Picture Abhi Baaki Hai PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Picture Abhi Baaki Hai PDF full book. Access full book title Picture Abhi Baaki Hai by Rachel Dwyer. Download full books in PDF and EPUB format.
Author: Rachel Dwyer
Publisher:
ISBN: 9789350098561
Category : Motion picture industry
Languages : en
Pages : 295
Get Book Here
Book Description
Author: Rachel Dwyer
Publisher:
ISBN: 9789350098561
Category : Motion picture industry
Languages : en
Pages : 295
Get Book Here
Book Description
Author: Rajinder Dudrah
Publisher: Routledge
ISBN: 1136451315
Category : Social Science
Languages : en
Pages : 143
Get Book Here
Book Description
Using an interdisciplinary framework, this book offers a fresh perspective on the issues of diaspora culture and border crossings in the films, popular cultures, and media and entertainment industries from the popular Hindi cinema of India. It analyses and discusses a range of key contemporary films in detail, such as Veer Zaara, Jhoom Barabar Jhoom, and Dostana. The book uses the notion of travel analytically in and through the cinema to comment on films that have dealt with Indo-Pak border crossings, representations of diaspora, and gender and sexuality in new ways. It engages with common sense assumptions about everyday South Asian and diasporic South Asian cultures and representations as expressed in Bollywood cinema in order to look at these issues further. Moving towards an innovative exploration beyond the films, this book charts the circuits and routes of Bollywood as South Asian club cultures in the diaspora, and Hindi cinema entertainment shows around the world, as well as its impact on social media websites. Bollywood Travels is an original and thought provoking contribution to studies on Asian Culture and Society, Sociology, World Cinema, and Film, Media and Cultural Studies.
Author: Aruthuckal Varughese John
Publisher: SAIACS Press
ISBN: 9386549069
Category : Religion
Languages : en
Pages : 328
Get Book Here
Book Description
Religious Freedom and Conversion in India is a collection of essays that addresses the political and practical concerns about "religious freedom" and "religious conversion" in the Indian context. These essays were first presented in the SAIACS Academic Consultation in September 2015 at SAIACS, Bengaluru. The 14 papers represented here have all been revised and edited in the view of the discussions during the Consultation. they approach the topic from various angles such as historical, legal, biblical, theological, missiological and cultural. The purpose of the SAIACS Academic Consultation, and the aim of this book, is to stimulate, encourage and provide direction for the academic, evangelical and missional thinking in South Asia.
Author: Srinivas B. Vijayaraghavan
Publisher: Hachette India
ISBN: 9351950220
Category : Business & Economics
Languages : en
Pages : 166
Get Book Here
Book Description
Business number nahin, business log hain...sirf log.’ (‘Business is not about numbers, business is about people...just people.’) – HARPREET SINGH BEDI in Rocket Singh: Salesman of the Year Hindi cinema is known the world over for its glamour and bling, but did you know that Bollywood can also teach you valuable management lessons? Viewing essential business principles through a colourful cinematic lens, Filmy Manager presents a unique and compelling take on leadership, strategy, organizational behaviour and entrepreneurship – four essential qualities for successful management. In Lagaan, a brave villager rallies an entire community to defeat the colonizing British at their own game; in Band Baaja Baaraat, an enterprising duo bootstrap their wedding planning firm; in Rocket Singh: Salesman of the Year, a young man in a thankless job displays his intrepid spirit and strikes out on his own; and in Guru, the entrepreneurial initiative of one man changes how India defines profitability. At once practical and entertaining, Filmy Manager collects sharp and astute management wisdom from the unlikely world of Hindi cinema that will keep readers engaged right through.
Author: Michael Lawrence
Publisher: Bloomsbury Publishing
ISBN: 1844578577
Category : Performing Arts
Languages : en
Pages : 265
Get Book Here
Book Description
Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.
Author: Shelley Cobb
Publisher: Bloomsbury Publishing USA
ISBN: 162892120X
Category : Social Science
Languages : en
Pages : 393
Get Book Here
Book Description
With the prominence of one-name couples (Brangelina, Kimye) and famous families (the Smiths, the Beckhams), it is becoming increasingly clear that celebrity is no longer an individual pursuit-if it ever was. Accordingly, First Comes Love explores celebrity kinship and the phenomenon of the power couple: those relationships where two stars come together and where their individual identities as celebrities become inseparable from their status as a famous twosome. Taken together, the chapters in this volume interrogate the ways these alliances are bound up in wider cultural debates about marriage, love, intimacy, family, parenthood, sexuality, and gender, in their particular historical contexts, from the 1920s to the present day. Interdisciplinary in scope, First Comes Love seeks to establish how celebrity relationships play particular roles in dramatizing, disrupting, and reconciling often-contradictory ideas about coupledom and kinship formations.
Author: Viraj Suparsad
Publisher: Springer Nature
ISBN: 9819957001
Category : Social Science
Languages : en
Pages : 178
Get Book Here
Book Description
Through engaging media coverage of the public lives of Bollywood actresses, this book unveils understandings of idealized femininity and gender within this cultural context. Beyond its own borders, such a context is unique given the global relevance of content from and about Bollywood with members of the diaspora as well as those culturally Indian individuals that are no longer part of the diaspora. This book thus engages these actresses as global Indian celebrities who are framed and presented as contemporary urban Indian exemplars of gender via media coverage about them. The book therefore offers a robust and detailed case study of the Bollywood star system so as to demonstrate how the nuances of this unique cultural context influence the dimensions of postfeminism and celebrity culture therein.
Author: Aysha Iqbal Viswamohan
Publisher: Springer Nature
ISBN: 9811501912
Category : Performing Arts
Languages : en
Pages : 319
Get Book Here
Book Description
In this book, film scholars, anthropologists, and critics discuss star-making in the contemporary Hindi-language film industry in India, also known as “Bollywood.” Drawing on theories of stardom, globalization, transnationalism, gender, and new media studies, the chapters explore contemporary Hindi film celebrity. With the rise of social media and India’s increased engagement in the global economy, Hindi film stars are forging their identities not just through their on-screen images and magazine and advertising appearances, but also through an array of media platforms, product endorsements, setting fashion trends, and involvement in social causes. Focusing on some of the best-known Indian stars since the late 1990s, the book discusses the multiplying avenues for forging a star identity, the strategies industry outsiders adopt to become stars, and the contradictions and conflicts that such star-making produces. It addresses questions such as: What traits of contemporary stars have contributed most to longevity and success in the industry? How has filmmaking technology and practice altered the nature of stardom? How has the manufacture of celebrity altered with the recent appearance of commodity culture in India and the rise of a hyper-connected global economy? By doing so, it describes a distinct moment in India and in the world in which stars and stardom are drawn more closely than ever into the vital events of global culture. Hindi films and their stars are part of the national and global entertainment circuits that are bigger and more competitive than ever. As such, this is a timely book creates opportunities for examining stardom in other industries and provides fruitful cross-cultural perspectives on star identities today. "Grounded in rigorous scholarship as well as a palpable love of Hindi cinema, this collection of 19 essays on a dizzying array of contemporary Hindi film stars makes for an informative, thought-provoking, illuminating, and most of all, a joyful read. Pushing boundaries of not only global Star Studies but also film theory as a whole, this de-colonised and de-colonising volume is a must read for film scholars, students and cinephiles!" Dr. Sunny Singh, Senior Lecturer - Creative Writing and English Literature, Sir John Cass School of Art, Architecture & Design, London Metropolitan University “A wide-ranging overview of Hindi cinema’s filmi firmament today, focussing on its most intriguing and brightest-burning stars. The variety of approaches to stardom and celebrity by both established and upcoming scholars reveals a web of interconnecting stories and concerns that provide fascinating new insights into the workings of today's Hindi film industry, while shining fresh light on contemporary India and the world we live in.” Professor Rosie Thomas, Centre for Research and Education in Arts and Media (CREAM), College of Design, Creative and Digital Industries, University of Westminster
Author: Poonam Trivedi
Publisher: Routledge
ISBN: 1317367006
Category : Literary Criticism
Languages : en
Pages : 344
Get Book Here
Book Description
This book is the first to explore the rich archive of Shakespeare in Indian cinemas, including less familiar, Indian language cinemas to contribute to the assessment of the expanding repertoire of Shakespeare films worldwide. Essays cover mainstream and regional Indian cinemas such as the better known Tamil and Kannada, as well as the less familiar regions of the North Eastern states. The volume visits diverse filmic genres, starting from the earliest silent cinema, to diasporic films made for global audiences, television films, independent films, and documentaries, thus expanding the very notion of ‘Indian cinema’ while also looking at the different modalities of deploying Shakespeare specific to these genres. Shakespeareans and film scholars provide an alternative history of the development of Indian cinemas through its negotiations with Shakespeare focusing on the inter-textualities between Shakespearean theatre, regional cinema, performative traditions, and literary histories in India. The purpose is not to catalog examples of Shakespearean influence but to analyze the interplay of the aesthetic, historical, socio-political, and theoretical contexts in which Indian language films have turned to Shakespeare and to what purpose. The discussion extends from the content of the plays to the modes of their cinematic and intermedial translations. It thus tracks the intra–Indian flows and cross-currents between the various film industries, and intervenes in the politics of multiculturalism and inter/intraculturalism built up around Shakespearean appropriations. Contributing to current studies in global Shakespeare, this book marks a discursive shift in the way Shakespeare on screen is predominantly theorized, as well as how Indian cinema, particularly ‘Shakespeare in Indian cinema’ is understood.
Author: Monika Mehta
Publisher: University of Texas Press
ISBN: 0292742517
Category : Performing Arts
Languages : en
Pages : 319
Get Book Here
Book Description
India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact.
