Author: United States. National Archives and Records Administration
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 268
Book Description
National Archives Records Relating to the Korean War
Author: United States. National Archives and Records Administration
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 268
Book Description
Pictorial Korea
Author:
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 220
Book Description
Pictorial Korea 1948-1958
Author: Hanʼguk Kukche Podo Yŏnmaeng
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : Korea
Languages : en
Pages : 202
Book Description
New Serial Titles
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1944
Book Description
A union list of serials commencing publication after Dec. 31, 1949.
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1944
Book Description
A union list of serials commencing publication after Dec. 31, 1949.
The Big Picture
Author: John W. Lemza
Publisher: University Press of Kansas
ISBN: 0700632530
Category : Performing Arts
Languages : en
Pages : 288
Book Description
Capitalizing on thousands of feet of accumulated footage captured by combat camera crews during the early years of the Korean War, a small group of US Army officers conceptualized a film series that would widen viewers’ understanding of the service and its mission. Their efforts produced the documentary television series that in late 1951 would become The Big Picture. Although it would take years to fully utilize the emerging technologies and develop the concept into a popularly recognized television series, The Big Picture did evolve into a vehicle whose intention was to help the army tell its story, sell its relevance in the emerging Cold War, and inform and educate its audience about American ideals. Its messages captured the early post-1945 zeitgeist and reflected a national mood that was anticommunist, steeped in foundational principles of American exceptionalism, and trusting of elite leadership. John W. Lemza’s The Big Picture argues that the show, like others produced for television during that time by the armed forces, served as a vehicle for directed propaganda, scripted to send important Cold War messages to both those in uniform and the American public. In this first systematic study of its production and reception history as well as its themes and cultural impact, Lemza shows how the producers incorporated specific Cold War themes, such as anticommunism, into episodes and deployed television’s small screen as the intersection of propaganda and policy during the Cold War period. John Lemza’s study reveals that the longer The Big Picture maintained those themes the more they began to lose their resonance, especially when the cultural and social environment of the United States began changing in the mid-1960s. The series producers chose to continue on a course that was set during the early Cold War years, and the credibility of the show began to suffer. Throughout the course of its two-decade production run, however, The Big Picture cast a big shadow as the premier military program influencing viewing audiences through primetime television and syndication.
Publisher: University Press of Kansas
ISBN: 0700632530
Category : Performing Arts
Languages : en
Pages : 288
Book Description
Capitalizing on thousands of feet of accumulated footage captured by combat camera crews during the early years of the Korean War, a small group of US Army officers conceptualized a film series that would widen viewers’ understanding of the service and its mission. Their efforts produced the documentary television series that in late 1951 would become The Big Picture. Although it would take years to fully utilize the emerging technologies and develop the concept into a popularly recognized television series, The Big Picture did evolve into a vehicle whose intention was to help the army tell its story, sell its relevance in the emerging Cold War, and inform and educate its audience about American ideals. Its messages captured the early post-1945 zeitgeist and reflected a national mood that was anticommunist, steeped in foundational principles of American exceptionalism, and trusting of elite leadership. John W. Lemza’s The Big Picture argues that the show, like others produced for television during that time by the armed forces, served as a vehicle for directed propaganda, scripted to send important Cold War messages to both those in uniform and the American public. In this first systematic study of its production and reception history as well as its themes and cultural impact, Lemza shows how the producers incorporated specific Cold War themes, such as anticommunism, into episodes and deployed television’s small screen as the intersection of propaganda and policy during the Cold War period. John Lemza’s study reveals that the longer The Big Picture maintained those themes the more they began to lose their resonance, especially when the cultural and social environment of the United States began changing in the mid-1960s. The series producers chose to continue on a course that was set during the early Cold War years, and the credibility of the show began to suffer. Throughout the course of its two-decade production run, however, The Big Picture cast a big shadow as the premier military program influencing viewing audiences through primetime television and syndication.
Korean Art from the 19th Century to the Present
Author: Charlotte Horlyck
Publisher: Reaktion Books
ISBN: 1780237847
Category : Art
Languages : en
Pages : 522
Book Description
Walk the galleries of any major contemporary art museum and you are sure to see a work by a Korean artist. Interest in modern and contemporary art from South—as well as North—Korea has grown in recent decades, and museums and individual collectors have been eager to tap into this rising market. But few books have helped us understand Korean art and its significance in the art world, and even fewer have told the story of the formation of Korea’s contemporary cultural scene and the role artists have played in it. This richly illustrated history tackles these issues, exploring Korean art from the late-nineteenth century to the present day—a period that has seen enormous political, social, and economic change. Charlotte Horlyck covers the critical and revolutionary period that stretches from Korean artists’ first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the twenty-first. She explores artists’ interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades, and performance art, showing how artists at every turn have questioned the role of art and artists within society. Opening up this fascinating world to general audiences, this book will appeal to anyone wanting to explore this rich and fascinating era in Korea’s cultural history.
Publisher: Reaktion Books
ISBN: 1780237847
Category : Art
Languages : en
Pages : 522
Book Description
Walk the galleries of any major contemporary art museum and you are sure to see a work by a Korean artist. Interest in modern and contemporary art from South—as well as North—Korea has grown in recent decades, and museums and individual collectors have been eager to tap into this rising market. But few books have helped us understand Korean art and its significance in the art world, and even fewer have told the story of the formation of Korea’s contemporary cultural scene and the role artists have played in it. This richly illustrated history tackles these issues, exploring Korean art from the late-nineteenth century to the present day—a period that has seen enormous political, social, and economic change. Charlotte Horlyck covers the critical and revolutionary period that stretches from Korean artists’ first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the twenty-first. She explores artists’ interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades, and performance art, showing how artists at every turn have questioned the role of art and artists within society. Opening up this fascinating world to general audiences, this book will appeal to anyone wanting to explore this rich and fascinating era in Korea’s cultural history.
The Library Catalogs of the Hoover Institution on War, Revolution, and Peace, Stanford University
Author: Hoover Institution on War, Revolution, and Peace
Publisher:
ISBN:
Category : International relations
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category : International relations
Languages : en
Pages : 832
Book Description
Key Korean War Battles Fought in the Republic of Korea
Author: United States. Army. 8th Army. Office of the Staff Historian
Publisher:
ISBN:
Category : Korean War, 1950-1953
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category : Korean War, 1950-1953
Languages : en
Pages : 210
Book Description
An Annotated Bibliography of the United States Marines in the Korean War
Author: United States. Marine Corps
Publisher:
ISBN:
Category : Korean War, 1950-1953
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Korean War, 1950-1953
Languages : en
Pages : 40
Book Description
A revolutionary war : Korea and the transformation of the postwar world
Author: William J. Williams
Publisher: DIANE Publishing
ISBN: 1428992839
Category : Korea
Languages : en
Pages : 88
Book Description
Publisher: DIANE Publishing
ISBN: 1428992839
Category : Korea
Languages : en
Pages : 88
Book Description