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Author: Janis P. Stout
Publisher: Texas Tech University Press
ISBN: 9780896726109
Category : Art
Languages : en
Pages : 336
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Book Description
Picturing a Different West addresses Willa Cather and Mary Austin as central figures in a women's tradition of the pictured West. Both Cather and Austin moved west in their youth and spent much of their lives there. Cather lived on the Great Plains, while Austin resided in California and the Southwest. Cather's travels repeatedly took her to the Southwest, and she wrote three novels with Southwestern settings. Starting with the masculine tradition of Western art that was prevalent when Austin and Cather launched their careers, Janis P. Stout shows how the authors challenged and revised that tradition. Rather than a West of adventure, violence, and conquest, open only to rugged and daring men, the authors envisioned a new West--not conventionally feminine so much as an androgynous space of freedom for women and men alike. Their vision of an alternative West and their alternative ways of thinking about and portraying gender are inseparable. Placing Cather and Austin alongside contemporaries Elsie Clews Parsons, Mabel Dodge Luhan, Georgia O'Keeffe, and Laura Gilpin, Stout emphasizes the visual nature of Austin's and Cather's personal experiences of the West and Southwest, their awareness of the prevailing visual representations of the West, and the visual nature of their books about the West, with respect to both prose style and illustrations. In closing, Stout demonstrates the continuance of their tradition in illustrated western books by Leslie Marmon Silko and by Margaret Randall and Barbara Byers.
Author: Janis P. Stout
Publisher: Texas Tech University Press
ISBN: 9780896726109
Category : Art
Languages : en
Pages : 336
Get Book Here
Book Description
Picturing a Different West addresses Willa Cather and Mary Austin as central figures in a women's tradition of the pictured West. Both Cather and Austin moved west in their youth and spent much of their lives there. Cather lived on the Great Plains, while Austin resided in California and the Southwest. Cather's travels repeatedly took her to the Southwest, and she wrote three novels with Southwestern settings. Starting with the masculine tradition of Western art that was prevalent when Austin and Cather launched their careers, Janis P. Stout shows how the authors challenged and revised that tradition. Rather than a West of adventure, violence, and conquest, open only to rugged and daring men, the authors envisioned a new West--not conventionally feminine so much as an androgynous space of freedom for women and men alike. Their vision of an alternative West and their alternative ways of thinking about and portraying gender are inseparable. Placing Cather and Austin alongside contemporaries Elsie Clews Parsons, Mabel Dodge Luhan, Georgia O'Keeffe, and Laura Gilpin, Stout emphasizes the visual nature of Austin's and Cather's personal experiences of the West and Southwest, their awareness of the prevailing visual representations of the West, and the visual nature of their books about the West, with respect to both prose style and illustrations. In closing, Stout demonstrates the continuance of their tradition in illustrated western books by Leslie Marmon Silko and by Margaret Randall and Barbara Byers.
Author: B. Byron Price
Publisher: University of Oklahoma Press
ISBN: 0806156937
Category : Art
Languages : en
Pages : 161
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Book Description
Throughout the nineteenth century, the land known as “Indian Territory” was populated by diverse cultures, troubled by shifting political boundaries, and transformed by historical events that were colorful, dramatic, and often tragic. Beyond its borders, most Americans visualized the area through the pictures produced by non-Native travelers, artists, and reporters—all with differing degrees of accuracy, vision, and skill. The images in Picturing Indian Territory, and the eponymous exhibit it accompanies, conjure a wildly varied vision of Indian Territory’s past. Spanning nearly nine decades, these artworks range from the scientific illustrations found in English naturalist Thomas Nuttall’s journal to the paintings of Frederic Remington, Henry Farny, and Charles Schreyvogel. The volume’s three essays situate these works within the historical narratives of westward expansion, the creation of an “Indian Territory” separate from the rest of the United States, and Oklahoma’s eventual statehood in 1907. James Peck focuses on artists who produced images of Native Americans living in this vast region during the pre–Civil War era. In his essay, B. Byron Price picks up the story at the advent of the Civil War and examines newspaper and magazine reports as well as the accounts of government functionaries and artist-travelers drawn to the region by the rapidly changing fortunes of the area’s traditional Indian cultures in the wake of non-Indian settlement. Mark Andrew White then looks at the art and illustration resulting from the unrelenting efforts of outsiders who settled Indian and Oklahoma Territories in the decades before statehood. Some of the artworks featured in this volume have never before been displayed; some were produced by more than one artist; others are anonymous. Many were completed by illustrators on-site, as the events they depicted unfolded, while other artists relied on written accounts and vivid imaginations. Whatever their origin, these depictions of the people, places, and events of “Indian Country” defined the region for contemporary American and European audiences. Today they provide a rich visual record of a key era of western and Oklahoma history—and of the ways that art has defined this important cultural crossroads.
Author: Jay A. Mitchell
Publisher:
ISBN: 9781634604642
Category : Corporation law
Languages : en
Pages : 0
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Book Description
Softbound - New, softbound print book.
Author: Julie Nelson Davis
Publisher: University of Hawaii Press
ISBN: 0824889339
Category : Art
Languages : en
Pages : 225
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Book Description
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.
Author: Rosemary Mitchell
Publisher: OUP Oxford
ISBN: 0191543225
Category : History
Languages : en
Pages : 330
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Book Description
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.
Author: Ann Beattie
Publisher: Vintage
ISBN: 0307765709
Category : Fiction
Languages : en
Pages : 241
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Book Description
Picturing Will, the widely acclaimed new novel by Ann Beattie, unravels the complexities of a postmodern family. There's Will, a curious five-year-old who listens to the heartbeat of a plant through his toy stethoscope; Jody, his mother, a photographer poised on the threshold of celebrity; Mel, Jody's perfect -- perhaps too perfect -- lover; and Wayne, the father who left Will without warning and now sees his infrequent visits as a crimp in his bedhopping. Beattie shows us how these lives intersect, attract, and repel one another with dazzling shifts and moments of heartbreaking directness.
Author: Daryl W. Palmer
Publisher: University of Nevada Press
ISBN: 194890828X
Category : Biography & Autobiography
Languages : en
Pages : 245
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Book Description
From the girl in Red Cloud who oversaw the construction of a miniature town called Sandy Point in her backyard, to the New Woman on a bicycle, celebrating art and castigating political abuse in Lincoln newspapers, to the aspiring novelist in New York City, committed to creation and career, Daryl W. Palmer’s groundbreaking literary biography offers a provocative new look at Willa Cather’s evolution as a writer. Willa Cather has long been admired for O Pioneers! (1913), Song of the Lark (1915), and My Ántonia (1918)—the “prairie novels” about the lives of early Nebraska pioneers that launched her career. Thanks in part to these masterpieces, she is often viewed as a representative of pioneer life on the Great Plains, a controversial innovator in American modernism, and a compelling figure in the literary history of LGBTQ America. A century later, scholars acknowledge Cather’s place in the canon of American literature and continue to explore her relationship with the West. Drawing on original archival research and paying unprecedented attention to Cather’s early short stories, Palmer demonstrates that the relationship with Nebraska in the years leading up to O Pioneers! is more dynamic than critics and scholars thought. Readers will encounter a surprisingly bold young author whose youth in Nebraska served as a kind of laboratory for her future writing career. Becoming Willa Cather changes the way we think about Cather, a brilliant and ambitious author who embraced experimentation in life and art, intent on reimagining the American West.
Author: David M. Lubin
Publisher: Yale University Press
ISBN: 9780300057324
Category : Art
Languages : en
Pages : 400
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Book Description
Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.
Author: Steven Frye
Publisher: Cambridge University Press
ISBN: 1107095379
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
This Companion provides a comprehensive introduction to the literature of the American West, one of the most vibrant and diverse literary traditions.
Author: Felice Frankel
Publisher: Mit Press
ISBN: 9780262038553
Category : PHOTOGRAPHY
Languages : en
Pages : 451
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Book Description
A guide to making scientific photographs for presentations, journal submissions, and covers, featuring step-by-step instructions and case studies, by an award-winning science photographer; illustrated in color throughout. One of the most powerful ways for scientists to document and communicate their work is through photography. Unfortunately, most scientists have little or no training in that craft. In this book, celebrated science photographer Felice Frankel offers a guide for creating science images that are both accurate and visually stunning. Picturing Science and Engineering provides detailed instructions for making science photographs using the DSLR camera, the flatbed scanner, and the phone camera. The book includes a series of step-by-step case studies, describing how final images were designed for cover submissions and other kinds of visualizations. Lavishly illustrated in color throughout, the book encourages the reader to learn by doing, following Frankel as she recreates the stages of discovery that lead to a good science visual. Frankel shows readers how to present their work with graphics--how to tell a visual story--and considers issues of image adjustment and enhancement. She describes how developing the right visual to express a concept not only helps make science accessible to nonspecialists, but also informs the science itself, helping scientists clarify their thinking. Within the book are specific URLs where readers can view Frankel's online tutorials--visual "punctuations" of this printed edition. Additional materials, including tutorials and videos, can be found online at the book's website. Published with the help of funding from Furthermore: a program of the J. M. Kaplan fund
