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Author: James Parakilas
Publisher:
ISBN: 9780300093063
Category : Music
Languages : en
Pages : 391
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Book Description
This delightfully written book examines every aspect of the history of the piano over the past 300 years. This new edition includes 47 color photos and 14 illustrations.
Author: James Parakilas
Publisher:
ISBN: 9780300093063
Category : Music
Languages : en
Pages : 391
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Book Description
This delightfully written book examines every aspect of the history of the piano over the past 300 years. This new edition includes 47 color photos and 14 illustrations.
Author: James Parakilas
Publisher: Yale University Press
ISBN: 0300080557
Category : Music
Languages : en
Pages : 416
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Book Description
The place of the piano in classical and popular musical cultures and its changing roles over the past three centuries are examined by eminent authorities. Everything about the piano is here: its invention, innovations in design, importance of piano lessons in girls' lives, images formed around the piano, and more. 153 b&w, 65 color illustrations.
Author: John Shepherd
Publisher: A&C Black
ISBN: 0826463223
Category : Popular music
Languages : en
Pages : 713
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Book Description
See:
Author:
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 754
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Book Description
Author: Richard Burnett
Publisher: Third Millennium Information Ltd
ISBN: 9781903942352
Category : Music
Languages : en
Pages : 248
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Book Description
Richard Burnett traces the development of the piano from its origins to the present day, using instruments from his internationally known collection, at the Finchcocks Museum in Kent, England, as the inspiration and navigational means for his story.
Author: John Shepherd
Publisher: A&C Black
ISBN: 1847144721
Category : Social Science
Languages : en
Pages : 713
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Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Author: Cecilia Bjorken-Nyberg
Publisher: Routledge
ISBN: 1317021223
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional notions about the status of the musical work itself and about the people who were variously defined by their relationship to it. She examines works by Dorothy Richardson, E.M. Forster, Henry Handel Richardson, Max Beerbohm and Compton Mackenzie, among others, contending that Edwardian fiction with music as a subject undermined the prevalent antithesis, expressed in contemporary music literature, between a nineteenth-century conception of music as a means of transcendence and the increasing mechanisation of music as represented by the player piano. Her timely survey of the player piano in the context of Edwardian commercial and technical discourse draws on a rich array of archival materials to shed new light on the historically conditioned activity of music-making in early twentieth-century fiction.
Author: Allison Rebecca Wente
Publisher: Taylor & Francis
ISBN: 1000553124
Category : Music
Languages : en
Pages : 165
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Book Description
By the early 20th century the machine aesthetic was a well-established and dominant interest that fundamentally transformed musical performance and listening practices. While numerous scholars have examined this aesthetic in art and literature, musical compositions representing industrialized labor practices and the role of the machine in music remain largely unexplored. Moreover, in recounting the history of machines in musical recording and reproduction, scholars often tend to emphasize the phonograph, rather than player piano, despite the latter’s prominence within the newly established musical marketplace. Machines and their music influenced multiple areas of early 20th-century musical culture, from film scores to popular music and even the concert hall. But the opposite was also true: industrialized labor practices changed the musical marketplace and musical culture as a whole. As consumers accepted mechanical replacements for what previously required an active human laborer, ghostly, mechanical performers labored tirelessly in parlors, businesses, and even concert halls. Although the player piano failed to maintain a stronghold in the recorded music marketplace after 1930, the widespread acceptance of recording technologies as media for storing and enjoying music indicates a much more fundamental societal shift. This book explores that shift, examining the rise and fall of the player piano in early 20th-century society and connecting it to the digital technologies of today.
Author: Hugo Pinksterboer
Publisher: Hal Leonard Corporation
ISBN: 9789076192369
Category : Music
Languages : en
Pages : 154
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Book Description
The reference manual for both beginners and advanced pianists, including tipcodes and a glossary.
Author: Donna Louise Gunn
Publisher: Oxford University Press
ISBN: 0199396647
Category : Music
Languages : en
Pages : 273
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Book Description
Discoveries from the Fortepiano meets the demand for a manual on authentic Classical piano performance practice that is at once accessible to the performer and accurate to the scholarship. Uncovering a wide range of eighteenth-century primary sources, noted keyboard pedagogue Donna Gunn examines contemporary philosophical beliefs and principles surrounding Classical Era performance practices. Remarkably researched and engagingly written, Discoveries from the Fortepiano is an indispensable aid to any pianist who seeks an academically and artistically sound approach to the performance of Classical works.
