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Author: Henry Spelman
Publisher: Oxford University Press
ISBN: 0192554395
Category : Literary Collections
Languages : en
Pages : 375
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Book Description
Recent scholarship on early Greek lyric has been primarily concerned with the immediate contexts of its first performance. This volume instead turns its attention to the rhetoric and realities of poetic permanence. Taking Pindar and archaic Greek literary culture as its focus, it offers a new reading of Pindar's victory odes which explores not only how they were received by those who first experienced them, but also what they can mean to later audiences. Part One of the discussion investigates Pindar's relationship to both of these audiences, demonstrating how his epinicia address the listeners present at their premiere performance and also a broader secondary audience across space and time. It argues that a full appreciation of these texts involves taking both perspectives into account. Part Two describes how Pindar engages with a wide variety of other poetry, particularly earlier lyric, in order to situate his work both within an immanent poetic history and a contemporary poetic culture. It shows how Pindar's vision of the world shaped the meaning of his work and illuminates the context within which he anticipated its permanence. The book offers new insights into the texts themselves and invites us to rethink early Greek poetic culture through a combination of historical and literary perspectives.
Author: Henry Spelman
Publisher: Oxford University Press
ISBN: 0192554395
Category : Literary Collections
Languages : en
Pages : 375
Get Book Here
Book Description
Recent scholarship on early Greek lyric has been primarily concerned with the immediate contexts of its first performance. This volume instead turns its attention to the rhetoric and realities of poetic permanence. Taking Pindar and archaic Greek literary culture as its focus, it offers a new reading of Pindar's victory odes which explores not only how they were received by those who first experienced them, but also what they can mean to later audiences. Part One of the discussion investigates Pindar's relationship to both of these audiences, demonstrating how his epinicia address the listeners present at their premiere performance and also a broader secondary audience across space and time. It argues that a full appreciation of these texts involves taking both perspectives into account. Part Two describes how Pindar engages with a wide variety of other poetry, particularly earlier lyric, in order to situate his work both within an immanent poetic history and a contemporary poetic culture. It shows how Pindar's vision of the world shaped the meaning of his work and illuminates the context within which he anticipated its permanence. The book offers new insights into the texts themselves and invites us to rethink early Greek poetic culture through a combination of historical and literary perspectives.
Author: Henry Spelman
Publisher: Oxford University Press
ISBN: 0192554409
Category : Literary Collections
Languages : en
Pages : 285
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Book Description
Recent scholarship on early Greek lyric has been primarily concerned with the immediate contexts of its first performance. This volume instead turns its attention to the rhetoric and realities of poetic permanence. Taking Pindar and archaic Greek literary culture as its focus, it offers a new reading of Pindar's victory odes which explores not only how they were received by those who first experienced them, but also what they can mean to later audiences. Part One of the discussion investigates Pindar's relationship to both of these audiences, demonstrating how his epinicia address the listeners present at their premiere performance and also a broader secondary audience across space and time. It argues that a full appreciation of these texts involves taking both perspectives into account. Part Two describes how Pindar engages with a wide variety of other poetry, particularly earlier lyric, in order to situate his work both within an immanent poetic history and a contemporary poetic culture. It shows how Pindar's vision of the world shaped the meaning of his work and illuminates the context within which he anticipated its permanence. The book offers new insights into the texts themselves and invites us to rethink early Greek poetic culture through a combination of historical and literary perspectives.
Author: Agis Marinis
Publisher: Taylor & Francis
ISBN: 1351610961
Category : History
Languages : en
Pages : 258
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Book Description
This book delves into the intricate and, as argued, essential relationship between poetics and religion in Pindar. It explores how performance, cult, and religious attitudes intersect, offering readers a nuanced approach to Pindaric poetry concerning the relationship between mortals and the divine. Marinis approaches the world of Pindaric poetry within its historical context, enabling readers to explore the cultural and religious foundations of Pindar’s lyric verse. The chapters examine both epinician poetry and cultic songs, the two major genres of the Pindaric corpus. This monograph focuses on the interconnectedness of poetics and religion, a central question that is essential for understanding the distinctive nature of Pindaric poetry. It examines the diverse ways in which Pindaric poetic tropes intersect with religious themes through detailed analysis and scholarly research. Readers gain an understanding of the significance of performance and cult in the public enactment of Pindar’s works, exploring the relations between mortals – the composer of the song, its performer, and the victor in the case of epinician poetry – and the divine, highlighting the complexities of ancient Greek literature regarding religious practices and attitudes. Through its rigorous examination of Pindaric poetics and religious themes, this book offers readers a profound insight into the religious dimensions of ancient Greek poetry and the enduring legacy of Pindar’s oeuvre. Poetics and Religion in Pindar is suitable for scholars and students working on ancient Greek literature, particularly the works of Pindar and lyric poetry, as well as those interested in classical literature and ancient Greek religion and culture more broadly.
Author: Alexandros Kampakoglou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110651866
Category : Literary Criticism
Languages : en
Pages : 468
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Book Description
Recent years have witnessed a revival of interest in the influence of archaic lyric poetry on Hellenistic poets. However, no study has yet examined the reception of Pindar, the most prominent of the lyric poets, in the poetry of this period. This monograph is the first book to offer a systematic examination of the evidence for the reception of Pindar in the works of Callimachus of Cyrene, Theocritus of Syracuse, Apollonius of Rhodes and Posidippus of Pella. Through a series of case studies, it argues that Pindaric poetry exercised a considerable influence on a variety of Hellenistic genres: epinician elegies and epigrams, hymns, encomia, and epic poetry. For the poets active at the courts of the first three Ptolemies, Pindar's poetry represented praise discourse in its most successful configuration. Imitating aspects of it, they lent their support to the ideological apparatus of Greco-Egyptian kingship, shaped the literary profile of Pindar for future generations of readers, and defined their own role and place in Greek literary history. The discussion offered in this book suggests new insights into aspects of literary tradition, Ptolemaic patronage, and Hellenistic poetics, placing Pindar's work at the very heart of an intricate nexus of political and poetic correspondences.
Author: Tom Phillips
Publisher: Oxford University Press (UK)
ISBN: 0198848560
Category : Language Arts & Disciplines
Languages : en
Pages : 367
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Book Description
Untimely Epic offers a new interpretation of time in Apollonius Rhodius' Argonautica: rather than focusing predominantly on the structure of the narrative, it employs a range of theoretical concepts drawn from ancient and modern criticism to address how the poem shapes readers' experience of time and temporality.
Author: Felix Budelmann
Publisher: Oxford University Press
ISBN: 0192528386
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Recent decades have seen a major expansion in our understanding of how early Greek lyric functioned in its social, political, and ritual contexts, and the fundamental role song played in the day-to-day lives of communities, groups, and individuals has been the object of intense study. This volume places its focus elsewhere, and attempts to illuminate poetic effects that cannot be captured in functional terms alone. Employing a range of interpretative methods, it explores the idea of lyric performances as 'textual events'. Some chapters investigate the pragmatic relationship between real performance contexts and imaginative settings, while others consider how lyric poems position themselves in relation to earlier texts and textual traditions, or discuss the distinctive encounters lyric poems create between listeners, authors, and performers. Individual lyric texts and authors, such as Sappho, Alcaeus, and Pindar, are analysed in detail, alongside treatments of the relationship between lyric and the Homeric Hymns. Building on the renewed concern with the aesthetic in the study of Greek lyric and beyond, Textual Events aims to re-examine the relationship between the poems' formal features and their historical contexts. Lyric poems are a type of socio-political discourse, but they are also objects of attention in themselves. They enable reflection on social and ritual practices as much as they are embedded within them. As well as expressing cultural norms, lyric challenges listeners to think about and experience the world afresh.
Author: Laura Swift
Publisher: John Wiley & Sons
ISBN: 1119122651
Category : Literary Criticism
Languages : en
Pages : 608
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Book Description
Discover the power of Greek lyric with essays from some of the foremost scholars in the field today Recent decades have seen a strong resurgence of interest in Greek lyric, resulting in this topic becoming one of the most dynamic areas of Classical scholarship. In A Companion to Greek Lyric, renowned Classical scholar Laura Swift delivers a collection of essays by international experts and emerging voices that offers up-to-date approaches on the methodology, contexts, and reception of Greek lyric from the archaic to the Hellenistic period. This edited volume includes detailed analyses of the poets themselves, as well as a reflection of the current state of play in the study of Greek lyric. It showcases the scope and range of approaches to be found in scholarly work in the field. Newcomers to the subject will benefit from the range of contextual and technical information included that allows for a more effective engagement with the lyric poets. Readers will also enjoy: Guidance on working with texts that are mainly preserved as fragments A selection of ways in which lyric poetry has influenced and inspired writers from Rome to the modern era Recommendations for further reading that offer a starting point for how to follow up on a particular topic Perfect for undergraduate and master’s students taking courses on Greek lyric or survey courses on classical literature, A Companion to Greek Lyric also belongs in the libraries of students of English or Comparative Literature seeking an authoritative resource for Greek lyric.
Author:
Publisher: BRILL
ISBN: 9004466665
Category : Literary Criticism
Languages : en
Pages : 411
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Book Description
This volume features an international group of experts on the literature, philosophy, and religion of the ancient Mediterranean world. Each paper makes a unique contribution, and together, the papers draw an engaging portrait of the idea of “repetition.”
Author: Leah Schwebel
Publisher: University of Toronto Press
ISBN: 1487552610
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
While scholars have long explored connections between Chaucer and Boccaccio, relatively few have asked why Chaucer makes such a habit of obscuring the influence of his favourite vernacular author. Tropes of Engagement asks the question of what motivated Chaucer to camouflage his debt to his most prominent, yet never named, Italian source: Giovanni Boccaccio. Leah Schwebel boldly claims that when Chaucer erases Boccaccio, he is mimicking strategies of translation practiced by his classical and continental predecessors. Tracing popular narratives from antiquity to the late Middle Ages, including the Knight’s Tale, the Clerk’s Tale, the Monk’s Tale, Troilus and Criseyde, and Lydgate’s Fall of Princes and Troy Book, Schwebel argues that authorial erasure, invention, and manipulation are recognizable literary tropes of engagement that poets employ to suggest their connection to, and place within, a broader authorial tradition. Combining an attention to the cultural, historical, and material circumstances surrounding literary production with a mode of source study that looks beyond discernable influence, Tropes of Engagement recognizes authors self-consciously erasing and misreading each other as part of a process of mutual and self-promotion.
Author: K. Scarlett Kingsley
Publisher: Cambridge University Press
ISBN: 1009179780
Category : History
Languages : en
Pages : 493
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Book Description
In this volume an international group of scholars revisits the themes of John Marincola's ground-breaking Authority and Tradition in Ancient Historiography. The nineteen chapters offer a series of case studies that explore how ancient historians' approaches to their projects were informed both by the pull of tradition and by the ambition to innovate. The key themes explored are the relation of historiography to myth and poetry; the narrative authority exemplified by Herodotus, the 'father' of history; the use of 'fictional' literary devices in historiography; narratorial self-presentation; and self-conscious attempts to shape the historiographical tradition in new and bold ways. The volume presents a holistic vision of the development of Greco-Roman historiography and the historian's dynamic position within this practice.
