Piano Sonata in A Major, Op. 101

Piano Sonata in A Major, Op. 101 PDF Author: Heinrich Schenker
Publisher: Oxford University Press
ISBN: 0199914273
Category : Music
Languages : en
Pages : 169

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Book Description
Heinrich Schenker ranks among the most important figures in the development of western music theory in the twentieth century. His approach to the analysis of music permeates nearly every aspect of the field and continues to this day to be a topic of great interest among music theorists, historians, composers and performers. In his four volume work, Die letzen Sonaten von Beethoven: Kritische Ausgabe mit Einführung und Erläuterung (The Last Piano Sonatas by Beethoven: Critical edition with Introduction and Commentary) Schenker presented editions of Beethoven's Opp. 109, 110, 111 and 101 that were, at the time, unprecedented in their faithfulness to such authoritative sources as Beethoven's autograph manuscripts. He included a movement-by-movement and section-by-section discussion of form and content that grew increasingly penetrating from one volume to the next as the musical theory for which he is now known was developed, alongside inspired and detailed suggestions for the performance of each section of each work. In Beethoven's Last Piano Sonatas: An Edition, with Elucidation, noted Schenker scholar John Rothgeb presents the first English language edition and translation of these important works. Rothgeb builds upon Schenker's text, adding explanations of certain points in the commentary, references to corrections and other remarks entered by Schenker in his personal copies of the volumes, and graphic presentations of several passages (a practice that became standard in Schenker's own analytical work later in his career). Making these seminal works accessible to English speaking scholars and students for the first time, Beethoven's Last Piano Sonatas is an essential reference for music theorists, historians, performers, and composers alike.

Piano Sonata in A Major, Op. 101

Piano Sonata in A Major, Op. 101 PDF Author: Heinrich Schenker
Publisher: Oxford University Press
ISBN: 0199914273
Category : Music
Languages : en
Pages : 169

Get Book Here

Book Description
Heinrich Schenker ranks among the most important figures in the development of western music theory in the twentieth century. His approach to the analysis of music permeates nearly every aspect of the field and continues to this day to be a topic of great interest among music theorists, historians, composers and performers. In his four volume work, Die letzen Sonaten von Beethoven: Kritische Ausgabe mit Einführung und Erläuterung (The Last Piano Sonatas by Beethoven: Critical edition with Introduction and Commentary) Schenker presented editions of Beethoven's Opp. 109, 110, 111 and 101 that were, at the time, unprecedented in their faithfulness to such authoritative sources as Beethoven's autograph manuscripts. He included a movement-by-movement and section-by-section discussion of form and content that grew increasingly penetrating from one volume to the next as the musical theory for which he is now known was developed, alongside inspired and detailed suggestions for the performance of each section of each work. In Beethoven's Last Piano Sonatas: An Edition, with Elucidation, noted Schenker scholar John Rothgeb presents the first English language edition and translation of these important works. Rothgeb builds upon Schenker's text, adding explanations of certain points in the commentary, references to corrections and other remarks entered by Schenker in his personal copies of the volumes, and graphic presentations of several passages (a practice that became standard in Schenker's own analytical work later in his career). Making these seminal works accessible to English speaking scholars and students for the first time, Beethoven's Last Piano Sonatas is an essential reference for music theorists, historians, performers, and composers alike.

Piano Sonata in A Major, Op. 101

Piano Sonata in A Major, Op. 101 PDF Author: Heinrich Schenker
Publisher:
ISBN:
Category :
Languages : en
Pages : 152

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Book Description
Heinrich Schenker ranks among the most important figures in the development of western music theory in the 20th century. In his 4 volume work, he presented editions of Beethoven's Opp. 109, 110, 111 and 101 that were, at the time, unprecedented in their faithfulness to such authoritative sources as Beethoven's autograph manuscripts. He included detailed discussion of form and content that grew increasingly penetrating as the musical theory for which he is now known was developed, alongside inspired and detailed suggestions for the performance of each section of each work.

Klaviersonate NR. 28 A-Dur Opus 101 =

Klaviersonate NR. 28 A-Dur Opus 101 = PDF Author: Ludwig Van Beethoven
Publisher:
ISBN: 9780201807929
Category :
Languages : en
Pages :

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Book Description


Beethoven - Piano Sonata No. 28 in A Major, Op. 101

Beethoven - Piano Sonata No. 28 in A Major, Op. 101 PDF Author: Adolf Ruthardt
Publisher:
ISBN: 9781936710874
Category :
Languages : en
Pages :

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A Performance Edition of Beethoven's Piano Sonata in A Major, Op. 101 Arranged for String Quartet

A Performance Edition of Beethoven's Piano Sonata in A Major, Op. 101 Arranged for String Quartet PDF Author: Matthew Yount
Publisher:
ISBN:
Category :
Languages : en
Pages : 224

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Sonata, Piano, No. 28, Op. 101, A Major Die Letzten Sonaten

Sonata, Piano, No. 28, Op. 101, A Major Die Letzten Sonaten PDF Author: Ludwig van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Critical Reception of Beethoven's Compositions by His German Contemporaries

The Critical Reception of Beethoven's Compositions by His German Contemporaries PDF Author: Wayne M. Senner
Publisher: U of Nebraska Press
ISBN: 9780803212503
Category : Music
Languages : en
Pages : 296

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Book Description
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.

Eleventh Piano Sonata [op. 101].

Eleventh Piano Sonata [op. 101]. PDF Author: Vincent Persichetti
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 0

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Book Description


Music as Philosophy

Music as Philosophy PDF Author: Michael Spitzer
Publisher: Indiana University Press
ISBN: 0253060877
Category : Music
Languages : en
Pages : 388

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Book Description
Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.

Piano Sonatas, Volume 4 (Nos. 25-32)

Piano Sonatas, Volume 4 (Nos. 25-32) PDF Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 1457433346
Category : Music
Languages : en
Pages : 267

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Book Description
Beethoven wrote 32 sonatas for piano. The final installment, Volume 4, edited by Stewart Gordon, contains Sonatas 25-32, written between 1809 and 1822 and published shortly thereafter. Of the eight sonatas in this volume, autographs exist in whole or in part for all but Op. 106, missing since World War II. This edition is based on the existing autographs and the first editions. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempi; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions. Titles: * Op. 79 ("Sonatine") * Op. 81a * Op. 90 * Op. 101 * Op. 106 ("Hammer-Klavier") * Op. 109 * Op. 110 * Op. 111