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Author: Sally H. Fairweather
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Picasso's concrete sculptures. When Pablo Picasso first learned of the Betograve Process for pouring and engraving concrete, he "jumped out of his chair as if he had sat on a pin. He wax so excited .... [His] lightning eye and intuitive intelligence instantly recognized the creative uses that he might be able to make of this new technique." Indeed, Picasso's collaboration with Norwegian artist Carl Nesjar during the next fifteen years led to a series of exuberant public sculptures in Spain, France, Sweden, Norway, Holland, Israel, and the United States (New York, Princeton, Cambridge, and Rolling Meadows, near Chicago). Picasso's Concrete Sculptures is a comprehensive history of that collaboration, from the preparation and selection of marquettes, theough all the stages of approval, to actual construction and engraving. Author Sally Fairweather is a prominent Chicago art dealer who was instrumental in the realization there of the monumental Picasso concrete sculpture, The Bather, and she subsequently undertook the prodigious task of researching and writing this first published study of the entire series of sculptures. Nearly 100 plates -- many in full color -- illustrate every one of these majestic works in its final setting, as well as showing the maquettes on which they were based, the photographs signed by Picasso to document his approval, step-by-step shots of construction in progress, and more. This volume also includes a bibliography and index and a fully documented catalogue raisonne of all the Picasso-Nesjar works in concrete, including some not yet erected. Picasso's Concrete Sculptures is an indispensable addition to the literature on this greatest of modern masters, filling an important gap in his knowledge of his oeuvre"-- Front flap.
Author: Sally H. Fairweather
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Picasso's concrete sculptures. When Pablo Picasso first learned of the Betograve Process for pouring and engraving concrete, he "jumped out of his chair as if he had sat on a pin. He wax so excited .... [His] lightning eye and intuitive intelligence instantly recognized the creative uses that he might be able to make of this new technique." Indeed, Picasso's collaboration with Norwegian artist Carl Nesjar during the next fifteen years led to a series of exuberant public sculptures in Spain, France, Sweden, Norway, Holland, Israel, and the United States (New York, Princeton, Cambridge, and Rolling Meadows, near Chicago). Picasso's Concrete Sculptures is a comprehensive history of that collaboration, from the preparation and selection of marquettes, theough all the stages of approval, to actual construction and engraving. Author Sally Fairweather is a prominent Chicago art dealer who was instrumental in the realization there of the monumental Picasso concrete sculpture, The Bather, and she subsequently undertook the prodigious task of researching and writing this first published study of the entire series of sculptures. Nearly 100 plates -- many in full color -- illustrate every one of these majestic works in its final setting, as well as showing the maquettes on which they were based, the photographs signed by Picasso to document his approval, step-by-step shots of construction in progress, and more. This volume also includes a bibliography and index and a fully documented catalogue raisonne of all the Picasso-Nesjar works in concrete, including some not yet erected. Picasso's Concrete Sculptures is an indispensable addition to the literature on this greatest of modern masters, filling an important gap in his knowledge of his oeuvre"-- Front flap.
Author: I C A Gallery, London
Publisher:
ISBN:
Category : Cement sculpture
Languages : en
Pages : 10
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Book Description
Author: Institute of Contemporary Arts (London, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
Author: Sylvia A. Antoniou
Publisher:
ISBN: 9788299805605
Category : Artistic collaboration
Languages : en
Pages : 96
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Book Description
Author:
Publisher:
ISBN:
Category : Concrete construction
Languages : en
Pages : 634
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Book Description
Author: Ingo F. Walther
Publisher: Taschen
ISBN: 9783822859704
Category : Art
Languages : en
Pages : 104
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Book Description
The entertaining companion novel to the best-selling The Sweet Second Life of Darrell Kincaid. Michelle Lawrence's perfect life has been just as she's designed it. But then her husband, Chad, ruins everything by taking a job in San Francisco, about as far from their comfortable family home as it's possible to get without actually emigrating. Up until now, Chad's primary focus has been keeping her happy, and Michelle can see no good reason why this should change. But change it has, and Michelle now has to deal with Chad's increasing detachment, while building a new life with her two small children in a place filled with cat-eating coyotes. On top of that, Michelle's oldest friend is turning against marriage while her newest is a little too obsessed with clean taps. And down the redwood-lined street, there's Aishe Herne, a woman who could pick a fight with a silent order of nuns. Aishe has designed her own kind of perfect life, in which there's room for her, her teenage son and no one else. But when cousin Patrick lands in town like a Cockney nemesis, both Aishe and Michelle must begin determined campaigns to regain their grip on the steering wheel of their lives. The Catherine Robertson Trilogy Book 1: The Sweet Second Life of Darrell Kincaid Book 2: The Not So Perfect Life of Mo Lawrence Book 3: The Misplaced Affections of Charlotte Forbes
Author: Sir Roland Penrose
Publisher: Univ of California Press
ISBN: 9780520042070
Category : Art
Languages : en
Pages : 578
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Book Description
Part of a series which introduces key artists and movements in art history, this book deals with Picasso. Each title in the series contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative black and white illustrations.
Author: Jan van Adrichem
Publisher: 010 Publishers
ISBN: 9064504822
Category : Outdoor sculpture
Languages : en
Pages : 216
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Book Description
Author: Russell Martin
Publisher: Hol Art Books
ISBN: 1936102250
Category : Art
Languages : en
Pages : 296
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Book Description
The destruction of a town, and the creation of a masterpiece--On April 26, 1937, in the late afternoon of a busy market day in the Basque town of Gernika in northern Spain, the German Luftwaffe began the relentless bombing and machine-gunning of buildings and villagers at the request of General Francisco Franco and his rebel forces. Three-and-a-half hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty--the first intentional, large-scale attack against a nonmilitary target in modern warfare--outraged the world and one man in particular, Pablo Picasso. The renowned artist, an expatriate living in Paris, reacted immediately to the devastation in his homeland by creating the canvas that would become widely considered one of the greatest artworks of the twentieth century--Guernica. Weaving themes of conflict and redemption, of the horrors of war and of the power of art to transfigure tragedy, Russell Martin follows this monumental work from its fevered creation through its journey across decades and continents--from Europe to America and, finally and triumphantly, to democratic Spain. Full of historical sweep and deeply moving drama, Picasso's War delivers an unforgettable portrait of a painting, the dramatic events that led to its creation, and its ongoing power today.
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1780422997
Category : Art
Languages : en
Pages : 160
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Book Description
Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturally, joined those who called themselves modernists, the non-conformist artists and writers, those whom Sabartés called “the élite of Catalan thought” and who were grouped around the artists’ café Els Quatre Gats. During 1899 and 1900 the only subjects Picasso deemed worthy of painting were those which reflected the “final truth”; the transience of human life and the inevitability of death. His early works, ranged under the name of “Blue Period” (1901-1904), consist in blue-tinted paintings influenced by a trip through Spain and the death of his friend, Casagemas. Even though Picasso himself repeatedly insisted on the inner, subjective nature of the Blue Period, its genesis and, especially, the monochromatic blue were for many years explained as merely the results of various aesthetic influences. Between 1905 and 1907, Picasso entered a new phase, called “Rose Period” characterised by a more cheerful style with orange and pink colours. In Gosol, in the summer of 1906 the nude female form assumed an extraordinary importance for Picasso; he equated a depersonalised, aboriginal, simple nakedness with the concept of “woman”. The importance that female nudes were to assume as subjects for Picasso in the next few months (in the winter and spring of 1907) came when he developed the composition of the large painting, Les Demoiselles d’Avignon. Just as African art is usually considered the factor leading to the development of Picasso’s classic aesthetics in 1907, the lessons of Cézanne are perceived as the cornerstone of this new progression. This relates, first of all, to a spatial conception of the canvas as a composed entity, subjected to a certain constructive system. Georges Braque, with whom Picasso became friends in the autumn of 1908 and together with whom he led Cubism during the six years of its apogee, was amazed by the similarity of Picasso’s pictorial experiments to his own. He explained that: “Cubism’s main direction was the materialisation of space.” After his Cubist period, in the 1920s, Picasso returned to a more figurative style and got closer to the surrealist movement. He represented distorted and monstrous bodies but in a very personal style. After the bombing of Guernica during 1937, Picasso made one of his most famous works which starkly symbolises the horrors of that war and, indeed, all wars. In the 1960s, his art changed again and Picasso began looking at the art of great masters and based his paintings on ones by Velázquez, Poussin, Goya, Manet, Courbet and Delacroix. Picasso’s final works were a mixture of style, becoming more colourful, expressive and optimistic. Picasso died in 1973, in his villa in Mougins. The Russian Symbolist Georgy Chulkov wrote: “Picasso’s death is tragic. Yet how blind and naïve are those who believe in imitating Picasso and learning from him. Learning what? For these forms have no corresponding emotions outside of Hell. But to be in Hell means to anticipate death. The Cubists are hardly privy to such unlimited knowledge”.
