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Author: Tim Jackson
Publisher: Univ. Press of Mississippi
ISBN: 1496804805
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the people who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed Black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of Black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and “Who's Who” directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the Black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden, yet vivid, history is irretrievably lost.
Author: Tim Jackson
Publisher: Univ. Press of Mississippi
ISBN: 1496804805
Category : Literary Criticism
Languages : en
Pages : 366
Get Book Here
Book Description
Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the people who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed Black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of Black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and “Who's Who” directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the Black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden, yet vivid, history is irretrievably lost.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Presents information about Afro-American cartoonists of the 1920s through the 1960s, compiled by Tim Jackson. Notes the names of the cartoonists and the characters, as well as the cartoon title.
Author: Nancy Goldstein
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
In the United States at mid-century, in an era when there were few opportunities for women in general and even fewer for African American women, Jackie Ormes blazed a trail as a popular artist with the major black newspapers of the day. Jackie Ormes chronicles the life of this multiply talented, fascinating woman who became a successful commercial artist and cartoonist. Ormes's cartoon characters (including Torchy Brown, Candy, and Patty-Jo 'n' Ginger) delighted readers of newspapers such as the Pittsburgh Courier and Chicago Defender, and spawned other products, including fashionable paper dolls in the Sunday papers and a black doll with her own extensive and stylish wardrobe. Ormes was a member of Chicago's Black elite in the postwar era, and her social circle included the leading political figures and entertainers of the day. Her politics, which fell decidedly to the left and were apparent to even a casual reader of her cartoons and comic strips, eventually led to her investigation by the FBI. The book includes a generous selection of Ormes's cartoons and comic strips, which provide an invaluable glimpse into U.S. culture and history of the 1937-56 era as interpreted by Ormes. Her topics include racial segregation, cold war politics, educational equality, the atom bomb, and environmental pollution, among other pressing issues of the times. "I am so delighted to see an entire book about the great Jackie Ormes! This is a book that will appeal to multiple audiences: comics scholars, feminists, African Americans, and doll collectors. . . ." ---Trina Robbins, author of A Century of Women Cartoonists and The Great Women Cartoonists Nancy Goldstein became fascinated in the story of Jackie Ormes while doing research on the Patty-Jo Doll. She has published a number of articles on the history of dolls in the United States and is an avid collector.
Author: Liz Montague
Publisher: Random House Studio
ISBN: 0593426568
Category : Juvenile Nonfiction
Languages : en
Pages : 22
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Book Description
A stirring picture-book biography about Jackie Ormes, the first Black female cartoonist in America, whose remarkable life and work inspire countless artists today. Zelda Jackson—or Jackie—was born in Pittsburgh on August 1, 1911, and discovered early on that she could draw any adventure. A field she could run through as far as her hand could draw. An ocean she could color as blue as she liked. As she grew, Jackie put her artistic talents to use, doodling and chronicling daily life for her high school yearbook. But she was already dreaming of bigger things. Jackie would go on to create bold and witty cartoon characters—Torchy Brown, Candy, Patty-Jo 'n' Ginger—who entertained readers of African American newspapers like the Pittsburgh Courier and the Chicago Defender. She tackled racism, pollution, and social justice—and made the world listen. Jackie was the first Black female American cartoonist, but she would not be the last. Author Liz Montague, one of the first Black cartoonists at the New Yorker, carries Jackie's indelible legacy forward in vibrant text and evocative cartoons.
Author: Steven Otfinoski
Publisher: Infobase Publishing
ISBN: 1438107773
Category : Art
Languages : en
Pages : 273
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Book Description
While social concerns have been central to the work of many African-American visual artists, painters
Author: Sheena Howard
Publisher: Fulcrum Publishing
ISBN: 1682751686
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
The Encyclopedia of Black Comics, focuses on people of African descent who have published significant works in the United States or have worked across various aspects of the comics industry. The book focuses on creators in the field of comics: inkers, illustrators, artists, writers, editors, Black comic historians, Black comic convention creators, website creators, archivists and academics—as well as individuals who may not fit into any category but have made notable achievements within and/or across Black comic culture.
Author: Greg Sadowski
Publisher: Fantagraphics Books
ISBN: 1606993437
Category : Comics & Graphic Novels
Languages : en
Pages : 321
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Book Description
A massive collection of never-before-collected pre-Comics Code horror comics of the 1950s. Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951–54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust volume.
Author: Ken Quattro
Publisher: National Geographic Books
ISBN: 1684055865
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Book Description
Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!
Author: Jay Jackson
Publisher: New York Review of Books
ISBN: 1681376652
Category : Comics & Graphic Novels
Languages : en
Pages : 185
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Book Description
Meet Bungleton Green—an anti-racist time traveler and the first-ever Black superhero, created more than a decade before characters such as Black Panther and Falcon. In 1942, almost a year after America entered the Second World War, Jay Jackson—a former railroad worker and sign painter, now working as a cartoonist and illustrator for the legendary Black newspaper the Chicago Defender—did something unexpected. He took the Defender’s stale and long-running gag strip Bungleton Green and remade it into a gripping, anti-racist science-fiction adventure comic. He teamed the bum- bling Green with a crew of Black teens called the Mystic Commandos, and together they battled the enemies of America and racial equality in the past, present, and future. Nazis, segregationist senators, Benedict Arnold, fifth columnists, eighteenth- century American slave traders, evil scientists, and a nation of racist Green Men all faced off against the Mystic Commandos and Green, who in the strip’s run would be transformed by Jackson into the first-ever Black superhero. Never before collected or republished, Jackson’s stories are packed with jaw-dropping twists and breathtaking action, and present a radical vision of a brighter American future.
Author: Qiana Whitted
Publisher: Rutgers University Press
ISBN: 197882503X
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
Some comics fans view the industry’s Golden Age (1930s-1950s) as a challenging time when it comes to representations of race, an era when the few Black characters appeared as brutal savages, devious witch doctors, or unintelligible minstrels. Yet the true portrait is more complex and reveals that even as caricatures predominated, some Golden Age comics creators offered more progressive and nuanced depictions of Black people. Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations introduced by Black comics creators like Matt Baker and Alvin Hollingsworth, while others examine the treatment of race in the work of such canonical cartoonists as George Herriman and Will Eisner. The collection also investigates how Black fans read and loved comics, but implored publishers to stop including hurtful stereotypes. As this book shows, Golden Age comics artists, writers, editors, distributors, and readers engaged in heated negotiations over how Blackness should be portrayed, and the outcomes of those debates continue to shape popular culture today.
