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Author: Harold B. Segel
Publisher: JHU Press
ISBN: 9780801852626
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining worksby such dramatists as Jean-Claude Van Itallie, Heiner MA1/4ller, and Tadeusz Kantor.
Author: Harold B. Segel
Publisher: JHU Press
ISBN: 9780801852626
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining worksby such dramatists as Jean-Claude Van Itallie, Heiner MA1/4ller, and Tadeusz Kantor.
Author: Katia Pizzi
Publisher: Routledge
ISBN: 1136620494
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
This study assesses the significance of Pinocchio in the twentieth and twenty-first centuries in addition to his status as the creature of a nineteenth century traversed by a cultural enthusiasm for dummies, puppets, and marionettes. This collection identifies him as a figure characterized by a 'fluid identity,' informed with transition, difference, joie de vivre, otherness, displacement, and metamorphosis, making Pinocchio a truly modern, indeed postmodern and posthuman, cultural icon. Pinocchio, Puppets and Modernity explores this crucial and as yet little visited field, reassessing Pinocchio's genealogy and progeny, as well as illuminating both the wider context and more specific cultural manifestations of the mechanical-human interface in the domains of theatre, the fine arts, literature, radio, and even virtual reality coherently with the digital metamorphosis of our times. The wide-ranging scope of this exploration encompasses Italian, French, and English literature, dummies and marionettes in modernist and contemporary theatre, the fairytale tradition, and traditional and contemporary painting, as well as the older and newer media of radio, television, cinema, and the Internet. The diverse, comparative, and multimedia focus of this original discussion testifies to the enduring transcultural legacy of Pinocchio. Eminently sellable as a traditional cultural icon, Pinocchio is equally impactful and relevant for a globalized, multicultural, and virtual society, from Collodi to Disney and beyond. Katia Pizzi is Senior Lecturer in Italian at the Institute of Germanic & Romance Studies, School of Advanced Study, University of London. She has published volumes on cultural identities, including A City in Search of an Author (2001) and The Cultural Identities of European Cities (2010), and on children's literature and illustration.
Author: John G. Stoffolano Jr.
Publisher: iUniverse
ISBN: 1450299288
Category : Fiction
Languages : en
Pages : 462
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Book Description
Tonino is a young, curious cricket boy, living with his family in Boston. Life is good for young Tonino, but he suspects theres more to the world than his own backyard. He wants to learn about foreign cultures, but mostly he wants to learn about his own family roots. He heads to Italy, where he is surprised to meet the famous Blue Fairy, who was friends with Toninos ancestorthe cricket guide to Pinocchio. Whereas Toninos ancestor was put in charge of young Pinocchios conscience, Tonino is given a much more universal conscience. He is charged with the conscience of the world and the well-being of its environment, a big change to his personal journey. No longer is he looking after the story of his family; now he looks after the story of Mother Earth! Suddenly, he is transported on a worldwide adventure He heads to Puerto Rico and meets the Ta?no people. He visits a monarch in Mexico and cricket warriors in China. In the American Southwest, he learns about the spirit of the cricket katsina; in Hawaii, he encounters Peles rage. Its a lot to take in for the young cricket boy, but ultimately he discovers that seeking his roots is only the beginning in the wide world of biodiversity, cultural diversity, and conservation of both. The boy/cricket is baptized Anthony at Our Lady of Mount Carmel Church. His parents live in the North End where his mother kept hearing the television advertisement Anthony, Anthony, Its Prince Spaghetti Day so they named him Anthony. Naming him Anthony was straight forward, but naming him Tonino was at the brilliant suggestion of Dr. William Cooley, retired Northampton Ophthalmologist and avid italophile. Dr. Cooley sent Dr. Stoffolano a short novel by an Italian author named Rodari about a young boy, Tonino, who tries to become invisible so that he could avoid problems with his teacher. Rodari (19201980) was one of Italys best-known writers of childrens books and the recipient of the Hans Christian Andersen Medal for childrens literature. Thus, the name and his ability to become invisible are incorporated into the story. In addition to this reference to his nickname, Tonino is a small cricket because he always ate Italian food in the North End and not cricket food. Thus, he also got the name Tonino, which means little Anthony in Italian from Joe Pace who owns and started Joe Pace & Sons Italian Specialities in Bostons North End. In his novel, Stoffolano establishes the first lineage for this famous cricket family. Toninos great, great, great grandfather was Grillo parlante, the talking cricket in the original story Pinocchio. Grillo was also the conscience of Pinocchio and Grillos great grandson was the famous Jiminy Cricket in Walt Disneys classic movie Pinocchio. In this wonderful story about Tonino, the reader sees many different regions of the world through the eyes of this boy/cricket where, through the experiences of Tonino, the reader will learn more about how crickets played various and important roles in different indigenous cultures. Toninos charge by the Blue Fairy was to become the conscience of the world when it comes to environmental issues: A heavy responsibility or a small boy/cricket. The importance of cultural diversity, just as important as biodiversity, is stressed and Tonino takes on Dr. E. O. Wilson, one of the greatest thinkers/writers of our generation, as his mentor.
Author: Nathan Timpano
Publisher: Taylor & Francis
ISBN: 131541368X
Category : Art
Languages : en
Pages : 222
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Book Description
This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.
Author: Suzanne Stewart-Steinberg
Publisher: University of Chicago Press
ISBN: 0226774481
Category : History
Languages : en
Pages : 449
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Book Description
'The Pinocchio Effect' draws on a broad array of sources to trace the making of a modern national identity in Italy. The author explores all the ways that identity was constructed through newly formed attachments, voluntary and otherwise, to the nation.
Author: Michael Sherberg
Publisher: Approaches to Teaching World L
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 196
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Book Description
In 1881, Carlo Collodi intended simply to write a children's story about an inexplicably animate piece of wood. The Adventures of Pinocchio has since become one of Italy's most successful literary exports, giving life to numerous adaptations. The novel is meaningful to college students today, as it deals with the difficulty of abandoning childhood, the value of education, and what it means to be human. This volume, like others in the MLA's Approaches to Teaching World Literature series, is divided into two parts. Part 1, "Materials," gives the instructor bibliographic information on the text and contexts of the book, the critical literature, and audiovisual and electronic resources. Part 2, "Approaches," contains nineteen essays on teaching Pinocchio and its adaptations, which cover such topics as Collodi's life, society in post-Unification Italy, the gothic element, the Frankenstein theme, myths and archetypes, the influence of Ariosto and other writers, children's literature and censorship, the animal fable, and how the famous Disney movie is both a help and a hindrance in the classroom.
Author: Deb Chapin
Publisher: Veritas Press
ISBN: 9781932168075
Category : Psychology
Languages : en
Pages : 68
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Book Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 272
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Book Description
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 1568
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Book Description
Author: Richard Wunderlich
Publisher: Routledge
ISBN: 1135023174
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
In the first full-length study in English of Carlo Collodi's The Adventures of Pinocchio, the authors show how the checkered history of the puppet illuminates social change from the pre World War One era to the present. The authors argue that most Americans know a trivialized, diluted version of the tale, one such source is Disney's perennial classic. The authors also discover that when adults are introduced to the 'real' story, they often deem it as unsuitable for children. Placing the puppet in a variety of contexts, the authors chart the progression of this childhood tale that has frequently undergone dramatic revisions to suit America's idea of children's literature.
