Author: Jeannine Fiedler
Publisher: MIT Press (MA)
ISBN:
Category : Bauhaus
Languages : en
Pages : 370
Book Description
Photography at the Bauhaus will become the definitive resource and standard reference book on its subject.
Photography at the Bauhaus
Author: Jeannine Fiedler
Publisher: MIT Press (MA)
ISBN:
Category : Bauhaus
Languages : en
Pages : 370
Book Description
Photography at the Bauhaus will become the definitive resource and standard reference book on its subject.
Publisher: MIT Press (MA)
ISBN:
Category : Bauhaus
Languages : en
Pages : 370
Book Description
Photography at the Bauhaus will become the definitive resource and standard reference book on its subject.
Oskar Schlemmer
Author: Ina Conzen
Publisher: Hirmer Verlag GmbH
ISBN: 9783777423043
Category : Art, Modern
Languages : en
Pages : 0
Book Description
Oskar Schlemmer (1888 - 1943) was one of the most versatile all - rounders of the last century and as unusual as a painter as he was as a sculptor, draughtsman, graphic artist, stage designer, wall designer, creator of epochal dance projects and author. His vision was the "n ew" man living in functional architecture, thinking clearly and acting clearly in the modern age which would never again sink into the chaos of war. The catalogue accompanying the first comprehensive Schlemmer retrospective for almost forty years presents over 250 high - quality works, in particular the seven original costumes of the Triadisches Ballett (Triadic Ballet) together with rare documents of the time. The connection between the all - encompassing attempts at reform of the Bauhaus are discussed as well as Schlemmer's vain attempts to reconcile his "unpolitical" art with the Nazi dictatorship's ideas of state - controlled art. The focus will be directed towards Schlemmer's lofty ethical demands, which always regarded man, typified as a "Kunstfigur" (artist ic figure) as the "measure of all things".
Publisher: Hirmer Verlag GmbH
ISBN: 9783777423043
Category : Art, Modern
Languages : en
Pages : 0
Book Description
Oskar Schlemmer (1888 - 1943) was one of the most versatile all - rounders of the last century and as unusual as a painter as he was as a sculptor, draughtsman, graphic artist, stage designer, wall designer, creator of epochal dance projects and author. His vision was the "n ew" man living in functional architecture, thinking clearly and acting clearly in the modern age which would never again sink into the chaos of war. The catalogue accompanying the first comprehensive Schlemmer retrospective for almost forty years presents over 250 high - quality works, in particular the seven original costumes of the Triadisches Ballett (Triadic Ballet) together with rare documents of the time. The connection between the all - encompassing attempts at reform of the Bauhaus are discussed as well as Schlemmer's vain attempts to reconcile his "unpolitical" art with the Nazi dictatorship's ideas of state - controlled art. The focus will be directed towards Schlemmer's lofty ethical demands, which always regarded man, typified as a "Kunstfigur" (artist ic figure) as the "measure of all things".
A Hundred Years of Photography, 1839-1939
Author: Lucia Moholy
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 218
Book Description
Albers and Moholy-Nagy
Author: Achim Borchardt-Hume
Publisher: Yale University Press
ISBN: 030012032X
Category : History
Languages : en
Pages : 204
Book Description
Catalog of an exhibtion held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007.
Publisher: Yale University Press
ISBN: 030012032X
Category : History
Languages : en
Pages : 204
Book Description
Catalog of an exhibtion held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007.
Laszlo Moholy-Nagy
Author: Joyce Tsai
Publisher: Univ of California Press
ISBN: 0520290674
Category : Art
Languages : en
Pages : 242
Book Description
"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.
Publisher: Univ of California Press
ISBN: 0520290674
Category : Art
Languages : en
Pages : 242
Book Description
"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.
The Theater of the Bauhaus
Author: Walter Gropius
Publisher: Wesleyan University Press
ISBN: 0819575410
Category : Performing Arts
Languages : en
Pages : 110
Book Description
Few creative movements have been more influential than the Bauhaus, under the leadership of Walter Gropius. The art of the theater commanded special attention. The text in this volume is a loose collection of essays by Oskar Schlemmer, Laszlo Moholy-Nagy, and Farkas Molnár (who in an illustrated essay shares his vision of a total theatre space), with an introduction by Bauhaus leader Walter Gropius. Originally published in German in 1924, Die Bühne im Bauhaus was translated by A. S. Wensinger and published by Wesleyan in 1961. It was prepared with the full cooperation of Walter Gropius and his introduction was written specially for this edition. From Bauhaus experiments there emerged a new aesthetic of stage design and presentation, a new concept of "total theater." Its principles and practices, revolutionary in their time and far in advance of all but the most experimental stagecraft today, were largely the work of Oskar Schlemmer, Laszlo Moholy-Nagy, and their students. Profusely illustrated and startling in its typography (the work of Moholy-Nagy), the 1924 volume quickly became a collector's item and is now virtually unobtainable. Those interested in the stage, the modern visual arts, or in the bold steps of the men of genius who broadened the horizons of aesthetic experience will appreciate that this translation is available again.
Publisher: Wesleyan University Press
ISBN: 0819575410
Category : Performing Arts
Languages : en
Pages : 110
Book Description
Few creative movements have been more influential than the Bauhaus, under the leadership of Walter Gropius. The art of the theater commanded special attention. The text in this volume is a loose collection of essays by Oskar Schlemmer, Laszlo Moholy-Nagy, and Farkas Molnár (who in an illustrated essay shares his vision of a total theatre space), with an introduction by Bauhaus leader Walter Gropius. Originally published in German in 1924, Die Bühne im Bauhaus was translated by A. S. Wensinger and published by Wesleyan in 1961. It was prepared with the full cooperation of Walter Gropius and his introduction was written specially for this edition. From Bauhaus experiments there emerged a new aesthetic of stage design and presentation, a new concept of "total theater." Its principles and practices, revolutionary in their time and far in advance of all but the most experimental stagecraft today, were largely the work of Oskar Schlemmer, Laszlo Moholy-Nagy, and their students. Profusely illustrated and startling in its typography (the work of Moholy-Nagy), the 1924 volume quickly became a collector's item and is now virtually unobtainable. Those interested in the stage, the modern visual arts, or in the bold steps of the men of genius who broadened the horizons of aesthetic experience will appreciate that this translation is available again.
Max Baur
Author: Max Baur
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 144
Book Description
Max Baur is considered one of the great masters of modern pohotography, his work closely related to the photography of the Bauhaus school. This volume presents Baur's work from the period 1925-1960.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 144
Book Description
Max Baur is considered one of the great masters of modern pohotography, his work closely related to the photography of the Bauhaus school. This volume presents Baur's work from the period 1925-1960.
Object Lessons
Author: Laura Muir
Publisher:
ISBN: 9780300254167
Category : Art
Languages : en
Pages : 0
Book Description
A fresh look at the influential pedagogy and practice pioneered by the Bauhaus Founded by architect Walter Gropius (1883-1969) in 1919, the Bauhaus was the 20th century's most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects--the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by beautiful illustrations--some of never-before-published objects--this book yields fascinating insights for Bauhaus devotees and design aficionados. Distributed for the Harvard Art Museums
Publisher:
ISBN: 9780300254167
Category : Art
Languages : en
Pages : 0
Book Description
A fresh look at the influential pedagogy and practice pioneered by the Bauhaus Founded by architect Walter Gropius (1883-1969) in 1919, the Bauhaus was the 20th century's most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects--the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by beautiful illustrations--some of never-before-published objects--this book yields fascinating insights for Bauhaus devotees and design aficionados. Distributed for the Harvard Art Museums
Lucia Moholy (1894-1989)
Author: Lucia Moholy
Publisher: Silvana Editoriale
ISBN:
Category : Photography
Languages : it
Pages : 204
Book Description
Photographer, writer and intellectual, Lucia Moholy (born Lucia Schulz, Karolinenthal, Prague, 1894 - Zollikon, Zurich, 1989) is a central figure in the 20th century history of photography, although the fame of her husband, the renowned artist László Moholy-Nagy, overshadowed her work for a long time. Through her photographs, an example of the German avant-garde and of the Neue Sachlichkeit (New Objectivity), it is possible to understand the complexity of her artistic personality and to reconstruct the role she played in the cultural history of the past century. Her major photographic work is on the Bauhaus: pictures of the school, of teachers, objects and furniture are considered as true icons of modern times. The essays published in this volume allow us to understand and outline Lucia Moholy's complex artistic personality, thus giving her the correct place she is due in 20th century culture. 0Exhibition: Museo MAX, Chiasso, Italy (24.11.2012-31.1.2013).
Publisher: Silvana Editoriale
ISBN:
Category : Photography
Languages : it
Pages : 204
Book Description
Photographer, writer and intellectual, Lucia Moholy (born Lucia Schulz, Karolinenthal, Prague, 1894 - Zollikon, Zurich, 1989) is a central figure in the 20th century history of photography, although the fame of her husband, the renowned artist László Moholy-Nagy, overshadowed her work for a long time. Through her photographs, an example of the German avant-garde and of the Neue Sachlichkeit (New Objectivity), it is possible to understand the complexity of her artistic personality and to reconstruct the role she played in the cultural history of the past century. Her major photographic work is on the Bauhaus: pictures of the school, of teachers, objects and furniture are considered as true icons of modern times. The essays published in this volume allow us to understand and outline Lucia Moholy's complex artistic personality, thus giving her the correct place she is due in 20th century culture. 0Exhibition: Museo MAX, Chiasso, Italy (24.11.2012-31.1.2013).
László Moholy-Nagy
Author: Hans-Michael Koetzle
Publisher:
ISBN: 9783777434032
Category :
Languages : en
Pages : 0
Book Description
László Moholy-Nagy (1895?1946), painter, photographer, Bauhaus teacher and founder of the?New Bauhaus? and the?School of Design? in Chicago, is one of the most important artist personalities of the modern age. As one of the first artists to work in multiple media, who practised painting, sculpture, photography, film and design as equally valid art genres, he set standards which are still relevant today.00Appointed to the Bauhaus in Weimar by Walter Gropius in 1923, Moholy-Nagy also followed him to Dessau before leaving Nazi Germany in 1933, eventually finding a second home in Chicago in 1937. Both as a teacher and an artist he pursued his revolutionary vision of uniting art and life in order to permit artistic activities to flow over into everyday life. Moholy-Nagy made an important contribution in particular in the recognition of photography, which as a new medium had hitherto not been regarded as art. This volume provides excellent insight into the life and work of the avant-garde artist.
Publisher:
ISBN: 9783777434032
Category :
Languages : en
Pages : 0
Book Description
László Moholy-Nagy (1895?1946), painter, photographer, Bauhaus teacher and founder of the?New Bauhaus? and the?School of Design? in Chicago, is one of the most important artist personalities of the modern age. As one of the first artists to work in multiple media, who practised painting, sculpture, photography, film and design as equally valid art genres, he set standards which are still relevant today.00Appointed to the Bauhaus in Weimar by Walter Gropius in 1923, Moholy-Nagy also followed him to Dessau before leaving Nazi Germany in 1933, eventually finding a second home in Chicago in 1937. Both as a teacher and an artist he pursued his revolutionary vision of uniting art and life in order to permit artistic activities to flow over into everyday life. Moholy-Nagy made an important contribution in particular in the recognition of photography, which as a new medium had hitherto not been regarded as art. This volume provides excellent insight into the life and work of the avant-garde artist.