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Author: Amos Morris-Reich
Publisher: Routledge
ISBN: 0429853424
Category : Photography
Languages : en
Pages : 241
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Book Description
As the prototypical exemplar of modern visual technology, photography was once viewed as a way to enable vision to bypass imagination, producing more reliable representations of reality. But as an achievement of technological modernity, photography can also be seen as a way to realize a creation of the imagination more vividly than can painting or drawing. Photography and Imagination investigates, from diverse points of view focusing on both theory and practice, the relation between these two terms. The book explores their effect on photography’s capacity, through various forms and modalities of imaginative investments and displacements, to affect even reality itself.
Author: Amos Morris-Reich
Publisher: Routledge
ISBN: 0429853424
Category : Photography
Languages : en
Pages : 241
Get Book Here
Book Description
As the prototypical exemplar of modern visual technology, photography was once viewed as a way to enable vision to bypass imagination, producing more reliable representations of reality. But as an achievement of technological modernity, photography can also be seen as a way to realize a creation of the imagination more vividly than can painting or drawing. Photography and Imagination investigates, from diverse points of view focusing on both theory and practice, the relation between these two terms. The book explores their effect on photography’s capacity, through various forms and modalities of imaginative investments and displacements, to affect even reality itself.
Author: Malavika Karlekar
Publisher: OUP India
ISBN: 9780198090267
Category : History
Languages : en
Pages : 0
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Book Description
Not much is known about how the coming of photography changed visual discourse or affected people's lives. Through a selection of 32 essays, each illustrated with archival photographs, this volume looks at the camera in the colonial era and in post-independent India to reveal both: history through photographs and the history of photographs in India.
Author: Joan Schwartz
Publisher: Routledge
ISBN: 1000548783
Category : Art
Languages : en
Pages : 397
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Book Description
The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.
Author: Grace Seiberling
Publisher: University of Chicago Press
ISBN: 9780226744988
Category : Art
Languages : en
Pages : 320
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Book Description
"This book results from research which was begun with all the casualness, but inherent seriousness, of the nineteenth-century amateur. I had the privilege of frequent access to the archives of the International Museum of Photography at George Eastman House and began to go through the nineteenth-century photographs in a systematic way. I wanted to go beyond the clichés of the history of photography as a series of often-reproduced masterworks and to find out something about the history of seeing, or at least of thinking about, images in the nineteenth century."--Préface.
Author: Sarah Kennel
Publisher:
ISBN: 9780875772400
Category : Photography, Artistic
Languages : en
Pages : 224
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Book Description
"For more than forty years, Olivia Parker's poetic and alluring photographs have transformed the everyday and made the familiar strange. In deceptively simple still lives and complex, dreamlike constructions that incorporate a rich variety of found objects, her photographs create unexpected juxtapositions that provoke uncertainty and delight. Parker's longstanding fascination with flux and change extends to her most recent series, a powerful meditation on the devastating loss of her husband to Alzheimer's disease. This volume, the definitive study of Parker's career, includes curator Sarah Kennel's detailed artistic biography and poet and essayist Rachel Hadas's reflections on art's ability to offer solace amidst grief. More than one hundred beautifully illustrated works, many of which are published here for the first time, are accompanied by Parker's lyrical reflections on her art and process. This publication accompanies the exhibition Order of Imagination: The Photographs of Olivia Parker on view at the Peabody Essex Museum, Salem, Massachusetts, from July 13 to November 11, 2019. Formerly The Byrne Family Curator of Photography at the Peabody Essex Museum, Sarah Kennel is the Donald and Marilyn Keough Family Curator of Photography at the High Museum of Art, Atlanta"--
Author: Greg Battye
Publisher: Intellect (UK)
ISBN: 9781783201778
Category : Fotokonst
Languages : en
Pages : 0
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Book Description
Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.
Author: Alice Proujansky
Publisher: Aperture Foundation
ISBN: 9781597113557
Category : Handicraft
Languages : en
Pages : 102
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Book Description
"Featuring fun and inspiring photo activities for everyone. A playful book with step-by-step illustrated instructions for each activity. Provides the tools, tips, and motivation to kick-start creativity. "Go Photo!" features 23 hands-on, creative photography activities, indoors or outdoors, from a half-hour to a whole day, and whether alone or with friends, family, or an unsuspecting pet, these are photo activities for all occasions. Some don't even require a camera! Each project includes a series of pictures and handy tips to help guide you step-by-step, building visual language and encouraging creativity as you go. Accessible, fun, and practical, the activities in this book have been brought together to engage kids in the fun and wonderful world of photography."--Page 4 of cover.
Author: Rommert Boonstra
Publisher:
ISBN: 9789078068341
Category : Photography
Languages : en
Pages : 279
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Book Description
Overzicht van het werk van Nederlandse en Belgische fotografen.
Author: Martha Langford
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773529694
Category : Art
Languages : en
Pages : 350
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Book Description
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
Author: Anne Thoma
Publisher: GRIN Verlag
ISBN: 3638683281
Category : Business & Economics
Languages : en
Pages : 69
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Book Description
Seminar paper from the year 2006 in the subject Communications - Theories, Models, Terms and Definitions, grade: 1,0, University of Tubingen (Englisches Seminar), course: Key Terms for Studying Culture, 39 entries in the bibliography, language: English, abstract: Altered pictures have always caused much controversy. Even when photography was still in its infancy, manipulative arrangement was already an issue. Nowadays, digital photography in particular faces an erosion of trust because newsmagazines and newspapers make frequent use of various manipulation techniques, which fiercely challenges the shared belief that photographs record the world objectively and truthfully. Oddly enough, even though a picture may ′lie′, it is still used as evidence in the courtroom or understood as a valuable historical document. In my analysis of photography′s oscillation between image and imagination, with the two terms representing something traditionally thought of as real on the one hand and something thought of as constructed on the other hand, I want to address these questions and analyse how and what a picture represents. I argue that meaning is to a large extent constructed by the viewer and does not exist as an inherent quality. Consequently, whether an altered picture is seen as fraud or merely as an optimisation is a very subjective matter and strongly depends on contextual information. The viewer′s judgement is influenced by the path through which the image is mediated and the context in which it is embedded, but his judgement is also dependent on what the image means to him, not only on what he sees in it. This is not to say that photographs can under no circumstances be used as evidence. However, what can be said is that their truth-value is often overestimated. In any case, manipulation is not a side-effect that coincided with the birth of digital photography. Selection, framing, and other adjustments have always played an important role in film photography. After a gen
