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Author: Stephen Coppel
Publisher: University of California Press
ISBN:
Category : Art
Languages : en
Pages : 130
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Book Description
A history of printmaking in Paris in the first half of the twentieth century.
Author: Stephen Coppel
Publisher: University of California Press
ISBN:
Category : Art
Languages : en
Pages : 130
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Book Description
A history of printmaking in Paris in the first half of the twentieth century.
Author: Jay A. Clarke
Publisher: Clark Art Institute
ISBN: 9780300229271
Category :
Languages : en
Pages : 136
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Book Description
"Published by the Clark Art on the occasion of the exhibition Picasso ] Encounters, Clark Art Institute, Williamstown, Massachusetts, June 4-August 27, 2017."
Author: Diana Widmaier Picasso
Publisher: Assouline Publishing
ISBN: 1614288615
Category : Travel
Languages : en
Pages : 6
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Book Description
Pablo Picasso redefined artwork throughout his extraordinary career, becoming indisputably one of the most influential artists of the twentieth century. In this evocative volume, the artist’s granddaughter, Diana Widmaier Picasso, curates the 100 quintessential, unique works that define the evolution of this illustrious artist, creating a stunning compendium of pieces that simply could never all be acquired by a single collector. Casual art lovers know his Cubist work and the Guernica, but Picasso: The Impossible Collection manages to go deeper, revealing and revisiting some less ubiquitous yet equally powerful paintings, prints, sculptures and photographs from Picasso’s astonishing oeuvre.
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870707803
Category : Art
Languages : en
Pages : 204
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Book Description
Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.
Author: Karen L. Kleinfelder
Publisher: University of Chicago Press
ISBN: 9780226439839
Category : Art
Languages : en
Pages : 294
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Book Description
Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.
Author: David Douglas Duncan
Publisher: Times Books
ISBN:
Category : Artists
Languages : en
Pages : 306
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Book Description
A collection of photographs of Pablo Picasso's life and art, taken by his friend, award-winning photojournalist David Douglas Duncan.
Author: Pablo Picasso
Publisher: Courier Corporation
ISBN: 0486241963
Category : Art
Languages : en
Pages : 49
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Book Description
Picasso may have the most uncanny line since Botticelli. Each medium or style he chose to master, no matter how solid or sculptural, can be seen as line disguised, metamorphic; as the labyrinth to which a single thread is the key. Theoretically, line is infinite; Picasso in his fertility nearly realized that theory in almost a century of ceaseless drawing, whether on paper, zinc, stone, or other media. Here is a sampling, rather than a comprehensive selection, from that plenitude; while nothing could be comprehensive within a single volume, the genius of Picasso's line manifests itself so clearly that this culling from various periods reveals the line in most of its guises. Beginning with a 1905 circus family in drypoint, 44 drawings cover Picasso's major themes, techniques, and styles. From the almost classic Ingresque clarity of the Diaghilev and Stravinsky portraits (1919, 1920) via cubist studies and "neo-classical" nudes, Picasso's restless hand remakes his world again and again with fresh energy, culminating here in six sketches of the artist/model dashed out in raging love/hate in the midst of personal crisis (1953–54). In between are times of serenity and introspection (Seven Dancers (1919), with the future Olga Picasso up front; many figures and bathers) and, particularity as book illustrations, many mythological studies; Eurydice Stung by a Serpent (1930 etching), Dying Minotaur in the Arena (1933), an etching for a 1934 edition of Lysistrata. Balzac is represented by a striking lithographic portrait (1952) and by etching for Vollard's edition of Le Chef-d'oeuvre inconnu. The sudden appearance of an earthy, hirsute Rembrandt (1934) seems to confirm Picasso's membership in the select group of art history's greatest draughtsmen.
Author: Stephen Coppel
Publisher: British Museum Publications Limited
ISBN: 9780714126838
Category : Architecture
Languages : en
Pages : 192
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Book Description
This beautiful publication is illustrated with a variety of classical objects as well as works by Rembrandt and Goya from the British Museum's collection, together with fascinating photographs of Marie-Therese and Vollard himself. Picasso Prints: The Vollard Suite celebrates the British Museum's landmark acquisition and reproduces its complete set of pristine prints for the first time.
Author: Pablo Picasso
Publisher:
ISBN:
Category : Linoleum block-printing
Languages : en
Pages : 128
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Book Description
Author: Vancouver Art Gallery
Publisher: Black Dog Press
ISBN: 9781910433843
Category :
Languages : en
Pages : 157
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Book Description
"Published on the occasion of the exhibition Picasso: the artist and his muses presented at the Vancouver Art Gallery, June 11 - October 2, 2016 ... created by Art Centre Basel, curated by Katharina Beisiegel, and produced in collaboration with the Vancouver Art Gallery"--Copyright page.
