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Author: James R. Swensen
Publisher: University of Oklahoma Press
ISBN: 0806153164
Category : History
Languages : en
Pages : 269
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Book Description
As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck’s The Grapes of Wrath and the photographs produced for the New Deal’s Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck’s novel and the FSA’s photography—and into the circumstances that have made them enduring icons of the Depression. Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA’s work to publicize the plight of the migrant in the wake of the novel and John Ford’s award-winning film adaptation. A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.
Author: James R. Swensen
Publisher: University of Oklahoma Press
ISBN: 0806153164
Category : History
Languages : en
Pages : 269
Get Book Here
Book Description
As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck’s The Grapes of Wrath and the photographs produced for the New Deal’s Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck’s novel and the FSA’s photography—and into the circumstances that have made them enduring icons of the Depression. Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA’s work to publicize the plight of the migrant in the wake of the novel and John Ford’s award-winning film adaptation. A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.
Author: David M. Wrobel
Publisher: Cambridge University Press
ISBN: 0521192013
Category : History
Languages : en
Pages : 299
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Book Description
This book examines the regional history of the American West in relation to the rest of the United States, emphasizing cultural and political history.
Author: Brigitte Le Normand
Publisher: University of Toronto Press
ISBN: 1487536380
Category : History
Languages : en
Pages : 301
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Book Description
Among Eastern Europe’s postwar socialist states, Yugoslavia was unique in allowing its citizens to seek work abroad in Western Europe’s liberal democracies. This book charts the evolution of the relationship between Yugoslavia and its labour migrants who left to work in Western Europe in the 1960s and 1970s. It examines how migrants were perceived by policy-makers and social scientists and how they were portrayed in popular culture, including radio, newspapers, and cinema. Created to nurture ties with migrants and their children, state cultural, educational, and informational programs were a way of continuing to govern across international borders. These programs relied heavily on the promotion of the idea of homeland. Le Normand examines the many ways in which migrants responded to these efforts and how they perceived their own relationship to the homeland, based on their migration experiences. Citizens without Borders shows how, in their efforts to win over migrant workers, the different levels of government – federal, republic, and local – promoted sometimes widely divergent notions of belonging, grounded in different concepts of "home."
Author: Rui Alexandre Novais
Publisher: Springer Nature
ISBN: 3031650840
Category : Electronic books
Languages : en
Pages : 325
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Book Description
This book explores how 21st-century media-based discourses on migrants, refugees, and displaced people both reinforce and reconfigure existing negative stereotypes about these groups as 'other.' It is particularly pertinent considering the increasingly polarized world context and the evolving communication ecosystem with new media as privileged platforms for exclusionary narratives toward the 'outgroups' of migrants, refugees, and displaced people. The book's contributions encompass various methodologies and disciplines within communication studies, including qualitative analyses of media representations and quantitative research on public opinion. Unlike much of the existing English-language scholarship on these marginalized communities, this book de-centers North America and the UK to offer a global perspective focusing on regions such as continental and eastern Europe, the Middle East and Persian Gulf, India, China, Turkey, Russia, and Scandinavia. Rui Alexandre Novais is Professor and Researcher at the Centre for Philosophical and Humanistic Studies (CEFH) of the Universidade Católica Portuguesa (Portugal). Carlos Arcila Calderón is an Associate Professor and member of the Observatory of Audiovisual Contents (OCA) of the University of Salamanca (Spain).
Author: Susan Ossman
Publisher: Stanford University Press
ISBN: 080478552X
Category : Social Science
Languages : en
Pages : 201
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Book Description
Moving Matters is a richly nuanced portrait of the serial migrant: a person who has lived in several countries, calling each one at some point "home." The stories told here are both extraordinary and increasingly common. Serial migrants rarely travel freely—they must negotiate a world of territorial borders and legal restrictions—yet as they move from one country to another, they can use border-crossings as moments of self-clarification. They often become masters of settlement as they turn each country into a life chapter. Susan Ossman follows this diverse and growing population not only to understand how paths of serial movement produce certain ways of life, but also to illuminate an ongoing tension between global fluidity and the power of nation-states. Ultimately, her lyrical reflection on migration and social diversity offers an illustration of how taking mobility as a starting point fundamentally alters our understanding of subjectivity, politics, and social life.
Author: Lorenzo Rinelli
Publisher: Routledge
ISBN: 1317627091
Category : Political Science
Languages : en
Pages : 219
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Book Description
The process of migration control mirrors the trajectories of the people who traverse national boundaries, making today’s borders flexible and fluid. This book explores the transformation of migration control in the post 9/11 era. It looks at how border controls have become more diffuse in the face of increased human flows from Africa and presents a critical analysis of the dispositif of European migration control, including detention without trial, derogation of human rights law, torture, "extraordinary rendition", the curtailment of civil liberties and the securitization of migration. By examining the role of Gaddafi’s Libya in the last ten years as a gendarme of Europe, it argues for a re-visioning of borders and frontiers in ways that can account for their dialectical nature, and for the dialectical nature of political life. This text will be of key interest to scholars and students of European studies, African studies, security studies, international relations, global studies, comparative politics, cultural geography, migration studies and border theory.
Author: Cynthia Fowler
Publisher: Routledge
ISBN: 1351559818
Category : Art
Languages : en
Pages : 316
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Book Description
How does museum location shape the interpretation of an art object by critics, curators, art historians, and others? To what extent is the value of a work of art determined by its location? Providing a close examination of individual works of American art in relation to gallery and museum location, this anthology presents case studies of paintings, sculpture, photographs, and other media that explore these questions about the relationship between location and the prescribed meaning of art. It takes an alternate perspective in that it provides in-depth analysis of works of art that are less well known than the usual American art suspects, and in locations outside of art museums in major urban cultural centers. By doing so, the contributors to this volume reveal that such a shift in focus yields an expanded and more complex understanding of American art. Close examinations are given to works located in small and mid-sized art museums throughout the United States, museums that generally do not benefit from the resources afforded by more powerful cultural establishments such as the Museum of Modern Art and the Metropolitan Museum of Art in New York. Works of art located at institutions other than art museums are also examined. Although the book primarily focuses on paintings, other media created from the Colonial Period to the present are considered, including material culture and craft. The volume takes an inclusive approach to American art by featuring works created by a diverse group of artists from canonical to lesser-known ones, and provides new insights by highlighting the regional and the local.
Author: Gina Caison
Publisher: Duke University Press
ISBN: 147806014X
Category : Literary Criticism
Languages : en
Pages : 167
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Book Description
In Erosion, Gina Caison traces how American authors and photographers have grappled with soil erosion as a material reality that shapes narratives of identity, belonging, and environment. Examining canonical American texts and photography, including John Steinbeck's The Grapes of Wrath, Octavia Butler’s Parable series, John Audubon’s Louisiana writings, and Dorothea Lange’s Migrant Mother, Caison shows how concerns over erosion reveal anxieties of disappearance that are based in the legacies of settler colonialism. Soil loss not only occupies a complex metaphorical place in the narrative of American identity; it becomes central to preserving the white settler colonial state through Indigenous dispossession and erasure. At the same time, Caison examines how Indigenous texts and art such as Lynn Riggs's play Green Grow the Lilacs, Karenne Wood’s poetry, and Monique Verdin's photography challenge colonial narratives of the continent by outlining the material stakes of soil loss for their own communities. From California to Oklahoma to North Carolina’s Outer Banks, Caison ultimately demonstrates that concerns over erosion reverberate into issues of climate change, land ownership, Indigenous sovereignty, race, and cultural and national identity.
Author: Alina Sajed
Publisher: Routledge
ISBN: 1135047790
Category : Political Science
Languages : en
Pages : 254
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Book Description
Postcolonial Encounters in International Relations examines the social and cultural aspects of the political violence that underpinned the French colonial project in the Maghreb, and the multi-layered postcolonial realities that ensued. This book explores the reality of the lives of North African migrants in postcolonial France, with a particular focus on their access to political entitlements such as citizenship and rights. This reality is complicated even further by complex practices of memory undertaken by Franco-Maghrebian intellectuals, who negotiate, in their writings, between the violent memory of the French colonial project in the Maghreb, and the contemporary conundrums of postcolonial migration. The book pursues thus the politics of (post)colonial memory by tracing its representations in literary, political, and visual narratives belonging to various Franco-Maghrebian intellectuals, who see themselves as living and writing between France and the Maghreb. By adopting a postcolonial perspective, a perspective quite marginal in International Relations, the book investigates a different international relations, which emerges via narratives of migration. A postcolonial standpoint is instrumental in understanding the relations between class, gender, and race, which interrogate and reflect more generally on the shared (post)colonial violence between North Africa and France, and on the politics of mediating violence through complex practices of memory.
Author: Cynthia Fowler
Publisher: Taylor & Francis
ISBN: 1000588505
Category : Art
Languages : en
Pages : 203
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Book Description
Taking the visual arts as its focus, this anthology explores aspects of cultural exchange between Ireland and the United States. Art historians from both sides of the Atlantic examine the work of artists, art critics and art promoters. Through a close study of selected paintings and sculptures, photography and exhibitions from the nineteenth century to the present, the depth of the relationship between the two countries, as well as its complexity, is revealed. The book is intended for all who are interested in Irish/American interconnectedness and will be of particular interest to scholars and students of art history, visual culture, history, Irish studies and American studies.
