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Author: Richard Lancaster
Publisher:
ISBN:
Category : Piegan Indians
Languages : en
Pages : 368
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Book Description
Recollections of James White Calf (or "Hing Gun"), 109-year-old Chief of the Piegan tribe of the Blackfoot nation.
Author: Richard Lancaster
Publisher:
ISBN:
Category : Piegan Indians
Languages : en
Pages : 368
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Book Description
Recollections of James White Calf (or "Hing Gun"), 109-year-old Chief of the Piegan tribe of the Blackfoot nation.
Author:
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 630
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Book Description
Author: Clark Wissler
Publisher:
ISBN:
Category : Siksika Indians
Languages : en
Pages : 80
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Book Description
Author: Clark Wissler
Publisher:
ISBN:
Category : Siksika mythology
Languages : en
Pages : 178
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Book Description
Author:
Publisher:
ISBN:
Category : Cumberland County (Pa.)
Languages : en
Pages : 572
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Book Description
Author: Clark Wissler
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 352
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Book Description
Author: John C. Ewers
Publisher: University of Oklahoma Press
ISBN: 0806188685
Category : Social Science
Languages : en
Pages : 388
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Book Description
The Blackfeet were the strongest military power on the northwestern plains throughout the eighteenth century. But the near extinction of buffalo in the late nineteenth century brought dire poverty to the tribe, forcing them to rely in part on the U.S. government for sustenance. In this history of the Blackfeet, historian John C. Ewers relied on his own experience living among the Blackfeet as well as archival research to tell of not only the events that have so drastically affected the Blackfeet way of life, but also the ways the Blackfeet have responded, adapting and preserving their culture in the face of a changing landscape.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 844
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Book Description
Author: Hugh Aylmer Dempsey
Publisher: University of Oklahoma Press
ISBN: 9780806137711
Category : History
Languages : en
Pages : 308
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Book Description
The Vengeful Wife and Other Blackfoot Stories by historian Hugh A. Dempsey presents tales from the Blackfoot tribe of the plains of northern Montana and southern Alberta. Drawn from Dempsey’s fifty years of interviewing tribal elders and sifting through archives, the stories are about warfare, hunting, ceremonies, sexuality, the supernatural, and captivity, and they reflect the Blackfoot worldview and beliefs.
Author: Arni Brownstone
Publisher: University of Oklahoma Press
ISBN: 0806194286
Category : Art
Languages : en
Pages : 299
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Book Description
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.
