Author: Thomas Forrest Kelly
Publisher: Cambridge University Press
ISBN: 9780521401609
Category : Music
Languages : en
Pages : 268
Book Description
It is the variation in plainsong, its living quality, that these essays address.
Plainsong in the Age of Polyphony
Author: Thomas Forrest Kelly
Publisher: Cambridge University Press
ISBN: 9780521401609
Category : Music
Languages : en
Pages : 268
Book Description
It is the variation in plainsong, its living quality, that these essays address.
Publisher: Cambridge University Press
ISBN: 9780521401609
Category : Music
Languages : en
Pages : 268
Book Description
It is the variation in plainsong, its living quality, that these essays address.
Music and Instruments of the Middle Ages
Author: Tess Knighton
Publisher: Boydell & Brewer
ISBN: 1783275561
Category : Conductus
Languages : en
Pages : 511
Book Description
Essays on important topics in early music.
Publisher: Boydell & Brewer
ISBN: 1783275561
Category : Conductus
Languages : en
Pages : 511
Book Description
Essays on important topics in early music.
Polyphony in Medieval Paris
Author: Catherine A. Bradley
Publisher: Cambridge University Press
ISBN: 1108311180
Category : Music
Languages : en
Pages : 301
Book Description
Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.
Publisher: Cambridge University Press
ISBN: 1108311180
Category : Music
Languages : en
Pages : 301
Book Description
Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.
Plainsong to polyphony
Author:
Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 20
Book Description
The Cambridge Companion to Medieval Music
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1107495121
Category : Music
Languages : en
Pages : 982
Book Description
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
Publisher: Cambridge University Press
ISBN: 1107495121
Category : Music
Languages : en
Pages : 982
Book Description
From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
Musical Notation in the West
Author: James Grier
Publisher: Cambridge University Press
ISBN: 0521898161
Category : Music
Languages : en
Pages : 287
Book Description
A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.
Publisher: Cambridge University Press
ISBN: 0521898161
Category : Music
Languages : en
Pages : 287
Book Description
A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.
The Rscm Guide to Plainchant
Author:
Publisher:
ISBN: 9780854021871
Category :
Languages : en
Pages : 108
Book Description
Publisher:
ISBN: 9780854021871
Category :
Languages : en
Pages : 108
Book Description
Western Plainchant
Author: David Hiley
Publisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Publisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
The Cambridge History of Medieval Music
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
A Companion to Medieval Vienna
Author:
Publisher: BRILL
ISBN: 9004395768
Category : History
Languages : en
Pages : 635
Book Description
This volume provides a multidisciplinary view on the complexity of an emerging city, offering, for the first time in English, an overview of the current state of research on Vienna in the Middle Ages.
Publisher: BRILL
ISBN: 9004395768
Category : History
Languages : en
Pages : 635
Book Description
This volume provides a multidisciplinary view on the complexity of an emerging city, offering, for the first time in English, an overview of the current state of research on Vienna in the Middle Ages.