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Author: Pierre Boulez
Publisher: Oxford University Press on Demand
ISBN: 9780193112100
Category : Music
Languages : en
Pages : 316
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Book Description
Pierre Boulez (born 1925) is a major figure in French musical life, being not only the leading French composer of his generation, but also an outstanding conductor. He is also a prolific writer on music, and this is a translation of his first collection of essays, published in France in 1966. In these essays Boulez worked out many of his most significant ideas about music, and he sets forth his views with characteristic intellectual vigour and acuity. The essays are divided into four parts, the first three concerned with a common preoccupation (aesthetic, technical, polemical), thelast a collection of entries intended for a music encyclopaedia. Boulez writes mainly on the giants of twentieth-century music - Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, Ravel - and he offers penetrating and at times provocative analyses of some of their music and musical styles,such as neo-classicism and serialism. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music.
Author: Pierre Boulez
Publisher: Oxford University Press on Demand
ISBN: 9780193112100
Category : Music
Languages : en
Pages : 316
Get Book Here
Book Description
Pierre Boulez (born 1925) is a major figure in French musical life, being not only the leading French composer of his generation, but also an outstanding conductor. He is also a prolific writer on music, and this is a translation of his first collection of essays, published in France in 1966. In these essays Boulez worked out many of his most significant ideas about music, and he sets forth his views with characteristic intellectual vigour and acuity. The essays are divided into four parts, the first three concerned with a common preoccupation (aesthetic, technical, polemical), thelast a collection of entries intended for a music encyclopaedia. Boulez writes mainly on the giants of twentieth-century music - Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, Ravel - and he offers penetrating and at times provocative analyses of some of their music and musical styles,such as neo-classicism and serialism. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music.
Author: Pierre Boulez
Publisher: University of Chicago Press
ISBN: 022667259X
Category : Music
Languages : en
Pages : 689
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Book Description
Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.
Author: Pierre Boulez
Publisher: Knopf Books for Young Readers
ISBN:
Category : Music
Languages : en
Pages : 452
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Book Description
A collection of previously published essays.
Author: Michael Chanan
Publisher: Verso
ISBN: 9781859840054
Category : Music
Languages : en
Pages : 324
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Book Description
Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.
Author: James R. Briscoe
Publisher: Yale University Press
ISBN: 0300076266
Category : Music
Languages : en
Pages : 316
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Book Description
Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.
Author: Michael Chanan
Publisher: Verso Books
ISBN: 1789607078
Category : Music
Languages : en
Pages : 349
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Book Description
Repeated Takes is the first general book on the history of the recording industry, covering the entire field from Edison's talking tin foil of 1877 to the age of the compact disc. Michael Chanan considers the record as a radically new type of commodity which turned the intangible performance of music into a saleable object, and describes the upset which this caused in musical culture. He asks: What goes on in a recording studio? How does it affect the music? Do we listen to music differently because of reproduction? Repeated Takes relates the growth and development of the industry, both technically and economically; the effects of the microphone on interpretation in both classical and popular music; and the impact of all these factors on musical styles and taste. This highly readable book also traces the connections between the development of recording and the rise of new forms of popular music, and discusses arguments among classical musicians about microphone technique and studio practice.
Author: Dominique Jameux
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
Author: Jonathan Goldman
Publisher: Cambridge University Press
ISBN: 0521514908
Category : Biography & Autobiography
Languages : en
Pages : 269
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Book Description
A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.
Author: Pierre Boulez
Publisher:
ISBN: 9780571219674
Category : Composers
Languages : en
Pages : 150
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Book Description
Pierre Boulez is arguably the single most influential - and controversial - figure in the world of music today. As composer, conductor and personality, his challenging views are lent a special authority by his very high standing as an interpreter of great composers such as Wagner, Debussy, Bartók and Stravinsky. He regularly appears to great acclaim on concert platforms and in opera houses around the world.In these unique conversations with Cécile Gilly, he recalls not only the great moments of his career, but brings penetrating insights into the art of conducting, including his views on other great composer-conductors (Berlioz, Wagner, Mahler, Strauss). Boulez speaks unusually frankly about his own rapport with conductors as a composer, and how he sees the role of the conductor today.
Author: Pierre Boulez
Publisher: London : Faber and Faber
ISBN: 9780571143474
Category : Composers
Languages : en
Pages : 541
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Book Description
Pierre Boulez is arguably the single most influential - and controversial - figure in the world of contemporary music. As composer, conductor and personality, his challenging views of modern developments are lent a special authority by his very high standing as an interpreter of great composers like Wagner, Debussy, Bart k and Stravinsky. This collection of writings enhances his unrivalled reputation as a lucid and compelling expositor of the modern composer's world.
