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Author: George Taylor
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
Author: George Taylor
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
Author: Meredith Conti
Publisher: Routledge
ISBN: 1351787705
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires. Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.
Author: Robert Leach
Publisher: Routledge
ISBN: 0429873336
Category : Art
Languages : en
Pages : 1004
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Book Description
An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacted with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. Moving from Punch and Judy, castle spectres and penny showmen to Modernism and Postdramatic Theatre, Leach’s second volume triumphantly completes a collated account of all the British Theatre History knowledge anyone could ever need.
Author: Mary Isabella Stone
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 250
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Book Description
Author: George Taylor
Publisher: Manchester University Press
ISBN: 9780719040238
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Author: Lyn Oxenford
Publisher: Dramatic Publishing
ISBN: 9780853435495
Category : Acting
Languages : en
Pages : 340
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Book Description
Author: Patrick Campbell
Publisher: Routledge
ISBN: 1134616244
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
The field of literary studies has long recognised the centrality of psychoanalysis as a method for looking at texts in a new way. But rarely has the relationship between psychoanalysis and performance been mapped out, either in terms of analysing the nature of performance itself, or in terms of making sense of specific performance-related activities. In this volume some of the most distinguished thinkers in the field make this exciting new connection and offer original perspectives on a wide variety of topics, including: · hypnotism and hysteria · ventriloquism and the body · dance and sublimation · the unconscious and the rehearsal process · melancholia and the uncanny · cloning and theatrical mimesis · censorship and activist performance · theatre and social memory. The arguments advanced here are based on the dual principle that psychoanalysis can provide a productive framework for understanding the work of performance, and that performance itself can help to investigate the problematic of identity.
Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040128890
Category : Literary Criticism
Languages : en
Pages : 462
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Book Description
Features three female actors who were significant in their development of new and innovative ways of performing Shakespeare.
Author: Joanna Hofer-Robinson
Publisher: Edinburgh University Press
ISBN: 1474439551
Category : English drama
Languages : en
Pages : 424
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Book Description
This pioneering edition provides access to some of the most popular plays of the nineteenth century.
Author: Cheryl Threadgold
Publisher:
ISBN: 9780646813394
Category :
Languages : en
Pages :
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Book Description
Part One: The history of amateur theatre in Victoria, commencing in 1788 in New South Wales, from Melbourne in 1842 and working through decades to modern day, based on an award-winning PhD thesis. Live cultural performances presented by First Nations People for over sixty years are respectfully acknowledged.Part Two: The Culture and Voices of Victorian musical and non-musical amateur theatre are represented by individual stories from 129 currently operating theatre companies in urban and regional Victoria. Known past theatre companies are listed to honour their existence and some research data collated from interviews with representatives from 70 theatre companies gives insight into the transformative benefits of amateur theatre, and perceived strengths, threats and weaknesses of companies.
