Author: Shibani Ghose Chotani
Publisher: Partridge Publishing
ISBN: 1543701787
Category : Fiction
Languages : en
Pages : 190
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Book Description
An Indian scientist moves his family to America in this debut novel. It is September 1967 when Samen Bose; his wife, Monu; and their two children leave India for the distant shores of the United States.....The family settles in a small town in the Northeast, which manages to be much different than Calcutta.....this sunniness is depicted in heartwarming passages.........it excels in its portrayal of vivid details. And these details are telling.....While quiet at times, this story deftly portrays the countless nuances of the immigrant experience. Kirkus Reviews Pictures Through the Rearview Mirror is an album of memorable moments a family experienced while living in a small town in America in the years 1967-1970. The stories portray the familys acquaintance to a new kind of life and a community of unique people they met and lived with. They were created from recollections of moments orally narrated from jottings made in journals. They were enhanced through fictional characteristics.
Author: Edward S. Feldman
Publisher: Macmillan + ORM
ISBN: 1466864354
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
Edward S. Feldman's legendary career began in advertising and publicity at 20th Century-Fox in the 1950s, and from there he worked his way up to executive studio positions within Seven Arts, Filmways, and Warner Brothers. Following this, he has spent the last twenty-five years as a successful, Academy Award-nominated film producer. Ed's unique story takes readers on a more than fifty-year journey through Hollywood that few can tell--and most will never forget. With tales from the set of Whatever Happened to Baby Jane? to why a well-known actor trashed Ed's office and why a major Hollywood mogul tried to turn all of Tinseltown against one of Ed's films, readers will learn what it takes to produce a film and survive the jungles of Hollywood, laughing all the way. Tell Me How You Love the Picture is a smartly written, surprising, hilarious memoir that takes us behind the scenes with wild, no-holds-barred stories about major Hollywood personalities ranging from Bette Davis to Elizabeth Taylor, Stanley Kubrick to Scott Rudin, Harrison Ford to Jim Carrey to Eddie Murphy and more. As a top studio exec and one of Hollywood's most respected producers, Feldman has seen the film business from the inside out, worked with some of the best talent in the industry, and experienced things few can imagine. An incredible Hollywood memoir from one of moviedom's renowned producers, Tell Me How You Love the Picture is full of insight and the stuff of gossip, bad behavior, and high success.
Author: Mark Harris
Publisher: Penguin
ISBN: 1101202858
Category : History
Languages : en
Pages : 522
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Book Description
The epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever It's the mid-1960s, and westerns, war movies and blockbuster musicals-Mary Poppins, The Sound of Music-dominate the box office. The Hollywood studio system, with its cartels of talent and its production code, is hanging strong, or so it would seem. Meanwhile, Warren Beatty wonders why his career isn't blooming after the success of his debut in Splendor in the Grass; Mike Nichols wonders if he still has a career after breaking up with Elaine May; and even though Sidney Poitier has just made history by becoming the first black Best Actor winner, he's still feeling completely cut off from opportunities other than the same "noble black man" role. And a young actor named Dustin Hoffman struggles to find any work at all. By the Oscar ceremonies of the spring of 1968, when In the Heat of the Night wins the 1967 Academy Award for Best Picture, a cultural revolution has hit Hollywood with the force of a tsunami. The unprecedented violence and nihilism of fellow nominee Bonnie and Clyde has shocked old-guard reviewers but helped catapult Warren Beatty and Faye Dunaway into counterculture stardom and made the movie one of the year's biggest box-office successes. Just as unprecedented has been the run of nominee The Graduate, which launched first-time director Mike Nichols into a long and brilliant career in filmmaking, to say nothing of what it did for Dustin Hoffman, Simon and Garfunkel, and a generation of young people who knew that whatever their future was, it wasn't in plastics. Sidney Poitier has reprised the noble-black-man role, brilliantly, not once but twice, in Guess Who's Coming to Dinner and In the Heat of the Night, movies that showed in different ways both how far America had come on the subject of race in 1967 and how far it still had to go. What City of Nets did for Hollywood in the 1940s and Easy Riders, Raging Bulls for the 1970s, Pictures at a Revolution does for Hollywood and the cultural revolution of the 1960s. As we follow the progress of these five movies, we see an entire industry change and struggle and collapse and grow-we see careers made and ruined, studios born and destroyed, and the landscape of possibility altered beyond all recognition. We see some outsized personalities staking the bets of their lives on a few films that became iconic works that defined the generation-and other outsized personalities making equally large wagers that didn't pan out at all. The product of extraordinary and unprecedented access to the principals of all five films, married to twenty years' worth of insight covering the film industry and a bewitching storyteller's gift, Mark Harris's Pictures at a Revolution is a bravura accomplishment, and a work that feels iconic itself.
Author: James Tweedie
Publisher: Oxford University Press
ISBN: 0190873892
Category : Art
Languages : en
Pages : 305
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Book Description
Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.
Author: Debera Hagy
Publisher: WestBow Press
ISBN: 1490899219
Category : Fiction
Languages : en
Pages : 178
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Book Description
Ben Crawford had given up on life, love, and family, only to discover all of those and more right outside his door. He never imagined that he would have a second chance in life to experience true happiness. He discovered the real meaning of family. Where did these women come from, and why had they come into his life? Deidre was always an inquisitive person who repeatedly followed her instincts, wherever they would lead her. This time she wasnt alone on her adventure. Andr and Carissa joined their grandmother on a simple outing that led to more than they could have imagined. Hate, jealousy, and greed came crashing into the memory of a man who brought so much love into many peoples lives. A bond was formed that no one could quite explain. But they all felt that someone from the past had brought them together. A picture can say a thousand words, but a perfect picture says it all.
Author: Samuel Cannady Jr.
Publisher: iUniverse
ISBN: 1532077998
Category : Religion
Languages : en
Pages : 203
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Book Description
It’s a book about love, religion, change, consequences, politics, race, and history. It’s an inspirational book about growth.
Author: Kelly Loy Gilbert
Publisher: Little, Brown Books for Young Readers
ISBN: 1484735285
Category : Young Adult Fiction
Languages : en
Pages : 387
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Book Description
"Picture me madly in love with this moving, tender, unapologetically honest book." —Becky Albertalli, #1 best-selling author of Simon Vs. the Homo Sapiens Agenda Danny Cheng has always known his parents have secrets. But when he discovers a taped-up box in his father's closet filled with old letters and a file on a powerful Bay Area family, he realizes there's much more to his family's past than he ever imagined. Danny has been an artist for as long as he can remember and it seems his path is set, with a scholarship to RISD and his family's blessing to pursue the career he's always dreamed of. Still, contemplating a future without his best friend, Harry Wong, by his side makes Danny feel a panic he can barely put into words. Harry's and Danny's lives are deeply intertwined and as they approach the one-year anniversary of a tragedy that shook their friend group to its core, Danny can't stop asking himself if Harry is truly in love with his girlfriend, Regina Chan. When Danny digs deeper into his parents' past, he uncovers a secret that disturbs the foundations of his family history and the carefully constructed facade his parents have maintained begins to crumble. With everything he loves in danger of being stripped away, Danny must face the ghosts of the past in order to build a future that belongs to him in this complex, lyrical novel.
Author: Peter Blauner
Publisher: Minotaur Books
ISBN: 1250851025
Category : Fiction
Languages : en
Pages : 365
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Book Description
"On rare occasions I read a book that reminds me of why I fell in love with storytelling in the first place. This is such a book." —Stephen King Peter Blauner's epic Picture in the Sand is a sweeping intergenerational saga told through a grandfather's passionate letters to his grandson, passing on the story of his political rebellion in 1950s Egypt in order to save his grandson's life in a post-9/11 world. When Alex Hassan gets accepted to an Ivy League university, his middle-class Egyptian-American family is filled with pride and excitement. But that joy turns to shock when they discover that he’s run off to the Middle East to join a holy war instead. When he refuses to communicate with everyone else, his loving grandfather Ali emails him one last plea. If Alex will stay in touch, his grandfather will share with Alex – and only Alex – a manuscript containing the secret story of his own life that he’s kept hidden from his family, until now. It's the tale of his romantic and heartbreaking past rooted in Hollywood and the post-revolutionary Egypt of the 1950s, when young Ali was a movie fanatic who attained a dream job working for the legendary director Cecil B. DeMille on the set of his epic film, The Ten Commandments. But Ali’s vision of a golden future as an American movie mogul gets upended when he is unwittingly caught up in a web of politics, espionage, and real-life events that change the course of history. It's a narrative he’s told no one for more than a half-century. But now he’s forced to unearth the past to save a young man who’s about to make the same tragic mistakes he made so long ago.
Author: Claudia Mitchell
Publisher: University of Toronto Press
ISBN: 148753356X
Category : Social Science
Languages : en
Pages : 230
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Book Description
Positionality and researcher reflexivity – how to account for one’s subject position – remain as challenges for new researchers. But they also remain as challenges for experienced researchers, who are often involved in multiple research projects simultaneously. Where Am I in the Picture? sheds light on the idea of researcher positionality through visual methodologies, particularly in the context of studying rurality in Canada, Sweden, and South Africa. The book is intended for new and experienced researchers seeking to decolonize their own perspectives in research in the social sciences and humanities. It incorporates photographs, drawings, and memory work to highlight the social constructedness of what counts as rural. Drawing together compelling narratives from researchers about their positionality in studying rurality, the book highlights a need for greater attention to “where we are in the picture” more broadly. It suggests that when it comes to the rural, researchers need to rethink the interplay of dominant images, insider and outsider perspectives, and what this interplay means in relation to interpretation. Where Am I in the Picture? presents a new vision of how to take into consideration positionality in research.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
