Author: Terence Pitts
Publisher: Center for Creative Photography
ISBN:
Category : Photography
Languages : en
Pages : 54
Book Description
Photography in the American Grain
Author: Terence Pitts
Publisher: Center for Creative Photography
ISBN:
Category : Photography
Languages : en
Pages : 54
Book Description
Publisher: Center for Creative Photography
ISBN:
Category : Photography
Languages : en
Pages : 54
Book Description
Photography Against the Grain
Author: Allan Sekula
Publisher:
ISBN: 9781910164495
Category : Photography
Languages : en
Pages : 259
Book Description
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent - women, labourers, minorities and the institutional structures that reinforce cultural biases. Allan Sekula (1951-2013) was an American artist, whose work spans multiple media: long form photographic series (Aerospace Folktales, 1973; School as a Factory,1980; War Without Bodies, 1991/96), critical texts (The Body and the Archive, 1986 and Debating Occupy, 2012) and film (The Forgotten Space, 2012).
Publisher:
ISBN: 9781910164495
Category : Photography
Languages : en
Pages : 259
Book Description
Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent - women, labourers, minorities and the institutional structures that reinforce cultural biases. Allan Sekula (1951-2013) was an American artist, whose work spans multiple media: long form photographic series (Aerospace Folktales, 1973; School as a Factory,1980; War Without Bodies, 1991/96), critical texts (The Body and the Archive, 1986 and Debating Occupy, 2012) and film (The Forgotten Space, 2012).
American Photography and the American Dream
Author: James Guimond
Publisher: UNC Press Books
ISBN: 9780807843086
Category : Social Science
Languages : en
Pages : 368
Book Description
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank
Publisher: UNC Press Books
ISBN: 9780807843086
Category : Social Science
Languages : en
Pages : 368
Book Description
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank
Reasoned and Unreasoned Images
Author: Josh Ellenbogen
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Photography and the USA
Author: Mick Gidley
Publisher: Reaktion Books
ISBN: 1861898835
Category : Photography
Languages : en
Pages : 186
Book Description
From Ansel Adams to Carleton Watkins, Diane Arbus to Weegee, Richard Avedon to James VanDerZee, American photographers have recorded their vast, multicultural nation in images that, for more than a hundred years, have come to define the USA. In Photography and the USA, Mick Gidley explores not only the medium of photography and the efforts to capture key events and moments through photographs, but also the many ways in which the medium has played a formative role in American culture. Photography and the USA encompasses the major movements, figures and works that are crucial to understanding American photography, but also pays attention to more obscure aspects of photography’s history. Focusing on works that reveal many different facets of America, its landscapes and its people, Gidley explores the ambiguities of American history and culture. We encounter images that range from an anti-lynching demo in 1934 to Dorothea Lange’s poster “All races serve the crops in California;” an early photographic view of Niagara Falls against the painstaking detail of Edward Weston’s Pepper, No. 30; a fireman’s fight in the San Francisco earthquake of 1906 to the Ground Zero images of 2001 by Joel Meyerowitz; an 1890s “Wanted” image to Elliot Erwitt’s shot of the Nixon–Kruschchev “Kitchen Debate.” Organizing his narrative around the themes of history, technology, the document and the emblem, Mick Gidley not only presents a history of photography, but also reveals the complexities inherent in reading photographs themselves. A concise yet comprehensive overview of photography in the United States, this book is an excellent introduction to the subject for American Studies or visual arts students, or for anyone interested in US history or culture.
Publisher: Reaktion Books
ISBN: 1861898835
Category : Photography
Languages : en
Pages : 186
Book Description
From Ansel Adams to Carleton Watkins, Diane Arbus to Weegee, Richard Avedon to James VanDerZee, American photographers have recorded their vast, multicultural nation in images that, for more than a hundred years, have come to define the USA. In Photography and the USA, Mick Gidley explores not only the medium of photography and the efforts to capture key events and moments through photographs, but also the many ways in which the medium has played a formative role in American culture. Photography and the USA encompasses the major movements, figures and works that are crucial to understanding American photography, but also pays attention to more obscure aspects of photography’s history. Focusing on works that reveal many different facets of America, its landscapes and its people, Gidley explores the ambiguities of American history and culture. We encounter images that range from an anti-lynching demo in 1934 to Dorothea Lange’s poster “All races serve the crops in California;” an early photographic view of Niagara Falls against the painstaking detail of Edward Weston’s Pepper, No. 30; a fireman’s fight in the San Francisco earthquake of 1906 to the Ground Zero images of 2001 by Joel Meyerowitz; an 1890s “Wanted” image to Elliot Erwitt’s shot of the Nixon–Kruschchev “Kitchen Debate.” Organizing his narrative around the themes of history, technology, the document and the emblem, Mick Gidley not only presents a history of photography, but also reveals the complexities inherent in reading photographs themselves. A concise yet comprehensive overview of photography in the United States, this book is an excellent introduction to the subject for American Studies or visual arts students, or for anyone interested in US history or culture.
Encyclopedia of nineteenth-century photography
Author: John Hannavy
Publisher: Taylor & Francis
ISBN: 0415972353
Category : Photographers
Languages : en
Pages : 1630
Book Description
The first comprehensive encyclopedia of world photograph up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.
Publisher: Taylor & Francis
ISBN: 0415972353
Category : Photographers
Languages : en
Pages : 1630
Book Description
The first comprehensive encyclopedia of world photograph up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.
In the American Grain
Author: William Carlos Williams
Publisher:
ISBN:
Category : America
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 256
Book Description
American Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 654
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 654
Book Description
Ways of the Hand
Author: Bruce Jackson
Publisher: Excelsior Editions/State University of New York Press
ISBN: 9781438488745
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
A visual and narrative memoir of a lifetime's encounters with 112 trendsetters, musicians, politicians, writers, and ordinary people by a noted folklorist-photographer.
Publisher: Excelsior Editions/State University of New York Press
ISBN: 9781438488745
Category : Biography & Autobiography
Languages : en
Pages : 164
Book Description
A visual and narrative memoir of a lifetime's encounters with 112 trendsetters, musicians, politicians, writers, and ordinary people by a noted folklorist-photographer.
Charles Sheeler and the Cult of the Machine
Author: Karen Lucic
Publisher: Harvard University Press
ISBN: 9780674111110
Category : Art
Languages : en
Pages : 172
Book Description
Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era? Karen Lucic considers this intriguing question while telling us Sheeler's story, and showing us how Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in vivid detail.
Publisher: Harvard University Press
ISBN: 9780674111110
Category : Art
Languages : en
Pages : 172
Book Description
Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era? Karen Lucic considers this intriguing question while telling us Sheeler's story, and showing us how Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in vivid detail.