Picasso's Drawings, 1890-1921

Picasso's Drawings, 1890-1921 PDF Author: Susan Grace Galassi
Publisher: Yale University Press
ISBN: 9780300170733
Category : Art
Languages : en
Pages : 299

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Book Description
A fresh perspective on the importance of Picasso's drawing practice and how he used his materials and graphic techniques to reinterpret past traditions and invigorate his art

Picasso's Drawings, 1890-1921

Picasso's Drawings, 1890-1921 PDF Author: Susan Grace Galassi
Publisher: Yale University Press
ISBN: 9780300170733
Category : Art
Languages : en
Pages : 299

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Book Description
A fresh perspective on the importance of Picasso's drawing practice and how he used his materials and graphic techniques to reinterpret past traditions and invigorate his art

Picasso, The Saltimbanques

Picasso, The Saltimbanques PDF Author: E. A. Carmean
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 106

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Book Description
41 paintings, drawings, prints, sculpture, and documents, relating to Picasso's Family of Saltimbanques in the Chester Dale collection and to the theme of vagabond performers, marked the centennial of Pablo Picasso's birth.

Picasso

Picasso PDF Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 0226816591
Category : Art
Languages : en
Pages : 265

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Book Description
"This fourth volume of essays by Leo Steinberg is devoted to the great modern artist Pablo Picasso. Throughout his career, Steinberg was preoccupied with two artists-Michelangelo and Picasso. His work has been singularly important to our understanding of both. This volume does not include the Picasso essay in Steinberg's book Other Criteria, because that book is still in print and to include the essay here would mean adding a foldout to the book. The modern art historian Richard Shiff is writing the introduction, which we expect to receive in mid to late February"--

Picasso's Demoiselles

Picasso's Demoiselles PDF Author: Suzanne Preston Blier
Publisher: Duke University Press
ISBN: 1478002042
Category : Art
Languages : en
Pages : 633

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Book Description
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.

Vanished Smile

Vanished Smile PDF Author: R.A. Scotti
Publisher: Vintage
ISBN: 0307278387
Category : Art
Languages : en
Pages : 258

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Book Description
On August 21, 1911, Leonardo da Vinci’s most celebrated painting vanished from the Louvre. The prime suspects were as shocking as the crime: Pablo Picasso and Guillaume Apollinaire, young provocateurs of a new art. The sensational disappearing act captured the world’s imagination. Crowds stood in line to view the empty space on the museum wall. Thousands more waited, as concerned as if Mona Lisa were a missing person, for news of the lost painting. Almost a century later, questions still linger: Who really pinched Mona Lisa, and why? Part love story, part mystery, Vanished Smile reopens the puzzling case that transformed a Renaissance portrait into the most enduring icon of all time.

Day of the Artist

Day of the Artist PDF Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :

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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Cubism

Cubism PDF Author: Emily Braun
Publisher: Metropolitan Museum of Art
ISBN: 0300208073
Category : Art
Languages : en
Pages : 394

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Book Description
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -

A Life of Picasso I: The Prodigy

A Life of Picasso I: The Prodigy PDF Author: John Richardson
Publisher: National Geographic Books
ISBN: 037571149X
Category : Biography & Autobiography
Languages : en
Pages : 0

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Book Description
From the foremost Picasso scholar, the first volume of his Life of Picasso draws on Richardson's close friendship with Picasso, his own diaries, the collaboration of Picasso's widow Jacqueline, and unprecedented access to Picasso's studio and papers to arrive at a profound understanding of the artist and his work. Combining meticulous scholarship with irresistible narrative appeal, this definitive biography of one of the greatest artists of the twentieth century details the years 1881-1906, from Picasso's beginnings in Spain to age twenty-five in Paris. With more than 800 extraordinary black-and-white illustrations.

Picasso Looks at Degas

Picasso Looks at Degas PDF Author: Elizabeth Cowling
Publisher: Sterling and Francine Clark Art Museum
ISBN:
Category : Art
Languages : en
Pages : 376

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Book Description
"This book is published on the occasion of the exhibition Picasso Looks at Degas, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 13 June-12 September 2010, Museu Picasso, Barcelona, 14 October 2010-16 January 2011."--T.p. verso.

In Defiance of Painting

In Defiance of Painting PDF Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318

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Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.