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Author: François Laruelle
Publisher: U of Minnesota Press
ISBN: 1937561321
Category : Philosophy
Languages : en
Pages : 106
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Book Description
Twenty years after cultivating a new orientation for aesthetics via the concept of non-photography, François Laruelle returns, having further developed his notion of a non-standard aesthetics. Published for the first time in a bilingual edition, Photo-Fiction, a Non-Standard Aesthetics expounds on Laruelle’s current explorations into a photographic thinking as an alternative to the worn-out notions of aesthetics based on an assumed domination of philosophy over art. He proposes a new philosophical photo-fictional apparatus, or philo-fiction, that strives for a discursive mimesis of the photographic apparatus and the flash of the Real entailed in its process of image making. “A bit like if an artisan, to use a Socratic example, instead of making a camera based off of diagrams found in manuals, on the contrary had as his or her project the designing of a completely new apparatus of philo-fiction, thus capable of producing not simply photos, but photo-fictions.” One must enter into a space for seeing the vectorial and the imaginary number. Laruelle’s philo-fictions become not art installations, but “theoretical installations” calling for the consideration of the possibility of a non-standard aesthetics being of an equal or superior power to art and philosophy, an aesthetics in-the-last-instance that is itself an inventive and creative act of the most contemporary kind.
Author: François Laruelle
Publisher: U of Minnesota Press
ISBN: 1937561321
Category : Philosophy
Languages : en
Pages : 106
Get Book Here
Book Description
Twenty years after cultivating a new orientation for aesthetics via the concept of non-photography, François Laruelle returns, having further developed his notion of a non-standard aesthetics. Published for the first time in a bilingual edition, Photo-Fiction, a Non-Standard Aesthetics expounds on Laruelle’s current explorations into a photographic thinking as an alternative to the worn-out notions of aesthetics based on an assumed domination of philosophy over art. He proposes a new philosophical photo-fictional apparatus, or philo-fiction, that strives for a discursive mimesis of the photographic apparatus and the flash of the Real entailed in its process of image making. “A bit like if an artisan, to use a Socratic example, instead of making a camera based off of diagrams found in manuals, on the contrary had as his or her project the designing of a completely new apparatus of philo-fiction, thus capable of producing not simply photos, but photo-fictions.” One must enter into a space for seeing the vectorial and the imaginary number. Laruelle’s philo-fictions become not art installations, but “theoretical installations” calling for the consideration of the possibility of a non-standard aesthetics being of an equal or superior power to art and philosophy, an aesthetics in-the-last-instance that is itself an inventive and creative act of the most contemporary kind.
Author: Francois Laruelle
Publisher: MIT Press
ISBN: 0983216959
Category : Philosophy
Languages : en
Pages : 302
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Book Description
A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions. If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a “philosophy of photography” that is not viciously self-reflexive? Challenging the assumptions made by any theory of photography that leaves its own “onto-photo-logical” conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's “non-philosophy.”
Author: Jonathan Fardy
Publisher: Bloomsbury Publishing
ISBN: 135011474X
Category : Philosophy
Languages : en
Pages : 194
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Book Description
François Laruelle emerged from the hallowed generation of French postwar philosophers that included luminaries such as Jacques Derrida, Gilles Deleuze, Luce Irigaray, and Jean Baudrillard, yet his thinking differs radically from that of his better-known contemporaries. In Laruelle and Art, Jonathan Fardy provides the first academic monograph dedicated solely to Laruelle's unique contribution to aesthetic theory and specifically the 'non-philosophical' project he terms 'non-aesthetics'. This undertaking allows Laruelle to think about art outside the boundaries of standard philosophy, an approach that Fardy explicates through a series of case studies. By analysing the art of figures such as Julia Margaret Cameron, Anish Kapoor, Dan Flavin, and James Turrell as well as the drama of Michael Frayn, Fardy's new book enables new and experienced readers of Laruelle to understand how the philosopher's thinking can open up new vistas of art and criticism.
Author: Russ Hepworth-Sawyer
Publisher: CRC Press
ISBN: 1000283674
Category : Music
Languages : en
Pages : 490
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Book Description
Innovation in Music: Future Opportunities brings together cutting-edge research on new innovations in the field of music production, technology, performance and business. Including contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on a range of topics from cybersecurity, to accessible music technology, performance techniques and the role of talent shows within music business. Innovation in Music: Future Opportunities is the perfect companion for professionals and researchers alike with an interest in the music industry.
Author: Rocco Gangle
Publisher: Rowman & Littlefield
ISBN: 1786602474
Category : Philosophy
Languages : en
Pages : 209
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Book Description
One of the most important French philosophers working today, François Laruelle has developed an innovative and powerful repertoire of concepts across an oeuvre spanning four decades and more than twenty books. His work—termed non-philosophy or, more recently, non-standard philosophy—has garnered international attention in recent years and stands likely to have a significant impact on the critical practices of the humanities in the near future. Bringing together some of the most prominent scholars of Laruelle, Superpositions: Laruelle and the Humanities explores the intersections of Laruelle’s work with multiple discourses within the humanities, including philosophy, critical theory, political theory, media studies, and religious studies. The book addresses two main questions: In what relation does non-philosophical thought stand with respect to the materials and methods of other disciplines? How can Laruelle’s non-standard philosophy be applied, appropriated and used by other discourses? Superpositions provides a useful introduction to Laruelle’s work for students and scholars, and marks an important intervention into one of the most vigorous and contested areas of contemporary scholarship in the critical humanities.
Author: Anthony P. Smith
Publisher: John Wiley & Sons
ISBN: 1509508902
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
François Laruelles non-philosophy or non-standard philosophy represents a bold attempt to rethink how philosophy is practiced in relation to other domains of knowledge. There is a growing interest in Laruelles work in the English-speaking world, but his work is often misunderstood as a wholesale critique of philosophy. In this book Anthony Paul Smith dispels this misunderstanding and shows how Laruelles critique of philosophy is guided by the positive aim of understanding philosophys structure so that it can be creatively recast with other discourses and domains of human knowledge, from politics and ethics to science and religion. This book provides a synthetic introduction to the whole of Laruelles work. It begins by discussing the major concepts and methods that have framed non-philosophy for thirty years. Smith then goes on to show how those concepts and method enter into traditional philosophical domains and disempower the authoritarian framework that philosophy imposes upon them. Instead of offering a philosophy of politics or a philosophy of science, Laruelle aims at fostering a democracy of thought where philosophy is thought together and equal to the object of its inquiry. This book will be essential reading for students and scholars interested in contemporary French philosophy, and anyone who wants to discover more about one of its foremost practitioners.
Author: Paul D. Miller
Publisher: MIT Press
ISBN: 0262320800
Category : Social Science
Languages : en
Pages : 328
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Book Description
The mobile app as technique and imaginary tool, offering a shortcut to instantaneous connection and entertainment. Mobile apps promise to deliver (h)appiness to our devices at the touch of a finger or two. Apps offer gratifyingly immediate access to connection and entertainment. The array of apps downloadable from the app store may come from the cloud, but they attach themselves firmly to our individual movement from location to location on earth. In The Imaginary App, writers, theorists, and artists—including Stephen Wolfram (in conversation with Paul Miller) and Lev Manovich—explore the cultural and technological shifts that have accompanied the emergence of the mobile app. These contributors and interviewees see apps variously as “a machine of transcendence,” “a hulking wound in our nervous system,” or “a promise of new possibilities.” They ask whether the app is an object or a relation, and if it could be a “metamedium” that supersedes all other artistic media. They consider the control and power exercised by software architecture; the app's prosthetic ability to enhance certain human capacities, in reality or in imagination; the app economy, and the divergent possibilities it offers of making a living or making a fortune; and the app as medium and remediator of reality. Also included (and documented in color) are selected projects by artists asked to design truly imaginary apps, “icons of the impossible.” These include a female sexual arousal graph using Doppler images; “The Ultimate App,” which accepts a payment and then closes, without providing information or functionality; and “iLuck,” which uses GPS technology and four-leaf-clover icons to mark places where luck might be found. Contributors Christian Ulrik Andersen, Thierry Bardini, Nandita Biswas Mellamphy, Benjamin H. Bratton, Drew S. Burk, Patricia Ticineto Clough, Robbie Cormier, Dock Currie, Dal Yong Jin, Nick Dyer-Witheford, Ryan and Hays Holladay, Atle Mikkola Kjøsen, Eric Kluitenberg, Lev Manovich, Vincent Manzerolle, Svitlana Matviyenko, Dan Mellamphy, Paul D. Miller aka DJ Spooky That Subliminal Kid, Steven Millward, Anna Munster, Søren Bro Pold, Chris Richards, Scott Snibbe, Nick Srnicek, Stephen Wolfram
Author: John Mullarkey
Publisher: Edinburgh University Press
ISBN: 147447117X
Category : PHILOSOPHY
Languages : en
Pages : 224
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Book Description
This introductory study looks at Bergson's use of philosophical form itself and aims to dispel the view that Bergson ever stuck to one type of philosophy at all, be it vitalism or phenomenology.
Author: Anthony Paul Smith
Publisher: Edinburgh University Press
ISBN: 0748685286
Category : Philosophy
Languages : en
Pages : 168
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Book Description
In Principles of Non-Philosophy, Laruelle develops the concepts and method of a more democratic form of thought where neither science nor philosophy is subjected to one another, but brought together in a more productive theoretical and practical relationship. While the potential importance of this project is clear, Laruelle remains famously difficult. Anthony Paul Smith provides an introduction and guide to the text that situates you amongst the figures and concepts Laruelle engaged with, provides a foothold for your own understanding and, more importantly, potential use of the project of non-philosophy.
Author: Matthew Lovett
Publisher: CRC Press
ISBN: 1003809707
Category : Music
Languages : en
Pages : 208
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Book Description
Ecologies of Creative Music Practice: Mattering Music explores music as a dynamic practice embedded in contemporary ecological contexts, one that both responds to, and creates change within, the ecologies in which it is created and consumed. This highly interdisciplinary analysis includes theoretical and practical considerations – from blockchain technology and digital platform commerce to artificial intelligence and the future of work, to sustainability and political ecology – as well as contemporary philosophical paradigms, guiding its investigation through three main lenses: How can music work as a conceptual tool to interrogate and respond to our changing global environment? How have transformations in our digital environment affected how we produce, distribute and consume music? How does music relate to matters of political ecology and environmental change? Within this framework, music is positioned as a starting point from which to examine a range of contexts and environments, offering new perspectives on contemporary technological and ecological discourse. Ecologies of Creative Music Practice: Mattering Music is a valuable text for advanced undergraduates, postgraduates, researchers and practitioners concerned with producing, performing, sharing and listening to music.
