Author: John Bull
Publisher: Bloomsbury Publishing
ISBN: 1408175452
Category : Performing Arts
Languages : en
Pages : 335
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).
British Theatre Companies: 1965-1979
Author: John Bull
Publisher: Bloomsbury Publishing
ISBN: 1408175452
Category : Performing Arts
Languages : en
Pages : 335
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).
Publisher: Bloomsbury Publishing
ISBN: 1408175452
Category : Performing Arts
Languages : en
Pages : 335
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).
The Rocky Horror Picture Show FAQ
Author: Dave Thompson
Publisher: Rowman & Littlefield
ISBN: 149506378X
Category : Performing Arts
Languages : en
Pages : 417
Book Description
The Rocky Horror Picture Show FAQ is the in-depth story of not only the legendary stage show and movie but of a unique period in theatrical history – in the movie's UK homeland as well as overseas. Rocky Horror has been performed worldwide for more than 40 years in over 30 countries and has been translated into more than 20 languages. Inside these pages, we see Rocky Horror as sexual cabaret and political subversion, as modern mega-hit and Broadway disaster. At the movie house, we learn when to shout, what to throw – and why people even do those things. Here is the full story of the play's original creation; its forebears and its influences are laid out in loving detail, together with both the triumphs and tragedies that attended it across the next 40 forty years. Packed with anecdotes, The Rocky Horror Picture Show FAQ is the story of dozens of worldwide performances and the myriad stars who have been featured in them. From Tim Curry to Anthony Head, from Reg Livermore to Gary Glitter, from Daniel Abineri to Tom Hewitt, the lives and careers of the greatest ever Frank N. Furters stalk the pages, joined by the Riff-Raffs, Magentas, Columbias, and all. The book also includes the largest and most in-depth Rocky Horror discography ever published, plus a unique timeline – The Ultimate Rocky Horror Chronology – detailing the who, what, where, and when of absolute pleasure.
Publisher: Rowman & Littlefield
ISBN: 149506378X
Category : Performing Arts
Languages : en
Pages : 417
Book Description
The Rocky Horror Picture Show FAQ is the in-depth story of not only the legendary stage show and movie but of a unique period in theatrical history – in the movie's UK homeland as well as overseas. Rocky Horror has been performed worldwide for more than 40 years in over 30 countries and has been translated into more than 20 languages. Inside these pages, we see Rocky Horror as sexual cabaret and political subversion, as modern mega-hit and Broadway disaster. At the movie house, we learn when to shout, what to throw – and why people even do those things. Here is the full story of the play's original creation; its forebears and its influences are laid out in loving detail, together with both the triumphs and tragedies that attended it across the next 40 forty years. Packed with anecdotes, The Rocky Horror Picture Show FAQ is the story of dozens of worldwide performances and the myriad stars who have been featured in them. From Tim Curry to Anthony Head, from Reg Livermore to Gary Glitter, from Daniel Abineri to Tom Hewitt, the lives and careers of the greatest ever Frank N. Furters stalk the pages, joined by the Riff-Raffs, Magentas, Columbias, and all. The book also includes the largest and most in-depth Rocky Horror discography ever published, plus a unique timeline – The Ultimate Rocky Horror Chronology – detailing the who, what, where, and when of absolute pleasure.
British Theatre Companies: 1980-1994
Author: Graham Saunders
Publisher: Bloomsbury Publishing
ISBN: 1408175517
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)
Publisher: Bloomsbury Publishing
ISBN: 1408175517
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)
British Theatre Companies: 1995-2014
Author: Liz Tomlin
Publisher: Bloomsbury Publishing
ISBN: 1408177307
Category : Performing Arts
Languages : en
Pages : 341
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream. Leading academics provide case studies of six of the most important companies, including: * Mind the Gap, by Dave Calvert (University of Huddersfield, UK) * Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK) * Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic) * Punchdrunk, by Josephine Machon (Middlesex University, UK) * Kneehigh, by Duška Radosavljevic (University of Kent, UK) * Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Publisher: Bloomsbury Publishing
ISBN: 1408177307
Category : Performing Arts
Languages : en
Pages : 341
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream. Leading academics provide case studies of six of the most important companies, including: * Mind the Gap, by Dave Calvert (University of Huddersfield, UK) * Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK) * Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic) * Punchdrunk, by Josephine Machon (Middlesex University, UK) * Kneehigh, by Duška Radosavljevic (University of Kent, UK) * Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Semiotics of Drama and Theatre
Author: Herta Schmid
Publisher: John Benjamins Publishing
ISBN: 9027215138
Category : Performing Arts
Languages : en
Pages : 557
Book Description
The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the first attempt of presenting papers within the context of (Analytical) Theory of Science; 3) it is the first consistent set of papers starting from semiotics a s a meta-theory. The volume is divided into four sections: I Fundamental of Theatre Research, II Theory of Drama and Theatre, III Descriptive Theatre Research, IV Applied Theatre Research. The fifth and final section offers a selective bibliography of analytical approaches to drama and theatre.
Publisher: John Benjamins Publishing
ISBN: 9027215138
Category : Performing Arts
Languages : en
Pages : 557
Book Description
The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the first attempt of presenting papers within the context of (Analytical) Theory of Science; 3) it is the first consistent set of papers starting from semiotics a s a meta-theory. The volume is divided into four sections: I Fundamental of Theatre Research, II Theory of Drama and Theatre, III Descriptive Theatre Research, IV Applied Theatre Research. The fifth and final section offers a selective bibliography of analytical approaches to drama and theatre.
Stages in the Revolution
Author: Catherine Itzin
Publisher: Taylor & Francis
ISBN: 1000424383
Category : Political Science
Languages : en
Pages : 418
Book Description
This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.
Publisher: Taylor & Francis
ISBN: 1000424383
Category : Political Science
Languages : en
Pages : 418
Book Description
This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.
Modern British Playwriting: The 1970s
Author: Chris Megson
Publisher: A&C Black
ISBN: 1408177897
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Essential for students of Theatre Studies, this series of six decadal volumes provides a critical survey and reassessment of the theatre produced in each decade from the 1950s to the present. Each volume equips readers with an understanding of the context from which work emerged, a detailed overview of the range of theatrical activity and a close study of the work of four of the major playwrights by a team of leading scholars. Chris Megson's comprehensive survey of the theatre of the 1970s examines the work of four playwrights who came to promience in the decade and whose work remains undiminished today: Caryl Churchill (by Paola Botham), David Hare (Chris Megson), Howard Brenton (Richard Boon) and David Edgar (Janelle Reinelt). It analyses their work then, its legacy today and provides a fresh assessment of their contribution to British theatre. Interviews with the playwrights, with directors and with actors provides an invaluable collection of documents offering new perspectives on the work. Revisiting the decade from the perspective of the twenty-first century, Chris Megson provides an authoritative and stimulating reassessment of British playwriting in the 1970s.
Publisher: A&C Black
ISBN: 1408177897
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Essential for students of Theatre Studies, this series of six decadal volumes provides a critical survey and reassessment of the theatre produced in each decade from the 1950s to the present. Each volume equips readers with an understanding of the context from which work emerged, a detailed overview of the range of theatrical activity and a close study of the work of four of the major playwrights by a team of leading scholars. Chris Megson's comprehensive survey of the theatre of the 1970s examines the work of four playwrights who came to promience in the decade and whose work remains undiminished today: Caryl Churchill (by Paola Botham), David Hare (Chris Megson), Howard Brenton (Richard Boon) and David Edgar (Janelle Reinelt). It analyses their work then, its legacy today and provides a fresh assessment of their contribution to British theatre. Interviews with the playwrights, with directors and with actors provides an invaluable collection of documents offering new perspectives on the work. Revisiting the decade from the perspective of the twenty-first century, Chris Megson provides an authoritative and stimulating reassessment of British playwriting in the 1970s.
In the Nick of Time - The Autobiography of John Altman, EastEnders' Nick Cotton
Author: John Altman
Publisher: Kings Road Publishing
ISBN: 1786061953
Category : Biography & Autobiography
Languages : en
Pages : 307
Book Description
From the moment he exploded onto our screens in 1985 as 'Nasty' Nick Cotton, uttering the infamous phrase 'Alright, Ma?' John Altman changed the face of TV villains for good. As one of the show's original cast members, he is much admired for his role as the leather-jacketed, chain-smoking son of Dot Cotton in the long-running BBC soap, EastEnders, a role that spanned thirty years. Since appearing in the very first episode, he has been at the heart of the show, his character central to many famous storylines, to the extent that he was also given his own spin-off episode, The Return of Nick Cotton, in 2000. But there is far more to John's story than Nick Cotton. This searingly honest autobiography traces the colourful childhood of a desperately shy and art-loving boy growing up in a loving household where he was encouraged to follow his dreams. But there was always something pulling him to test the boundaries – as a teenager he managed to get himself arrested on suspicion of drug possession on the way back from a gap year in India, and the experimentation didn't stop there. Yet for all the tales of acting in film, theatre and television, and the people he has known and worked with, there was once a darker side to John's story. For it was the descent into alcoholism that was to test him the most. It cost him his marriage and almost his sanity, even while his own battle with his demons allowed him to shape Nick Cotton into one of the most memorable soap characters of our times. Now, for the first time, John tells it as it is, in his own inspiring words: the highs and the desperate lows and how, finally, he conquered his addiction for good.
Publisher: Kings Road Publishing
ISBN: 1786061953
Category : Biography & Autobiography
Languages : en
Pages : 307
Book Description
From the moment he exploded onto our screens in 1985 as 'Nasty' Nick Cotton, uttering the infamous phrase 'Alright, Ma?' John Altman changed the face of TV villains for good. As one of the show's original cast members, he is much admired for his role as the leather-jacketed, chain-smoking son of Dot Cotton in the long-running BBC soap, EastEnders, a role that spanned thirty years. Since appearing in the very first episode, he has been at the heart of the show, his character central to many famous storylines, to the extent that he was also given his own spin-off episode, The Return of Nick Cotton, in 2000. But there is far more to John's story than Nick Cotton. This searingly honest autobiography traces the colourful childhood of a desperately shy and art-loving boy growing up in a loving household where he was encouraged to follow his dreams. But there was always something pulling him to test the boundaries – as a teenager he managed to get himself arrested on suspicion of drug possession on the way back from a gap year in India, and the experimentation didn't stop there. Yet for all the tales of acting in film, theatre and television, and the people he has known and worked with, there was once a darker side to John's story. For it was the descent into alcoholism that was to test him the most. It cost him his marriage and almost his sanity, even while his own battle with his demons allowed him to shape Nick Cotton into one of the most memorable soap characters of our times. Now, for the first time, John tells it as it is, in his own inspiring words: the highs and the desperate lows and how, finally, he conquered his addiction for good.
Georg Büchner's Woyzeck
Author: Karoline Gritzner
Publisher: Routledge
ISBN: 1317332989
Category : Drama
Languages : en
Pages : 82
Book Description
'Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day. The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence. In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.
Publisher: Routledge
ISBN: 1317332989
Category : Drama
Languages : en
Pages : 82
Book Description
'Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day. The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence. In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.
Routledge Library Editions: Political Protest
Author: Various Authors
Publisher: Taylor & Francis
ISBN: 1000806847
Category : Political Science
Languages : en
Pages : 6586
Book Description
This 26-volume set is a wide-ranging, time- and subject-spanning examination of the phenomenon of political protest. What drives people to take to the streets, and how do their governments respond? These questions and many more are analysed in areas as varied as sixteenth-century German peasant uprisings, revolutionary Russians at the Paris Commune, women protesting nuclear weapons at Greenham Common, and the role Christianity played in protests across the ages. An impressive reference resource, this set also looks at the policing of protests and official responses to them.
Publisher: Taylor & Francis
ISBN: 1000806847
Category : Political Science
Languages : en
Pages : 6586
Book Description
This 26-volume set is a wide-ranging, time- and subject-spanning examination of the phenomenon of political protest. What drives people to take to the streets, and how do their governments respond? These questions and many more are analysed in areas as varied as sixteenth-century German peasant uprisings, revolutionary Russians at the Paris Commune, women protesting nuclear weapons at Greenham Common, and the role Christianity played in protests across the ages. An impressive reference resource, this set also looks at the policing of protests and official responses to them.