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Author:
Publisher: Rizzoli Publications
ISBN: 0847868176
Category : Art
Languages : en
Pages : 0
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Book Description
A tribute to the renowned Picasso biographer Sir John Richardson (1924-2019), whose intimate account of the artist's life forever changed the understanding of Picasso's art. "The inspiration of nearly all his work comes from his daily life," the acclaimed Picasso biographer John Richardson wrote of the artist in 1962. This was nowhere more true than in Picasso's portraits of women. This volume traces the artist's depictions of eight women who played a prominent role in the artist's life and art: Fernande Olivier, Olga Khokhlova Picasso, Sara Murphy, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, Sylvette David, and Jacqueline Roque Picasso. Each woman served as a catalyst for experiments in color and form that would continue to change as the contours of the relationship shifted. It is through this process that Picasso's work was constantly reinvented and renewed. Published in association with an exhibition organized in honor of the late art historian and biographer, this book features reproductions of thirty-six paintings and sculptures; an extensive two-part newspaper article by Richardson written in 1962, "Picasso in Private"; and an illustrated chronology of the extraordinary exhibitions of Picasso's work curated by Richardson at Gagosian between 2009 and 2018.
Author:
Publisher: Rizzoli Publications
ISBN: 0847868176
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A tribute to the renowned Picasso biographer Sir John Richardson (1924-2019), whose intimate account of the artist's life forever changed the understanding of Picasso's art. "The inspiration of nearly all his work comes from his daily life," the acclaimed Picasso biographer John Richardson wrote of the artist in 1962. This was nowhere more true than in Picasso's portraits of women. This volume traces the artist's depictions of eight women who played a prominent role in the artist's life and art: Fernande Olivier, Olga Khokhlova Picasso, Sara Murphy, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, Sylvette David, and Jacqueline Roque Picasso. Each woman served as a catalyst for experiments in color and form that would continue to change as the contours of the relationship shifted. It is through this process that Picasso's work was constantly reinvented and renewed. Published in association with an exhibition organized in honor of the late art historian and biographer, this book features reproductions of thirty-six paintings and sculptures; an extensive two-part newspaper article by Richardson written in 1962, "Picasso in Private"; and an illustrated chronology of the extraordinary exhibitions of Picasso's work curated by Richardson at Gagosian between 2009 and 2018.
Author: Jeanne Mackin
Publisher: Penguin
ISBN: 1101990570
Category : Fiction
Languages : en
Pages : 353
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Book Description
A tangled and vivid portrait of the women caught in Picasso’s charismatic orbit through the affairs, the scandals, and the art—only this time, they hold the brush. The women of Picasso’s life are glamorous and elusive, existing in the shadow of his fame—until 1950s aspiring journalist Alana Olson determines to bring one into the light. Unsure of what to expect but bent on uncovering what really lies beneath the canvas, Alana steps into Sara Murphy’s well-guarded home to discover a past complicated by secrets and intrigue. Sara paints a luxurious picture of the French Riviera in 1923, but also a tragic one. The more Sara reveals, the more cracks emerge in Picasso’s once-vibrant social circle—and the more Alana feels a disturbing convergence with her own life. Who are these other muses? What became of them? What will become of her? Desperate to trace the threads, Alana dives into the glittering lives of the past. But to do so she must contend with her own reality, including a strained engagement, the male-dominated world of art journalism, and the rising threat to civil rights in America. With hard truths peeling apart around her, it turns out that the most extraordinary portrait Alana encounters is her own.
Author: Françoise Gilot
Publisher: New York Review of Books
ISBN: 1681373203
Category : Biography & Autobiography
Languages : en
Pages : 385
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Book Description
Françoise Gilot’s candid memoir remains “one of the most illuminating [books] we’ve had on the mind and spirit of Picasso”—and gives fascinating insight into the intense and creative life shared by two modern artists (Los Angeles Times). Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career.
Author: Pablo Picasso
Publisher: Dumont
ISBN:
Category : Women in art
Languages : en
Pages : 428
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Book Description
Edited by Ingrid Mussinger, Beate Ritter and Kerstin Drechsel, Essays by Johannes M. Fox, Norman Mailer, Pierre Daix, Amanda Vail and John Richardson.
Author: Fernande Olivier
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
Fernande Olivier was the first real love in the life of Picasso, and the years she spent with the great artist, 1904 to 1912, coincide with some of his most revolutionary work. "Loving Picasso" brings Oliver's memoirs to life with archival photos, reproductions of her own artwork, and a selection of superb portraits of her by Picasso himself. 82 illustrations, 10 in full color.
Author: P. I. Maltbie
Publisher: Charlesbridge Publishing
ISBN: 1570916209
Category : Juvenile Fiction
Languages : en
Pages : 44
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Book Description
The artist Pablo Picasso's cat Minou influences him to discontinue his Blue Period style of painting to begin creating works that will sell more quickly.
Author: John Richardson
Publisher: Rizzoli Publications
ISBN: 0847837130
Category : Art
Languages : en
Pages : 0
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Book Description
Pablo Picasso’s endless fascination with his lover’s character and form led to radical shifts in his conception of portraiture and the mystical metamorphoses that the act of creation entails. Picasso’s secretive love affair with Marie-Therese Walter, which began in 1927, inspired a radical shift in his conception of portraiture. The exhibition and catalogue present Marie-Therese as a primary vehicle for his experimentation during the period, including several works never before seen in the United States as well as previously unpublished personal letters and photographs. Picasso and Marie-Therese sheds new light on the interpretation of one of the most creative relationships in Picasso’s rich and varied oeuvre.
Author: Timothy J. Clark
Publisher:
ISBN: 9781849765763
Category : Art, Abstract
Languages : en
Pages : 0
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Book Description
1932 was an extraordinary year for Picasso, even by his own standards. His paintings reached a new level of sensuality and he cemented his status as the most influential artist of the time. Over the course of this year he created some of his best-loved works, from colour-saturated portraits to surrealist drawings, developing ideas from the voluptuous sculptures he had made at his newly acquired country estate. In his personal life, throughout 1932, Picasso kept a delicate balance between tending to his wife Olga Khokhlova and their son Paulo, and his passionate love affair with Marie-Therese Walter, twenty-eight years his junior. This publication will bring these complex artistic and personal dynamics to life. It was also a year of invention and reflection. Having recently turned fifty, Picasso embarked on the first volume of what remains the most ambitious catalogue of an artist's work ever made. Meanwhile, the first ever retrospective of his work was staged, a show that featured new paintings alongside earlier works in a range of different styles. Picasso's journeys between his homes in Boisgeloup and Paris capture the contradictions of his existence at this pivotal moment: a life divided between countryside retreat and urban bustle, established wife and recent lover, painting and sculpture, sensuality and darkness. The year ended traumatically when Marie-Therese fell seriously ill after swimming, losing most of her iconic blond hair. In his final works of the year, Picasso transformed the event into scenes of rescue and rape, a dramatic finale to a year of love, fame and tragedy that pushed Picasso to the height of his creative powers. This lavishly illustrated publication will explore the major themes and concerns of 1932, in essays, artworks and archive photographs. It will strip away common myths to reveal the man and the artist in his full complexity and richness.
Author: Miles J. Unger
Publisher: Simon & Schuster
ISBN: 1476794227
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
Author: Suzanne Preston Blier
Publisher: Duke University Press
ISBN: 1478002042
Category : Art
Languages : en
Pages : 633
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Book Description
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
