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Author: John Wilton-Ely
Publisher: Prestel Publishing
ISBN: 9783791348063
Category : Architecture, Modern
Languages : en
Pages : 0
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Book Description
A renowned scholar examines the beauty and impact of drawings and prints by Piranesi, as well as the Italian architect's relationship with his friend and colleague Sir John Soane. An 18th-century architect and printmaker, Giovanni Battista Piranesi was a lifelong champion of Rome, publishing more than 1,000 etchings of the Eternal City and its ancient monuments. Piranesi's English contemporary Sir John Soane was also an architect specializing in the neoclassical style. When the two artists met, they formed a profound and complex creative and intellectual relationship that nurtured Soane's later career. Among Soane's greatest legacies is the London museum that bears his name, and some of its most important holdings are a number of preparatory drawings Piranesi developed for a publication on the Greek temples at Paestum. These drawings are accomplished examples of Piranesi's topographical observation and great works of art in their own right. This book offers exquisite reproductions of the drawings as well as 30 additional works from Piranesi's oeuvre. Together they offer a unique understanding of early Greek classical architecture seen through the work of an 18th-century master. AUTHOR: John Wilton-Ely is Professor Emeritus in the History of Art, University of Hull, a fellow of the Society of Antiquaries, and a fellow of the Royal Society of Arts. He is a well-known authority on European visual arts of the eighteenth and nineteenth centuries, lecturing and writing frequently on the subject. ILLUSTRATIONS: 80 colour
Author: John Wilton-Ely
Publisher: Prestel Publishing
ISBN: 9783791348063
Category : Architecture, Modern
Languages : en
Pages : 0
Get Book Here
Book Description
A renowned scholar examines the beauty and impact of drawings and prints by Piranesi, as well as the Italian architect's relationship with his friend and colleague Sir John Soane. An 18th-century architect and printmaker, Giovanni Battista Piranesi was a lifelong champion of Rome, publishing more than 1,000 etchings of the Eternal City and its ancient monuments. Piranesi's English contemporary Sir John Soane was also an architect specializing in the neoclassical style. When the two artists met, they formed a profound and complex creative and intellectual relationship that nurtured Soane's later career. Among Soane's greatest legacies is the London museum that bears his name, and some of its most important holdings are a number of preparatory drawings Piranesi developed for a publication on the Greek temples at Paestum. These drawings are accomplished examples of Piranesi's topographical observation and great works of art in their own right. This book offers exquisite reproductions of the drawings as well as 30 additional works from Piranesi's oeuvre. Together they offer a unique understanding of early Greek classical architecture seen through the work of an 18th-century master. AUTHOR: John Wilton-Ely is Professor Emeritus in the History of Art, University of Hull, a fellow of the Society of Antiquaries, and a fellow of the Royal Society of Arts. He is a well-known authority on European visual arts of the eighteenth and nineteenth centuries, lecturing and writing frequently on the subject. ILLUSTRATIONS: 80 colour
Author: John Wilton-Ely
Publisher:
ISBN:
Category : Architecture, Modern
Languages : en
Pages : 78
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Book Description
A renowned scholar examines the beauty and impact of drawings and prints by Piranesi, as well as the Italian architect's relationship with his friend and colleague Sir John Soane. An 18th-century architect and printmaker, Giovanni Battista Piranesi was a lifelong champion of Rome, publishing more than 1,000 etchings of the Eternal City and its ancient monuments. Piranesi's English contemporary Sir John Soane was also an architect specializing in the neoclassical style. When the two artists met, they formed a profound and complex creative and intellectual relationship that nurtured Soane's later career. Among Soane's greatest legacies is the London museum that bears his name, and some of its most important holdings are a number of preparatory drawings Piranesi developed for a publication on the Greek temples at Paestum. These drawings are accomplished examples of Piranesi's topographical observation and great works of art in their own right. This book offers exquisite reproductions of the drawings as well as 30 additional works from Piranesi's oeuvre. Together they offer a unique understanding of early Greek classical architecture seen through the work of an 18th-century master.
Author: Sarah Vowles
Publisher: National Geographic Books
ISBN: 0500480613
Category : Art
Languages : en
Pages : 0
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Book Description
A new exploration of Piranesi’s work as a draftsman, published to coincide with an exhibition at the British Museum. The Venetian-born artist Giovanni Battista Piranesi (1720–1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted home city of Rome and for his extraordinary flights of spatial fancy, such as Le Carceri (“Prisons”). Published to coincide with an exhibition at the British Museum, this volume explores Piranesi’s celebrated skill as a draftsman. While many studies are concerned with Piranesi’s activities as a printmaker, this beautifully illustrated book examines new dimensions of his art by focusing on his drawings. Curator and author Sarah Vowles establishes a clear relationship between his drawings and prints, discusses the involvement of studio hands in his late works, and examines how his style as a draftsman evolved. Piranesi Drawings reveals the quality and lasting impact of the pen and chalk studies by a remarkably talented draftsman, as demonstrated by the superb collection at the British Museum.
Author: Giovanni Battista Piranesi
Publisher: Courier Corporation
ISBN: 0486134008
Category : Art
Languages : en
Pages : 118
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Book Description
Reprinted from rare, expensive first and second editions, this version of Piranesi's masterwork presents side-by-side renderings of original and extensively revised drawings in a large format. 33 full-page illustrations.
Author: Adrian Forty
Publisher: Reaktion Books
ISBN: 1861899335
Category : Architecture
Languages : en
Pages : 338
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Book Description
Concrete has been used in arches, vaults, and domes dating as far back as the Roman Empire. Today, it is everywhere—in our roads, bridges, sidewalks, walls, and architecture. For each person on the planet, nearly three tons of concrete are produced every year. Used almost universally in modern construction, concrete has become a polarizing material that provokes intense loathing in some and fervent passion in others. Focusing on concrete’s effects on culture rather than its technical properties, Concrete and Culture examines the ways concrete has changed our understanding of nature, of time, and even of material. Adrian Forty concentrates not only on architects’ responses to concrete, but also takes into account the role concrete has played in politics, literature, cinema, labor-relations, and arguments about sustainability. Covering Europe, North and South America, and the Far East, Forty examines the degree that concrete has been responsible for modernist uniformity and the debates engendered by it. The first book to reflect on the global consequences of concrete, Concrete and Culture offers a new way to look at our environment over the past century.
Author: Ruth Butler
Publisher: Yale University Press
ISBN: 0300149530
Category : Art
Languages : en
Pages : 372
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Book Description
Paul Czanne, Claude Monet, and Auguste Rodin. The names of these brilliant nineteenth-century artists are known throughout the world. But what is remembered of their wives? What were these unknown women like? What roles did they play in the lives and the art of their famous husbands? In this remarkable book of discovery, art historian Ruth Butler coaxes three shadowy women out of obscurity and introduces them for the first time as individuals. Through unprecedented research, Butler has been able to create portraits of Hortense Fiquet, Camille Doncieux, and Rose Beuretthe models, and later the wives, respectively, of Czanne, Monet, and Rodin, three of the most famous French artists of their generation. The book tells the stories of three ordinary women who faced issues of a dramatically changing society as well as the challenges of life with a striving genius. Butler illuminates the ways in which these model-wives figured in their husbands achievements and provides new analyses of familiar works of art. Filled with captivating detail, the book recovers the lives of Hortense, Camille, and Rose, and recognizes with new insight how their unique relationships enriched the quality of their husbands artistic endeavors."
Author: Giovanni Battista Piranesi
Publisher: Getty Publications
ISBN: 9780892366361
Category : Architecture
Languages : en
Pages : 192
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Book Description
An impassioned plea for a Roman-Style eclecticism that draws freely on all artistic forms and traditions, Piranesi's Observations anticipates the contemporary debate between devotees of a rational, minimal architecture and advocates of an architecture rich in ornament and historical references."--BOOK JACKET.
Author: Emmet Gowin
Publisher:
ISBN: 9780875981703
Category : Comparison (Philosophy)
Languages : en
Pages :
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Book Description
Author: Giovanni Battista Piranesi
Publisher: Chicago, Ill. : R. S. Johnson International
ISBN:
Category : Prisons in art
Languages : en
Pages : 88
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Book Description
Author: Jonathan Hill
Publisher: Routledge
ISBN: 0429770561
Category : Architecture
Languages : en
Pages : 562
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Book Description
The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.
