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Author: Alexander Vatlin
Publisher: Yale University Press
ISBN: 0300137990
Category : Political Science
Languages : en
Pages : 224
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Book Description
About sixty thousand Jews from Wilno (Vilnius), present-day Lithuania, and surrounding townships were murdered by the Nazis and their Lithuanian collaborators in huge pits on the outskirts of Ponary. Over a period of several years, Kazimierz Sakowicz, a Polish journalist who lived in the village of Ponary, was an eyewitness to the murder of these Jews as well as to the murders of thousands of non-Jews on an almost daily basis. He chronicled these events in a diary that he kept at great personal risk. Written as a simple account of what Sakowicz witnessed, the diary is devoid of personal involvement or identification with the victims. It is thus a unique document: testimony from a bystander, an 'objective' observer without an emotional or a political agenda, to the extermination of the Jews of the city known as 'the Jerusalem of Lithuania'. Sakowicz did not survive the war, but much of his diary did. Painstakingly pieced together by Rahel Margolis from scraps of paper hidden in various locations, the diary was published in Polish in 1999. It is here published in English for the first time.
Author: Alexander Vatlin
Publisher: Yale University Press
ISBN: 0300137990
Category : Political Science
Languages : en
Pages : 224
Get Book Here
Book Description
About sixty thousand Jews from Wilno (Vilnius), present-day Lithuania, and surrounding townships were murdered by the Nazis and their Lithuanian collaborators in huge pits on the outskirts of Ponary. Over a period of several years, Kazimierz Sakowicz, a Polish journalist who lived in the village of Ponary, was an eyewitness to the murder of these Jews as well as to the murders of thousands of non-Jews on an almost daily basis. He chronicled these events in a diary that he kept at great personal risk. Written as a simple account of what Sakowicz witnessed, the diary is devoid of personal involvement or identification with the victims. It is thus a unique document: testimony from a bystander, an 'objective' observer without an emotional or a political agenda, to the extermination of the Jews of the city known as 'the Jerusalem of Lithuania'. Sakowicz did not survive the war, but much of his diary did. Painstakingly pieced together by Rahel Margolis from scraps of paper hidden in various locations, the diary was published in Polish in 1999. It is here published in English for the first time.
Author: Jeffrey Brooks
Publisher: Cambridge University Press
ISBN: 1108484468
Category : Art
Languages : en
Pages : 349
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Book Description
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
Author: Sean N. Kalic
Publisher: Bloomsbury Publishing USA
ISBN: 1440850933
Category : History
Languages : en
Pages : 298
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Book Description
Combining reference entries and examination of primary documents from the Russian Revolution, this book gives students a better understanding of how and why political forces fought to reshape the Russian empire 100 years ago—and provides keen insights into the Soviet Union that resulted. This invaluable reference guide provides an understanding of the social, political, and economic forces and events in Russia that led to the 1905 Russian Revolution in which leftists radicals disposed of the Czar and his regime. It addresses key developments such as the formation of the provisional government, the Bolshevik Revolution in October 1917, and the Russian Civil War—connected, evolutionary historical events that fundamentally reshaped Russia into the Soviet Union. This book serves students and general readers seeking a single source that provides in-depth coverage of the Russian Revolution and the Russian Civil War. Beyond the reference entries, the book contains primary documents that cover the key events, people, and issues that emerged during Russia's revolutions and Civil War. These documents give readers a more detailed understanding of how the Bolsheviks used calls for greater "democracy" to gain support for their revolution, how the Bolsheviks used terror and control as means to maintain their power once the Bolshevik Revolution took place, and why the Bolsheviks believed such extreme measures were needed. Also included is a chronology of major events from 1890 through 1923 and a bibliography that serves as a starting point for more directed research.
Author: José Alaniz
Publisher: Univ. Press of Mississippi
ISBN: 1604733675
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
José Alaniz explores the problematic publication history of komiks—an art form much-maligned as “bourgeois” mass diversion before, during, and after the collapse of the USSR—with an emphasis on the last twenty years. Using archival research, interviews with major artists and publishers, and close readings of several works, Komiks: Comic Art in Russia provides heretofore unavailable access to the country's rich—but unknown—comics heritage. The study examines the dizzying experimental comics of the late Czarist and early revolutionary era, caricature from the satirical journal Krokodil, and the postwar series Petia Ryzhik (the “Russian Tintin”). Detailed case studies include the Perestroika-era KOM studio, the first devoted to comics in the Soviet Union; post-Soviet comics in contemporary art; autobiography and the work of Nikolai Maslov; and women's comics by such artists as Lena Uzhinova, Namida, and Re-I. Alaniz examines such issues as anti-Americanism, censorship, the rise of consumerism, globalization (e.g., in Russian manga), the impact of the internet, and the hard-won establishment of a comics subculture in Russia Komiks have often borne the brunt of ideological change—thriving in summers of relative freedom, freezing in hard winters of official disdain. This volume covers the art form's origins in religious icon-making and book illustration, and later the immensely popular lubok or woodblock print. Alaniz reveals comics' vilification and marginalization under the Communists, the art form's economic struggles, and its eventual internet “migration” in the post-Soviet era. This book shows that Russian comics, as with the people who made them, never had a “normal life.”
Author: Jonathan Brent
Publisher: Atlas and Company
ISBN: 9781934633229
Category : History
Languages : en
Pages : 335
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Book Description
To many people, Russia remains as enigmatic today as it was during the Iron Curtain era. With the collapse of the Soviet Union, the country had an opportunity to face its tortured past. Here, Brent asks - why didn't this happen? To answer such a question, he draws on 15 years of unprecedented access to high level Soviet archives. He shows readers a Russia where, in 1992, women sold used toothbrushes on the street to survive, yet now the shops are filled with luxury goods. Brent encounters Stalin's spectre through these changes and takes readers deep inside his archives.
Author: David R. Marples
Publisher: Routledge
ISBN: 1317862287
Category : History
Languages : en
Pages : 393
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Book Description
The history of Russia, as the natural successor to the Soviet Union, is of crucial importance to understanding why communism ultimately lost out to Western democracy and the free market system. David Marples presents a balanced overview of 20th century Russian history and shows that although contemporary Russia has retained many of the practices and memories of the Soviet period, it is not about to revert back to the Soviet example.
Author: John Etty
Publisher: Univ. Press of Mississippi
ISBN: 149682055X
Category : History
Languages : en
Pages : 277
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Book Description
After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and new economic growth. In this new atmosphere of freedom, Russia’s satirical magazine Krokodil (The Crocodile) became rejuvenated. John Etty explores Soviet graphic satire through Krokodil and its political cartoons. He investigates the forms, production, consumption, and functions of Krokodil, focusing on the period from 1954 to 1964. Krokodil remained the longest-serving and most important satirical journal in the Soviet Union, unique in producing state-sanctioned graphic satirical comment on Soviet and international affairs for over seventy years. Etty’s analysis of Krokodil extends and enhances our understanding of Soviet graphic satire beyond state-sponsored propaganda. For most of its life, Krokodil consisted of a sixteen-page satirical magazine comprising a range of cartoons, photographs, and verbal texts. Authored by professional and nonprofessional contributors and published by Pravda in Moscow, it produced state-sanctioned satirical comment on Soviet and international affairs from 1922 onward. Soviet citizens and scholars of the USSR recognized Krokodil as the most significant, influential source of Soviet graphic satire. Indeed, the magazine enjoyed an international reputation, and many Americans and Western Europeans, regardless of political affiliation, found the images pointed and witty. Astoundingly, the magazine outlived the USSR but until now has received little scholarly attention.
Author: Annie Gérin
Publisher: University of Toronto Press
ISBN: 1487515332
Category : Art
Languages : en
Pages : 282
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Book Description
In Devastation and Laughter, Annie Gérin explores the use of satire in the visual arts, theatre, cinema, and the circus under Lenin and Stalin. Gérin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor untheorized. The author sheds light on the texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history and film and theatre history, Annie Gérin provides a nuanced and alternative reading of early Soviet art.
Author: Karl Schlögel
Publisher: John Wiley & Sons
ISBN: 0745683622
Category : Political Science
Languages : en
Pages : 1048
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Book Description
Moscow, 1937: the soviet metropolis at the zenith of Stalin’s dictatorship. A society utterly wrecked by a hurricane of violence. In this compelling book, the renowned historian Karl Schlögel reconstructs with meticulous care the process through which, month by month, the terrorism of a state-of-emergency regime spiraled into the ‘Great Terror’ during which 1 1⁄2 million human beings lost their lives within a single year. He revisits the sites of show trials and executions and, by also consulting numerous sources from the time, he provides a masterful panorama of these key events in Russian history. He shows how, in the shadow of the reign of terror, the regime around Stalin also aimed to construct a new society. Based on countless documents, Schlögel’s historical masterpiece vividly presents an age in which the boundaries separating the dream and the terror dissolve, and enables us to experience the fear that was felt by people subjected to totalitarian rule. This rich and absorbing account of the Soviet purges will be essential reading for all students of Russia and for any readers interested in one of the most dramatic and disturbing events of modern history.
Author: Leigh Claire La Berge
Publisher: Duke University Press
ISBN: 1478023880
Category : Philosophy
Languages : en
Pages : 237
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Book Description
At the outset of Marx for Cats, Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism’s feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration.
