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Author: Pablo Picasso
Publisher:
ISBN:
Category :
Languages : en
Pages : 59
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Book Description
Author: Pablo Picasso
Publisher:
ISBN:
Category :
Languages : en
Pages : 59
Get Book Here
Book Description
Author: Pablo Picasso
Publisher:
ISBN:
Category : Arte
Languages : en
Pages : 64
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Book Description
Author: Ralph Ginzburg
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
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Book Description
Author: Ralph Ginzburg
Publisher:
ISBN:
Category :
Languages : en
Pages : 59
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Book Description
Author:
Publisher:
ISBN:
Category : Erotic art
Languages : en
Pages : 60
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Book Description
Author: Pablo Picasso
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
This volume gives a glimpse of Picasso's sensual drawings, showing some of the artist's most celebrated erotic works.
Author: Museau Picasso
Publisher: National Geographic Books
ISBN: 0500093547
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Sheds new light on Picasso’s oeuvre and provides striking confirmation of his belief in art as a venue for the uninhibited expression of human desires. When Japanese ukiyo-e woodcut prints arrived in the European art world of the late nineteenth century, they caused a sensation and influenced artists as diverse as van Gogh, Toulouse-Lautrec, and Rodin. Picasso first encountered their bold stylization and expressive flair as a young artist in Barcelona, but his connection with Japanese art has been comparatively neglected by critical studies until now. Although Picasso expressed an ambivalent attitude to the Japonisme movement, it has recently been discovered that he personally owned more than sixty of the highly erotic prints known as shunga. Now a selection of these rare works from his private collection has been brought together by the Museu Picasso in Barcelona and is shown here for the first time along with Picasso’s own prints and drawings. This juxtaposition reveals a series of fascinating parallels and convergences in terms of both subject matter and composition. The stylistic echoes are most visible in Picasso’s erotic drawings of the first decade of the twentieth century, and in a series of witty and explicit prints made toward the end of his life, which share the frank yet playful attitude to sexual relationships that shines through in the best Japanese works of this genre. Lavishly illustrated with images b y both Japanese printmakers and the Western artists who followed in their stead, the book features essays by Hayakawa Monta, Ricard Bru, Malén Gual, and Diana Widmaier Picasso.
Author: Luis Carlos Rodrigo
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 536
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Book Description
Author: Pablo Picasso
Publisher: Silvana Editoriale
ISBN: 9788836613571
Category : Art
Languages : it
Pages : 335
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Book Description
Il catalogo riproduce interamente la Suite 347, di proprietà di Bancaja di Valencia. Tutte le incisioni, appunto 347, realizzate da Picasso tra marzo e ottobre del 1968, rappresentano il "diario di bordo" di un uomo che "senza curarsi delle proprie ansie o di quelle profonde inquietudini che spesso cercava, portandole a galla, di esorcizzare," si apriva "alla percezione del mondo esterno, quel mondo che a un uomo di quasi 87 anni appariva folle, grottesco. Aveva visto ben altro!" La Suite è composta da quattro grandi nuclei tematici: La Celestina, ovvero le stampe selezionate da Picasso per un'edizione della Celestina di Fernando de Rojas, pubblicata dall'atelier Crommelynck nel 1971; Picasso, la sua opera e il suo pubblico, una sorta di presentazione dei soggetti principali e di tutte le tecniche e gli stili utilizzati; Mitologia e circo, in cui affiorano la mitologia mediterranea e i tradizionali temi picassiani: il Don Chisciotte, i personaggi di Rembrandt, Raffaello, le mezzane ecc...; Il pittore e le modelle, incisioni che rimandano a temi della Suite Vollard e a quelli ripresi nella Suite 156 con Degas e Poussin nella parte di voyeur, i moschettieri e le donne rembrandtiane. Inoltre, il tema di Raffaello e la Fornarina, già trattato da Ingres, viene affrontato da Picasso con maggiore ironia e malizia. Annotation Supplied by Informazioni Editoriali
