Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 0810931001
Category : Grabados en color franceses
Languages : en
Pages : 274
Book Description
Tentoonstellingscatalogus. Met bibliografie en register.
Pierre Bonnard, the Graphic Art
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 0810931001
Category : Grabados en color franceses
Languages : en
Pages : 274
Book Description
Tentoonstellingscatalogus. Met bibliografie en register.
Publisher: Metropolitan Museum of Art
ISBN: 0810931001
Category : Grabados en color franceses
Languages : en
Pages : 274
Book Description
Tentoonstellingscatalogus. Met bibliografie en register.
Pierre Bonnard
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 1588393089
Category : Interior architecture in art
Languages : en
Pages : 210
Book Description
"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
Publisher: Metropolitan Museum of Art
ISBN: 1588393089
Category : Interior architecture in art
Languages : en
Pages : 210
Book Description
"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
Matisse - Bonnard
Author: Felix Kramer
Publisher: National Geographic Books
ISBN: 3791356321
Category : Art
Languages : en
Pages : 0
Book Description
In this beautifully illustrated book, the forty year friendship between Henri Matisse and Pierre Bonnard becomes a platform for new perspectives on the development of the European avant-garde. "Long live painting!" With this rallying cry, Henri Matisse, greeted his colleague Pierre Bonnard on a 1925 postcard from Amsterdam. Widely considered two of the greatest painters of French modernism, they were united by a forty-year-long friendship and a keen appreciation of each other’s work. This catalogue offers fascinating insights into their artistic dialogue. Focusing throughout on their creative exchanges, it highlights their respective contributions to the development of modern art, from the beginning of the twentieth century to the end of the Second World War. Comprising over 100 paintings, sculptures, drawings, and prints, the book makes palpable the many intersections between their artistic visions, and investigates their shared interest in subjects such as interiors, still life, landscape, and the nude. Scholarly essays and thematic introductions to their oeuvres provide a wealth of information on the two colleagues and friends gained from their writings and correspondence as well as archival material. Another highlight is a series of iconic photographs taken by Henri Cartier-Bresson, who visited both Matisse and Bonnard at their much-fabled houses in the South of France.
Publisher: National Geographic Books
ISBN: 3791356321
Category : Art
Languages : en
Pages : 0
Book Description
In this beautifully illustrated book, the forty year friendship between Henri Matisse and Pierre Bonnard becomes a platform for new perspectives on the development of the European avant-garde. "Long live painting!" With this rallying cry, Henri Matisse, greeted his colleague Pierre Bonnard on a 1925 postcard from Amsterdam. Widely considered two of the greatest painters of French modernism, they were united by a forty-year-long friendship and a keen appreciation of each other’s work. This catalogue offers fascinating insights into their artistic dialogue. Focusing throughout on their creative exchanges, it highlights their respective contributions to the development of modern art, from the beginning of the twentieth century to the end of the Second World War. Comprising over 100 paintings, sculptures, drawings, and prints, the book makes palpable the many intersections between their artistic visions, and investigates their shared interest in subjects such as interiors, still life, landscape, and the nude. Scholarly essays and thematic introductions to their oeuvres provide a wealth of information on the two colleagues and friends gained from their writings and correspondence as well as archival material. Another highlight is a series of iconic photographs taken by Henri Cartier-Bresson, who visited both Matisse and Bonnard at their much-fabled houses in the South of France.
Culture Is Not Always Popular
Author: Michael Bierut
Publisher: MIT Press
ISBN: 0262039109
Category : Design
Languages : en
Pages : 241
Book Description
A collection of writing about design from the influential, eclectic, and adventurous Design Observer. Founded in 2003, Design Observer inscribes its mission on its homepage: Writings about Design and Culture. Since its inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world—one not limited by materialism, trends, or the slipperiness of style. Dedicated to the pursuit of originality, imagination, and close cultural analysis, Design Observer quickly became a lively forum for readers in the international design community. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a combination primer, celebration, survey, and salute to a certain moment in online culture. This collection includes reassessments that sharpen the lens or dislocate it; investigations into the power of design idioms; off-topic gems; discussions of design ethics; and experimental writing, new voices, hybrid observations, and other idiosyncratic texts. Since its founding, Design Observer has hosted conferences, launched a publishing imprint, hosted three podcasts, and attracted more than a million followers on social media. All of these enterprises are rooted in the original mission to engage a broader community by sharing ideas on ways that design shapes—and is shaped by—our lives. Contributors include Sean Adams, Allison Arieff, Ashleigh Axios, Eric Baker, Rachel Berger, Andrew Blauvelt, Liz Brown, John Cantwell, Mark Dery, Michael Erard, Stephen Eskilson, Bryan Finoki, Kenneth FitzGerald, John Foster, Steven Heller, Karrie Jacobs, Meena Kadri, Mark Lamster, Alexandra Lange, Francisco Laranjo, Adam Harrison Levy, Mimi Lipson, KT Meaney, Thomas de Monchaux, Randy Nakamura, Phil Patton, Maria Popova, Rick Poynor, Louise Sandhaus, Dmitri Siegel, Martha Scotford, Adrian Shaughnessy, Andrew Shea, John Thackara, Dori Tunstall, Alice Twemlow, Tom Vanderbilt, Véronique Vienne, Alissa Walker, Rob Walker, Lorraine Wild, Timothy Young
Publisher: MIT Press
ISBN: 0262039109
Category : Design
Languages : en
Pages : 241
Book Description
A collection of writing about design from the influential, eclectic, and adventurous Design Observer. Founded in 2003, Design Observer inscribes its mission on its homepage: Writings about Design and Culture. Since its inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world—one not limited by materialism, trends, or the slipperiness of style. Dedicated to the pursuit of originality, imagination, and close cultural analysis, Design Observer quickly became a lively forum for readers in the international design community. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a combination primer, celebration, survey, and salute to a certain moment in online culture. This collection includes reassessments that sharpen the lens or dislocate it; investigations into the power of design idioms; off-topic gems; discussions of design ethics; and experimental writing, new voices, hybrid observations, and other idiosyncratic texts. Since its founding, Design Observer has hosted conferences, launched a publishing imprint, hosted three podcasts, and attracted more than a million followers on social media. All of these enterprises are rooted in the original mission to engage a broader community by sharing ideas on ways that design shapes—and is shaped by—our lives. Contributors include Sean Adams, Allison Arieff, Ashleigh Axios, Eric Baker, Rachel Berger, Andrew Blauvelt, Liz Brown, John Cantwell, Mark Dery, Michael Erard, Stephen Eskilson, Bryan Finoki, Kenneth FitzGerald, John Foster, Steven Heller, Karrie Jacobs, Meena Kadri, Mark Lamster, Alexandra Lange, Francisco Laranjo, Adam Harrison Levy, Mimi Lipson, KT Meaney, Thomas de Monchaux, Randy Nakamura, Phil Patton, Maria Popova, Rick Poynor, Louise Sandhaus, Dmitri Siegel, Martha Scotford, Adrian Shaughnessy, Andrew Shea, John Thackara, Dori Tunstall, Alice Twemlow, Tom Vanderbilt, Véronique Vienne, Alissa Walker, Rob Walker, Lorraine Wild, Timothy Young
Artists & Prints
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Private Lives
Author: Mary Weaver Chapin
Publisher: Cleveland Museum of Art
ISBN: 9780300257595
Category : Art, French
Languages : en
Pages : 278
Book Description
Four "prophets" of art whose luminous work unfolds the mysteries of domestic life
Publisher: Cleveland Museum of Art
ISBN: 9780300257595
Category : Art, French
Languages : en
Pages : 278
Book Description
Four "prophets" of art whose luminous work unfolds the mysteries of domestic life
Felix Vallotton
Author: Dita Amory
Publisher:
ISBN: 9781912520046
Category : ART
Languages : en
Pages : 0
Book Description
The Swiss artist Felix Vallotton (1865-1925) was born in Lausanne, but spent much of his working life in France. Closely associated with Pierre Bonnard and Edouard Vuillard, and a fellow member of the avant-garde group Les Nabis, Vallotton has nonetheless sometimes been overshadowed by his more famous contemporaries. Although he produced some of his most important work in Paris in the 1890s, his original and innovative approach persisted throughout his career. Texts by leading authorities on the artist look at his life, work and reception. Generously illustrated throughout with the finest exemplars of the artist's paintings and prints, this book accompanies a new presentation of Vallotton's oeuvre that aims to re-evaluate his output and legacy, and includes some works never seen before. AUTHORS: Dita Amory is curator at The Metropolitan Museum of Art, New York, and author of Madame Cézanne (2014). Philippe Buttner is Keeper of the Collection at the Kunsthaus Zurich. Ann Dumas is curator at the Royal Academy of Arts, London. Patrick McGuinness is a novelist, critic and poet, and Professor of French and Comparative Literature at the University of Oxford. Katia Poletti is Director of the Vallotton Foundation. Christian Rumelin is Keeper of Prints and Drawings at the Cabinet d'arts graphiques du Musee d'art et d'histoire in Geneva. Belinda Thomson is an honorary fellow at the University of Edinburgh and an independent art historian. SELLING POINT: * An important study of the work of Felix Vallotton, a prominent member of Les Nabis and a contemporary of Bonnard and Vuillard 150 colour images
Publisher:
ISBN: 9781912520046
Category : ART
Languages : en
Pages : 0
Book Description
The Swiss artist Felix Vallotton (1865-1925) was born in Lausanne, but spent much of his working life in France. Closely associated with Pierre Bonnard and Edouard Vuillard, and a fellow member of the avant-garde group Les Nabis, Vallotton has nonetheless sometimes been overshadowed by his more famous contemporaries. Although he produced some of his most important work in Paris in the 1890s, his original and innovative approach persisted throughout his career. Texts by leading authorities on the artist look at his life, work and reception. Generously illustrated throughout with the finest exemplars of the artist's paintings and prints, this book accompanies a new presentation of Vallotton's oeuvre that aims to re-evaluate his output and legacy, and includes some works never seen before. AUTHORS: Dita Amory is curator at The Metropolitan Museum of Art, New York, and author of Madame Cézanne (2014). Philippe Buttner is Keeper of the Collection at the Kunsthaus Zurich. Ann Dumas is curator at the Royal Academy of Arts, London. Patrick McGuinness is a novelist, critic and poet, and Professor of French and Comparative Literature at the University of Oxford. Katia Poletti is Director of the Vallotton Foundation. Christian Rumelin is Keeper of Prints and Drawings at the Cabinet d'arts graphiques du Musee d'art et d'histoire in Geneva. Belinda Thomson is an honorary fellow at the University of Edinburgh and an independent art historian. SELLING POINT: * An important study of the work of Felix Vallotton, a prominent member of Les Nabis and a contemporary of Bonnard and Vuillard 150 colour images
Snapshot
Author: Clément Chéroux
Publisher:
ISBN: 9780300172362
Category : ART
Languages : en
Pages : 0
Book Description
A fascinating look at how snapshots by seven Post-Impressionist artists influenced their work and the history of photography The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of observing the world and capturing their own images of it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been seen by the public. Juxtaposing personal photographs with related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting, printmaking, and photography at the end of the 19th century. Published in association with the Phillips Collection, the Van Gogh Museum, and the Indianapolis Museum of Art Exhibition Schedule: The Van Gogh Museum 10/14/11-01/08/12 The Phillips Collection 02/04/12-05/06/12 The Indianapolis Museum of Art 06/08/12-09/02/12
Publisher:
ISBN: 9780300172362
Category : ART
Languages : en
Pages : 0
Book Description
A fascinating look at how snapshots by seven Post-Impressionist artists influenced their work and the history of photography The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of observing the world and capturing their own images of it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been seen by the public. Juxtaposing personal photographs with related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting, printmaking, and photography at the end of the 19th century. Published in association with the Phillips Collection, the Van Gogh Museum, and the Indianapolis Museum of Art Exhibition Schedule: The Van Gogh Museum 10/14/11-01/08/12 The Phillips Collection 02/04/12-05/06/12 The Indianapolis Museum of Art 06/08/12-09/02/12
Interpreting Bonnard
Author: Nicholas Watkins
Publisher: Stewart, Tabori, & Chang
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Pierre Bonnard was a very private painter who confined his subject matter to his wife, his homes, the surrounding countryside, and his self-portraits. This book provides a concise review of Bonnard's life, key works, and the development of his technique, which began with early work done chiefly in tone, then led to gradual color-enrichment and, finally, to the mastery of light suffusion. Author Nicholas Watkins presents the artist not as a sentimental survivor of Impressionism, as he was often labeled, but as a highly demanding formal artist who transformed light into an emotional atmosphere enveloping the surface within which objects exist.
Publisher: Stewart, Tabori, & Chang
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Pierre Bonnard was a very private painter who confined his subject matter to his wife, his homes, the surrounding countryside, and his self-portraits. This book provides a concise review of Bonnard's life, key works, and the development of his technique, which began with early work done chiefly in tone, then led to gradual color-enrichment and, finally, to the mastery of light suffusion. Author Nicholas Watkins presents the artist not as a sentimental survivor of Impressionism, as he was often labeled, but as a highly demanding formal artist who transformed light into an emotional atmosphere enveloping the surface within which objects exist.
Impressionist Paris
Author: James A. Ganz
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
This richly illustrated volume explores diverse aspects of life in nineteenth-century Paris, from the dim alleys of 'Old Paris' to the grand boulevards of the Second Empire. Paris earned the enduring nickname 'la ville lumiere' during the second half of the nineteenth century, when gas lamps gradually began to light up the city's dark medieval streets. Authors, composers, and especially visual artists thrived in this dazzling milieu. Approximately one hundred prints, drawings, photographs, and paintings offer an unforgettable tour of the cultural capital of the nineteenth century - the city in which Impressionism was born. Readers are transported to Paris via views of the city, from panoramas to picturesque details, by Pierre Bonnard, Charles Marville, Jean-Francois Raffaelli, and Edouard Vuillard. Works by Honore Daumier and Edouard Manet convey key historical events and underscore the newfound power of the press. Prints and drawings by Mary Cassatt, Paul Gauguin, and Camille Pissarro provide an expanded view of the Impressionist movement beyond the medium of painting, while Edgar Degas, Pierre-Auguste Renoir, and James Tissot contribute colourful images of the theatre, the circus, and other forms of popular entertainment. The book concludes with a selection of vibrant turn-of-the-century posters by Jules Cheret, Alphonse Mucha, Henri de Toulouse-Lautrec, and many more.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
This richly illustrated volume explores diverse aspects of life in nineteenth-century Paris, from the dim alleys of 'Old Paris' to the grand boulevards of the Second Empire. Paris earned the enduring nickname 'la ville lumiere' during the second half of the nineteenth century, when gas lamps gradually began to light up the city's dark medieval streets. Authors, composers, and especially visual artists thrived in this dazzling milieu. Approximately one hundred prints, drawings, photographs, and paintings offer an unforgettable tour of the cultural capital of the nineteenth century - the city in which Impressionism was born. Readers are transported to Paris via views of the city, from panoramas to picturesque details, by Pierre Bonnard, Charles Marville, Jean-Francois Raffaelli, and Edouard Vuillard. Works by Honore Daumier and Edouard Manet convey key historical events and underscore the newfound power of the press. Prints and drawings by Mary Cassatt, Paul Gauguin, and Camille Pissarro provide an expanded view of the Impressionist movement beyond the medium of painting, while Edgar Degas, Pierre-Auguste Renoir, and James Tissot contribute colourful images of the theatre, the circus, and other forms of popular entertainment. The book concludes with a selection of vibrant turn-of-the-century posters by Jules Cheret, Alphonse Mucha, Henri de Toulouse-Lautrec, and many more.