Pictorial Victorians PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Pictorial Victorians PDF full book. Access full book title Pictorial Victorians by Julia Thomas. Download full books in PDF and EPUB format.
Author: Julia Thomas
Publisher: Ohio University Press
ISBN: 0821415913
Category : Illustration of books
Languages : en
Pages : 218
Get Book
Book Description
The middle decades of the nineteenth century saw an unprecedented growth in the picture industry, with technological advances ensuring that images adorned the pages of books and the walls of Victorian homes.
Author: Julia Thomas
Publisher: Ohio University Press
ISBN: 0821415913
Category : Illustration of books
Languages : en
Pages : 218
Get Book
Book Description
The middle decades of the nineteenth century saw an unprecedented growth in the picture industry, with technological advances ensuring that images adorned the pages of books and the walls of Victorian homes.
Author: Carol Belanger Grafton
Publisher: Courier Corporation
ISBN: 0486402215
Category : Design
Languages : en
Pages : 132
Get Book
Book Description
Panoramic display of evolving styles ranges from hoop-skirted gowns of the mid-1800s to turn-of-the-century fashions that produced diminished bustles and close-fitting skirts. "A superb resource." — History in Review.
Author: Dover
Publisher: Courier Corporation
ISBN: 0486482073
Category : Art
Languages : en
Pages : 50
Get Book
Book Description
The origins of today's popular scrapbooking hobby extend back to the 19th century, when publishers found an enthusiastic market for their colorful chromolithographic images. This reproduction of an authentic scrapbook of 130 years ago reflects Victorian sensibilities and interests. A brief Introduction discusses the hobby's history and all of the images are included on a bonus CD-ROM. 347 images.
Author: Rachel Teukolsky
Publisher: Oxford University Press, USA
ISBN: 0198859732
Category : Art
Languages : en
Pages : 481
Get Book
Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Author: Stuart Sillars
Publisher: Cambridge University Press
ISBN: 9780521509695
Category : Literary Criticism
Languages : en
Pages : 384
Get Book
Book Description
Time and the visual sense were two essential preoccupations of the Victorians, and both were central to their presentations of Shakespeare's plays. In this extensive new study, Stuart Sillars examines multiple facets of this complex relationship. The desire for authenticity in production, in the work of Charles Kean and his followers, leads to elaborate sets that define and direct the performances' movement through time. Visual artists of all kinds fracture and extend the plays' movements, the Pre-Raphaelites through new techniques and approaches, illustrators through new forms of engraving and printing, and photographers through the emerging forms of the medium. The book also considers the multiple forms in which performances were recorded and re-created visually, and absorbed into the memories of their viewers. With many previously unpublished images, it draws together multiple fields to offer a new perspective on one of the most productive and various periods of Shakespeare activity.
Author: Thomas Recchio
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754665731
Category : Literary Criticism
Languages : en
Pages : 292
Get Book
Book Description
Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Recchio focuses especially the text's deployment in support of ideas related to nation and national identity on both sides of the Atlantic. Making extensive use of primary materials, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglocentric cultural project.
Author: F. Knight
Publisher: Courier Corporation
ISBN: 0486155749
Category : Design
Languages : en
Pages : 124
Get Book
Book Description
This lavish collection of royalty-free engravings by the celebrated 19th-century artist F. Knight — reproduced directly from a rare original edition — contains elaborate wall murals with trompe-l’oeil effects; scenes of hunters, flanked by mythological figures; idealized damsels in rustic settings; and numerous other florid motifs.
Author: G. A. and M. A. Audsley
Publisher: Courier Corporation
ISBN: 0486257568
Category : Design
Languages : en
Pages : 110
Get Book
Book Description
All 100 full-color plates — 253 individual designs — from one of the greatest printed volumes from the Victorian era. Panel decorations, bands, borders, ornaments, crestings, diaper patterns, and many more.
Author: Tom Mole
Publisher: Princeton University Press
ISBN: 0691175365
Category : Literary Criticism
Languages : en
Pages : 336
Get Book
Book Description
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
Author: Richard J. Hill
Publisher: Routledge
ISBN: 1317062167
Category : Literary Criticism
Languages : en
Pages : 220
Get Book
Book Description
Robert Louis Stevenson and the Pictorial Text explores the genesis, production and the critical appreciation of the illustrations to the fiction of Robert Louis Stevenson. Stevenson is one of the most copied and interpreted authors of the late nineteenth century, especially his novels Treasure Island and Strange Case of Dr Jekyll and Mr Hyde. These interpretations began with the illustration of his texts in their early editions, often with Stevenson’s express consent, and this book traces Stevenson’s understanding and critical responses to the artists employed to illustrate his texts. In doing so, it attempts to position Stevenson as an important thinker and writer on the subject of illustrated literature, and on the marriage of literature and visual arts, at a moment preceding the dawn of cinema, and the rejection of such popular tropes by modernist writers of the early twentieth century.
