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Author: Pablo Picasso
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 290
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Book Description
Author: Pablo Picasso
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 290
Get Book Here
Book Description
Author: Pablo Picasso
Publisher:
ISBN: 9780900946646
Category : Artists
Languages : en
Pages : 263
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Book Description
Published on the occasion of the exhibition at the Royal Academy of Arts, London and the Metropolitan Museum of Art, New York, this is the first publication in English dealing exclusively with Picasso's unique works in ceramic.
Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830343
Category : Literary Criticism
Languages : en
Pages : 550
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Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author: Pablo Picasso
Publisher:
ISBN:
Category : Lithography, French
Languages : en
Pages : 338
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Book Description
Author: Museum Ludwig
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 776
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Book Description
Item includes a short history of the Museum and then a dictionary of artists, illustrated mainly with works from the collection.
Author: Boston, Mass. Isabella Stewart Gardner Museum
Publisher: Yale University Press
ISBN: 9780300063417
Category : Art
Languages : en
Pages : 170
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Book Description
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Author:
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
This selection of thirty-six paintings, sculptures, drawings, and prints from the collection of Louise Reinhardt Smith attests to her astute eye for important works of art. Each full-color illustration is accompanied by a commentary that eloquently illuninates the essential context of the art and provides new insights into the collection as a group. These discussions are supplemented with full catalogue notes, references, and an exhibition history.
Author:
Publisher:
ISBN:
Category : Microcards
Languages : en
Pages : 1124
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Book Description
Author: Jill Berk Jiminez
Publisher: Routledge
ISBN: 1135959145
Category : Social Science
Languages : en
Pages : 625
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Book Description
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
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Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
