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Author: Nikolaus Pevsner
Publisher: Yale University Press
ISBN: 9780300105711
Category : Art
Languages : en
Pages : 204
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Book Description
Richard Weston is professor at the Welsh School of Architecture, Cardiff University. He has published extensively on twentieth-century architecture, including his book Materials, Form, and Architecture, published by Yale University Press.
Author: Nikolaus Pevsner
Publisher: Yale University Press
ISBN: 9780300105711
Category : Art
Languages : en
Pages : 204
Get Book Here
Book Description
Richard Weston is professor at the Welsh School of Architecture, Cardiff University. He has published extensively on twentieth-century architecture, including his book Materials, Form, and Architecture, published by Yale University Press.
Author: Nikolaus Pevsner
Publisher: Penguin UK
ISBN: 0140137149
Category : Architecture
Languages : en
Pages : 232
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Book Description
A book on artists and architects from Britain, USA and Europe and how the best remains today where laid by a small group of people who thought and taught as well as designed.
Author:
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ISBN:
Category :
Languages : en
Pages : 256
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Book Description
Author: Sir Nikolaus Pevsner
Publisher:
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Category : Architecture
Languages : en
Pages : 260
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Book Description
Author: Nikolaus Pevsner
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: Nikolaus Pevsner
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
Author: Sir J.M Richards
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
Author: Nikolaus Pevsner (Sir)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Nikolaus Pevsner
Publisher:
ISBN:
Category :
Languages : en
Pages : 253
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Book Description
Author: Anne-Florence Gillard-Estrada
Publisher: Routledge
ISBN: 1351333232
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence – the myth of "high modernism" and the myth of "Victorianism" – by building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions. The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed.
