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Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 8
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Book Description
Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 8
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Book Description
Author: Robert Cozzolino
Publisher:
ISBN: 9780226786827
Category : Art
Languages : en
Pages : 320
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Book Description
America is haunted. Ghosts from its violent history--the genocide of Indigenous peoples, slavery, the threat of nuclear annihilation, and traumatic wars--are an inescapable and unsettled part of the nation's heritage. Not merely in the realm of metaphor but present and tangible, urgently calling for contact, these otherworldly visitors have been central to our national identity. Through times of mourning and trauma, artists have been integral to visualizing ghosts, whether national or personal, and in doing so have embraced the uncanny and the inexplicable. This stunning catalog, accompanying the first major exhibition to assess the spectral in American art, explores the numerous ways American artists have made sense of their own experiences of the paranormal and the supernatural, developing a rich visual culture of the intangible. ​Featuring artists from James McNeill Whistler and Kerry James Marshall to artist/mediums who made images with spirits during séances, this catalog covers more than two hundred years of the supernatural in American art. Here we find works that explore haunting, UFO sightings, and a broad range of experiential responses to other worldly contact.
Author: Jill Ahlberg Yohe
Publisher: University of Washington Press
ISBN: 9780295745794
Category : Indian art
Languages : en
Pages : 0
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Book Description
"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.
Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 208
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Book Description
"In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 56
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Book Description
Author: Christian A. Peterson
Publisher:
ISBN: 9780816656813
Category : Photography
Languages : en
Pages : 0
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Book Description
The Minneapolis Institute of Arts holds the Upper Midwest's most significant permanent collection of fine photographs. Covering the entire history of the medium, from the mid-nineteenth century to the present day. This beautiful book opens with an 1845 salt print by the English inventor William Henry Fox Talbot and closes with a 2002 color portrait by Alec Soth from his series Sleeping by the Mississippi. In between, selected images represent the genres of documentary photography, photojournalism, and street photography. Included are Dorothea Lange's "Migrant Mother" and Arthur Rothstein's "Dust Storm," as well as Edward Weston's "Pepper No. 30" and Ansel Adams's "Moonrise, Hernandez." Commemorating the collecting legacy of Carroll T. (Ted) Hartwell (1933-2007), the founding curator of the museum's department of photographs, this book reveals Hartwell's critical eye for singular historical photographs and his belief in the influence and vitality of accomplished contemporary photographers. In an introductory essay, Christian A. Peterson recounts the history of the museum's photography collection and Hartwell's indelible imprint on the Minneapolis Institute of Arts.
Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Photograph collections
Languages : en
Pages : 8
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Book Description
Author: Thomas Murray
Publisher: National Geographic Books
ISBN: 3791385208
Category : Design
Languages : en
Pages : 0
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Book Description
From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.
Author: Minneapolis Institute of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 746
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Book Description
Author: Jason Fulford
Publisher:
ISBN: 9789081058469
Category : Artists' books
Languages : en
Pages : 0
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Book Description
This publication reissues a beloved photobook classic--acknowledged as such by Martin Parr and Gerry Badger in the third volume of The Photobook: A History--that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford (born 1973) recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of mushrooms--unassuming pictures taken by an unknown but almost certainly amateur photographer, apparently as notes for some mycological studies. Fulford's art photographs (aside from his well-known book Dancing Pictures, which depicted people getting down to their favorite songs) are usually of staid, quasi-mute objects: a smashed Dorito chip overrun with ants, two bronzed doorknobs spooning, the blank back of a street sign. Yet these mushroom images got stuck in Fulford's mind, like a bad song sometimes does, and they started to grow in his own work. The Mushroom Collector combines some of the original flea-market mushroom pictures with his own images and text by the artist about the project.
