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Author: John Richardson
Publisher: Rizzoli Publications
ISBN: 0847845915
Category : Art
Languages : en
Pages : 0
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Book Description
With many never-before-published photographs taken by the artist, as well as paintings, drawings, sculptures, prints, and films, this volume offers an unparalleled examination of Pablo Picasso’s relationship to photography.
Author: John Richardson
Publisher: Rizzoli Publications
ISBN: 0847845915
Category : Art
Languages : en
Pages : 0
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Book Description
With many never-before-published photographs taken by the artist, as well as paintings, drawings, sculptures, prints, and films, this volume offers an unparalleled examination of Pablo Picasso’s relationship to photography.
Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 9780300081688
Category : Art
Languages : en
Pages : 335
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Book Description
A catalog accompanying an exhibtion organized by the Dallas Museum of Art describes how artists at the turn of the century used photography in their paintings and sculpture
Author: Fred Baldwin
Publisher: Schilt Publishing
ISBN: 9789053309186
Category : Documentary photography
Languages : en
Pages : 0
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Book Description
Fred Baldwin's life took a turn in the direction of the extraordinary when he decided to interview and photograph Pablo Picasso. In his last year of college, he delivered a letter with own drawings to the artist. This made Picasso laugh and open the door. Baldwin's life changed. He followed his dream, used his imagination, overcame fear, and acted - now he could accomplish anything. What followed were picture stories about reindeer migrations, a day and a night with the Ku Klux Klan, Nobel Prize coverage, cod fishing in Arctic Norway, polar bear expeditions. Then underwater images of the fight of hooked Marlin in Mexico - an homage to Hemingway. In 1963, Baldwin joined the Civil Rights Movement, photographing Martin Luther King. A two-year stint as Peace Corps director in Borneo was followed by more photojournalism in India and Afghanistan. This account takes the reader to high adventure worldwide, but also to disaster and failure. This illustrated love affair with freedom shows how a camera became a passport to the world.0Fred Baldwin was born in 1928 in Switzerland. After earning his B.A. degree from Columbia College, New York in 1956, he began a freelance photography career which continued until 1987. Baldwin worked for LIFE, National Geographic, GEO, STERN, Esquire, Sports Illustrated, Smithsonian Magazine, Newsweek, the New York Times and others.
Author: Alfred Stieglitz
Publisher: Dover Publications
ISBN: 0486837300
Category : Photography
Languages : en
Pages : 177
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Book Description
Many of the early twentieth century's finest examples of photography and modernist art reached their widest audience in the fifty issues of Camera Work, edited and published by the legendary photographer Alfred Stieglitz from 1903 to 1917. The lavishly illustrated periodical established photography as a fine art, and brought a new sensibility to the American art world. This volume reproduces chronologically all the photographs and other illustrations (except for advertisements) that ever appeared in the publication. Included here are some of the finest and best-known works by American and European artists and photographers, including numerous photos by Stieglitz himself as well as Edward (as Eduard) Steichen, Paul Strand, Alvin Langdon Coburn, Clarence White, Robert Demachy, Frank Eugene, Julia Margaret Cameron, Gertrude Käsebier, Heinrich Kühn, and many others. Paintings, drawings, and sculpture by Van Gogh, Cézanne, Mary Cassatt, Picasso, Matisse, John Marin, Rodin, Brancusi, and Nadelman—to name just a famous few—appear here as well. Marianne Fulton Margolis provided an extensive historical Introduction about Stieglitz and the magazine and prepared three complete Indexes of the pictures, by title, artist, and sitter. Painstakingly accurate and complete, Camera Work is an indispensable reference for an outstanding period in the history of photography and art.
Author: Billy Kluver
Publisher: MIT Press
ISBN: 9780262611473
Category : Art
Languages : en
Pages : 120
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Book Description
In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Klüver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moïse Kisling, Modigliani, and others at the Café de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of twenty-four photographs—four rolls of film with six photographs each—were eventually found. With the challenge of identifying the date, photographer, and circumstances, Klüver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Klüver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Klüver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs: August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Klver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Klüver then reconstructed a scenario of the events of the four hours depicted in the photographs. With evocative attention to detail—noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel—Klüver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early twentieth-century Paris. Besides the central "portfolio" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.
Author: Jay Hambidge
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 212
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Book Description
Author:
Publisher: Rizzoli Publications
ISBN: 0847839230
Category : Art
Languages : en
Pages : 0
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Book Description
This publication explores Picasso’s portrayals of life with Gilot and their young family in the decade they spent together. Françoise Gilot was a young budding painter when she met Picasso by chance at a café in 1943. The subsequent ten years spent together was a time of transformation in Picasso’s paintings that coincided with revolutionary inventions in lithography, sculpture, and ceramics. Picasso: L’Epoque Françoise presents for the first time several of Gilot’s paintings and drawings from the period alongside Picasso’s when the young painter was maturing while the elder continued to change the face of modern art. The fully illustrated catalogue includes a historic dialogue between Richardson and Gilot celebrating Picasso’s innovation in every medium during the postwar years of renewal.
Author:
Publisher: Rizzoli Publications
ISBN: 0847835359
Category : Art
Languages : en
Pages : 0
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Book Description
The catalog to an international art sensation – a once in a lifetime event of Picasso’s most prolific creative period – show opening at the Gagosian Gallery in London, June 2010. This volume features 3 single and 4 double gatefold illustrations and includes a detachable 23-page booklet of Picasso’s pencil and ink drawings. During the decade after the end of World War II Picasso began to spend more and more time in the Cote d’Azur where he began drawing on the Mediterranean sources that had inspired him in earlier years. Picasso’s return to the south marked a return to a family life as well – which in turn inspired him in the studio. In the 1950s his sculpture work evolved and he expanded into ceramics, lithography, printing and graphic design techniques. This latest Picasso exhibition from the Gagosian Gallery features a more private side to these prolific years – a dazzling coming together paintings, sculptures, prints and ceramics – many provided by of the pieces by Picasso’s grandson, Bernard Ruiz-Picasso and curated by Mr. Ruiz-Picasso and Picasso’s acclaimed biographer, Sir John Richardson. This is certain to garner as much press attention as Gagosian’s “must see” Picasso Mosqueteros exhibition in 2009.
Author: Martin Harrison
Publisher: National Geographic Books
ISBN: 0500296502
Category : Art
Languages : en
Pages : 0
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Book Description
A lavishly illustrated look at the sources behind the paintings of Francis Bacon. Francis Bacon famously found inspiration in photographs, film stills, and images from the media. In this new, updated edition of In Camera, Martin Harrison reveals how these sources informed some of Bacon’s most important paintings and triggered decisive turning points in the artist’s stylistic development. Key influences—including the masters Diego Velázquez, Nicolas Poussin, and Auguste Rodin; the photographer Eadweard Muybridge; and the film director Sergei Eisenstein—are given close consideration. Bacon’s work is examined in relation to the precedents set by other artists who made use of mechanical reproductions, including Pablo Picasso and Walter Sickert, and in the context of his contemporaries Lucian Freud, Mark Rothko, Graham Sutherland, and Patrick Heron. With over 270 color illustrations, including valuable source images and documents, In Camera is a bravura accomplishment of original research, addressing important questions about Bacon’s painting practice and shedding fresh light on his life and work.
Author:
Publisher: Rizzoli Publications
ISBN: 0847868176
Category : Art
Languages : en
Pages : 0
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Book Description
A tribute to the renowned Picasso biographer Sir John Richardson (1924-2019), whose intimate account of the artist's life forever changed the understanding of Picasso's art. "The inspiration of nearly all his work comes from his daily life," the acclaimed Picasso biographer John Richardson wrote of the artist in 1962. This was nowhere more true than in Picasso's portraits of women. This volume traces the artist's depictions of eight women who played a prominent role in the artist's life and art: Fernande Olivier, Olga Khokhlova Picasso, Sara Murphy, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, Sylvette David, and Jacqueline Roque Picasso. Each woman served as a catalyst for experiments in color and form that would continue to change as the contours of the relationship shifted. It is through this process that Picasso's work was constantly reinvented and renewed. Published in association with an exhibition organized in honor of the late art historian and biographer, this book features reproductions of thirty-six paintings and sculptures; an extensive two-part newspaper article by Richardson written in 1962, "Picasso in Private"; and an illustrated chronology of the extraordinary exhibitions of Picasso's work curated by Richardson at Gagosian between 2009 and 2018.
