Author: Diane Sherman
Publisher:
ISBN:
Category : Nurses
Languages : en
Pages : 20
Book Description
When the neighbor boy, the dog, and Nancy's sister are all sick or injured, Nancy finally gets to play nurse to more than her dolls.
Nancy Plays Nurse
Author: Diane Sherman
Publisher:
ISBN:
Category : Nurses
Languages : en
Pages : 20
Book Description
When the neighbor boy, the dog, and Nancy's sister are all sick or injured, Nancy finally gets to play nurse to more than her dolls.
Publisher:
ISBN:
Category : Nurses
Languages : en
Pages : 20
Book Description
When the neighbor boy, the dog, and Nancy's sister are all sick or injured, Nancy finally gets to play nurse to more than her dolls.
The Golden Age of American Musical Theatre
Author: Corinne J. Naden
Publisher: Scarecrow Press
ISBN: 0810877341
Category : Music
Languages : en
Pages : 275
Book Description
The Golden Age of American Musical Theatre provides synopses, cast and production credits, song titles, and other pertinent information for over 180 musicals from Oklahoma! to On A Clear Day You Can See Forever. Concentrating on a 22-year span, this book lists both commercial successes and flops of the Golden Age-when the musicals presented on Broadway showcased timeless, memorable tunes, sophisticated comedy, and the genius of creative artists like Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Leonard Bernstein, George Abbott, Moss Hart, Angela Lansbury, Robert Preston, and many others.
Publisher: Scarecrow Press
ISBN: 0810877341
Category : Music
Languages : en
Pages : 275
Book Description
The Golden Age of American Musical Theatre provides synopses, cast and production credits, song titles, and other pertinent information for over 180 musicals from Oklahoma! to On A Clear Day You Can See Forever. Concentrating on a 22-year span, this book lists both commercial successes and flops of the Golden Age-when the musicals presented on Broadway showcased timeless, memorable tunes, sophisticated comedy, and the genius of creative artists like Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Leonard Bernstein, George Abbott, Moss Hart, Angela Lansbury, Robert Preston, and many others.
British Realist Theatre
Author: Stephen Lacey
Publisher: Routledge
ISBN: 1134899823
Category : Performing Arts
Languages : en
Pages : 217
Book Description
The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter
Publisher: Routledge
ISBN: 1134899823
Category : Performing Arts
Languages : en
Pages : 217
Book Description
The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter
David Simpson
Author: David Simpson
Publisher:
ISBN: 9781934435540
Category : Art
Languages : en
Pages : 0
Book Description
Includes essays by Louis Grachos, Jonathan Keats, and Kenneth Baker and an interview between the artist and Kenneth Baker.
Publisher:
ISBN: 9781934435540
Category : Art
Languages : en
Pages : 0
Book Description
Includes essays by Louis Grachos, Jonathan Keats, and Kenneth Baker and an interview between the artist and Kenneth Baker.
1965
Author: Andrew Grant Jackson
Publisher: Macmillan
ISBN: 1466864974
Category : Music
Languages : en
Pages : 376
Book Description
“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
Publisher: Macmillan
ISBN: 1466864974
Category : Music
Languages : en
Pages : 376
Book Description
“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
Flora, the Red Menace
Author: John Kander
Publisher: Samuel French, Inc.
ISBN: 9780573681837
Category : Drama
Languages : en
Pages : 108
Book Description
"A new interpretation of the l965 Broadway musical"--Cover, p. 3.
Publisher: Samuel French, Inc.
ISBN: 9780573681837
Category : Drama
Languages : en
Pages : 108
Book Description
"A new interpretation of the l965 Broadway musical"--Cover, p. 3.
Tennessee Williams in Sweden and France, 1945–1965
Author: Dirk Gindt
Publisher: Bloomsbury Publishing
ISBN: 135002208X
Category : Performing Arts
Languages : en
Pages : 273
Book Description
The immediate post-war period marks a pivotal moment in the internationalization of American theatre when Tennessee Williams' plays became some of Broadway's most critically acclaimed and financially lucrative exports. Dirk Gindt offers a detailed study of the production and reception of Williams' work on Swedish and French stages at the height of his popularity between 1945 and 1965. Analysing the national openings of seminal plays, including The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, Orpheus Descending and Suddenly Last Summer, Gindt provides rich and nuanced insights into Williams' transnational impact. In the process, he charts a network of fascinating and influential directors, actors, designers, producers and critics, all of whom left distinctive marks on mid-twentieth-century European theatre and culture. Gindt further demonstrates how Williams' work foregrounded cultural apprehensions, racial fantasies and sexual anxieties, which resulted in heated debates in the critical and popular media.
Publisher: Bloomsbury Publishing
ISBN: 135002208X
Category : Performing Arts
Languages : en
Pages : 273
Book Description
The immediate post-war period marks a pivotal moment in the internationalization of American theatre when Tennessee Williams' plays became some of Broadway's most critically acclaimed and financially lucrative exports. Dirk Gindt offers a detailed study of the production and reception of Williams' work on Swedish and French stages at the height of his popularity between 1945 and 1965. Analysing the national openings of seminal plays, including The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, Orpheus Descending and Suddenly Last Summer, Gindt provides rich and nuanced insights into Williams' transnational impact. In the process, he charts a network of fascinating and influential directors, actors, designers, producers and critics, all of whom left distinctive marks on mid-twentieth-century European theatre and culture. Gindt further demonstrates how Williams' work foregrounded cultural apprehensions, racial fantasies and sexual anxieties, which resulted in heated debates in the critical and popular media.
Circle in the Square Theatre
Author: Sheila Hickey Garvey
Publisher: McFarland
ISBN: 1476670587
Category : Performing Arts
Languages : en
Pages : 405
Book Description
Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.
Publisher: McFarland
ISBN: 1476670587
Category : Performing Arts
Languages : en
Pages : 405
Book Description
Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.
The Classic Noh Theatre of Japan
Author: Ernest Fenollosa
Publisher: New Directions Publishing
ISBN: 9780811201520
Category : Drama
Languages : en
Pages : 176
Book Description
The Noh plays of Japan have been compared to the greatest of Greek tragedies for their evocative, powerful poetry and splendor of emotional intensity.
Publisher: New Directions Publishing
ISBN: 9780811201520
Category : Drama
Languages : en
Pages : 176
Book Description
The Noh plays of Japan have been compared to the greatest of Greek tragedies for their evocative, powerful poetry and splendor of emotional intensity.
The Villainous Stage
Author: Marvin Lachman
Publisher: McFarland
ISBN: 0786495340
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.
Publisher: McFarland
ISBN: 0786495340
Category : Performing Arts
Languages : en
Pages : 265
Book Description
Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.