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Author: Richard DeCordova
Publisher: University of Illinois Press
ISBN: 9780252070167
Category : Motion picture actors and actresses
Languages : en
Pages : 190
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Book Description
Moving pictures existed for over a decade before anything resembling a star system appeared. Then American cinema went from being devoid of stars to being dependent on them. This is an account of this development in cinema and modern culture.
Author: Richard DeCordova
Publisher: University of Illinois Press
ISBN: 9780252070167
Category : Motion picture actors and actresses
Languages : en
Pages : 190
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Book Description
Moving pictures existed for over a decade before anything resembling a star system appeared. Then American cinema went from being devoid of stars to being dependent on them. This is an account of this development in cinema and modern culture.
Author: Graeme Turner
Publisher: SAGE
ISBN: 9780761941682
Category : Biography & Autobiography
Languages : en
Pages : 160
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Book Description
The first comprehensive survey of celebrity in the contemporary media.
Author: P. David Marshall
Publisher: U of Minnesota Press
ISBN: 9780816627257
Category : Social Science
Languages : en
Pages : 314
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Book Description
The celebrity is an ambiguous figure in contemporary culture. Simultaneously celebrated and denigrated, stars represent not only the embodiment of success, but also the ultimate construction of false value. They are a peculiar form of public subjectivity that negotiates the tension between a democratic culture of access and a consumer capitalist culture of excess. Celebrity and Power examines this dynamic, questioning the cultural forces behind our need to become endlessly embroiled with the construction and collapse of celebrities.Through detailed analysis of figures from Tom Cruise to Oprah Winfrey to the commercial pop music sensation New Kids on the Block, author and cultural critic P. David Marshall investigates the general public’s desire to associate with celebrity. He examines various kinds of stars, questioning the needs each type fulfills in our lives and relating these needs to particular entertainment media. Marshall asks why enigmatic, distant stars populate the silver screen while television constructs approachable “everyman” figures and popular music features audience-identified celebrity personalities. He looks at the significance of stars who amass cultlike followings as well as those who appear to prompt outright rejection.Celebrity and Power identifies the forces that have enveloped the development of democratic culture and their partial resolution through a redefined public sphere populated by celebrities. Marshall argues that the new concern with the masses that characterizes modern capitalism promotes figures who can be seen as part of the crowd but who are articulated as individuals. As such, they provide a model of self-differentiation that furthers an economy in which product consumption is thought to bestow individualism and personality.Bridging the fields of media studies, film studies, communications, and popular culture, Marshall’s volume is a unique resource for students and researchers in all of these disciplines as well as for the general reader.P. David Marshall is director of the Media and Cultural Studies Centre in the Department of English, University of Queensland in Australia.
Author: Paul McDonald
Publisher: Wallflower Press
ISBN: 9781903364024
Category : Biography & Autobiography
Languages : en
Pages : 148
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Book Description
Looks at the development and changing organization of the star system in the American film industry. Tracing the popularity of star performers from the early "cinema of attractions" to the Internet universe, Paul McDonald explores the ways in which Hollywood has made and sold its stars. Through focusing on particular historical periods, case studies of Mary Pickford, Bette Davis, James Cagney, Julia Roberts, Tom Cruise, and Will Smith illustrate the key conditions influencing the star system in silent cinema, the studio era and the New Hollywood.
Author: Jon Lewis
Publisher: NYU Press
ISBN: 0814729339
Category : Performing Arts
Languages : en
Pages : 389
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Book Description
A tale of censorship and regulation at the heart of the modern film industry In 1972, The Godfather and Deep Throat were the two most popular films in the country. One, a major Hollywood studio production, the other an independently made "skin flick." At that moment, Jon Lewis asserts, the fate of the American film industry hung in the balance. Spanning the 20th century, Hollywood v. Hard Core weaves a gripping tale of censorship and regulation. Since the industry's infancy, film producers and distributors have publicly regarded ratings codes as a necessary evil. Hollywood regulates itself, we have been told, to prevent the government from doing it for them. But Lewis argues that the studios self-regulate because they are convinced it is good for business, and that censorship codes and regulations are a crucial part of what binds the various competing agencies in the film business together. Yet between 1968 and 1973 Hollywood films were faltering at the box office, and the major studios were in deep trouble. Hollywood's principal competition came from a body of independently produced and distributed films—from foreign art house film Last Tango in Paris to hard-core pornography like Behind the Green Door—that were at once disreputable and, for a moment at least, irresistible, even chic. In response, Hollywood imposed the industry-wide MPAA film rating system (the origins of the G, PG, and R designations we have today) that pushed sexually explicit films outside the mainstream, and a series of Supreme Court decisions all but outlawed the theatrical exhibition of hard core pornographic films. Together, these events allowed Hollywood to consolidate its iron grip over what films got made and where they were shown, thus saving it from financial ruin.
Author: Jennifer M. Bean
Publisher: Rutgers University Press
ISBN: 0813550149
Category : Biography & Autobiography
Languages : en
Pages : 298
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Book Description
Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society.
Author: Richard Abel
Publisher: A&C Black
ISBN: 9780485300765
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas. Still others focus on early cinema's intertextual relations with various forms of mass culture (from magazine stories or sensational melodramas in the United States to the tango craze in Russia), and on reception in silent cinema (from black audiences in Chicago to women's fan magazines of the 1920s). Taken together, the contributors to this volume suggest provocative parallels between silent cinema at the turn of the last century and "postmodern" cinema at the end of our own. This book is an important contribution to the study of silent film and a key addition to this new series.
Author: Tamar Jeffers McDonald
Publisher: University of Iowa Press
ISBN: 1609386736
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
During Hollywood’s “classic era,” from the 1920s to 1950s, roughly twenty major fan magazines were offered each month at American newsstands and abroad. These publications famously fed fan obsessions with celebrities such as Mae West and Elvis Presley. Film studies scholars often regard these magazines with suspicion; perhaps due to their reputation for purveying scandal and gossip, their frequent mingling of gushing tone, and blatant falsehood. Looking at these magazines with fresh regarding eyes and treating them as primary sources, the contributors of this collection provide unique insights into contemporary assumptions about the relationship between fan and star, performer and viewer. In doing so, they reveal the magazines to be a huge and largely untapped resource on a wealth of subjects, including gender roles, appearance and behavior, and national identity. Contributors: Emily Chow-Kambitsch, Alissa Clarke, Jonathan Driskell, Lucy Fischer, Ann-Marie Fleming, Oana-Maria Mazilu, Adrienne L. McLean, Sarah Polley, Geneviève Sellier, Michael Williams
Author:
Publisher:
ISBN:
Category : Motion picture audiences
Languages : en
Pages : 648
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Book Description
Author: Kaveh Askari
Publisher: Indiana University Press
ISBN: 0861969103
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it. In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party—projectionist, local talent, accompanist or backstage crew—and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the twentieth century shaped performances on and beside the screen.
