castagno
Publisher: Routledge
ISBN: 1136630805
Category : Drama
Languages : en
Pages : 304
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Book Description
New Playwriting Strategies has become a canonical text in the study and teaching of playwriting, offering a fresh and dynamic insight into the subject. This thoroughly revised and expanded second edition explores and highlights the wide spread of new techniques that form contemporary theatre writing, as well as their influence on other dramatic forms. Paul Castagno builds on the innovative plays of Len Jenkin, Mac Wellman, and the theories of Mikhail Bakhtin to investigate groundbreaking new techniques from a broad range of contemporary dramatists, including Sarah Ruhl, Suzan Lori-Parks and Young Jean Lee. New features in this edition include an in-depth study of the adaptation of classical texts in contemporary playwright and the utilizing new technologies, such as YouTube, Wikipedia and blogs to create alternative dramatic forms. The author’s step-by-step approach offers the reader new models for: narrative dialogue character monologue hybrid plays This is a working text for playwrights, presenting a range of illuminating new exercises suitable for everyone from the workshop student to the established writer. New Playwriting Strategies is an essential resource for anyone studying and writing drama today.
Author: William Missouri Downs
Publisher: Cengage Learning
ISBN:
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Structure is how a play logically fits together and can be archived through formula or form. To understand the complexities of structuring with form, the beginning playwright must first learn the fundamentals of formula. Covering everything in the playwriting process from the initial concept through production, PLAYWRITING: FROM FORMULA TO FORM presents a workable method for anyone interested in the craft. Exercises and techniques are presented to help students master the fundamental principles of good playwriting, giving them the freedom to be creative. Chapters on film and television writing as well as how to market a finished script and to select an agent, provide "real world" information on surviving as a writer in today's market.
