Author: Ann McMan
Publisher: Bywater Books
ISBN: 1612940641
Category : Fiction
Languages : en
Pages : 368
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Book Description
"I love Ann McMan."—Dorothy Allison, National Book Award finalist for Bastard Out of Carolina When sculptor and author Barb Davis is given an NEA grant to pair original feminist sculptures with searing first-person essays on transitions in women's lives, she organizes a two week writing retreat with twelve of the best, brightest, and most notorious lesbian authors in the business. But in between regularly scheduled happy hours and writing sessions, the women enter a tournament bass fishing competition, receive life coaching from a wise-cracking fish named Phoebe, and uncover a subterranean world of secrets and desires that is as varied and elusive as the fish that swim the inland sea. Set on the beautiful shores of Vermont's Lake Champlain, Backcast is richly populated with an expansive cast of endearing and outrageous characters who battle writer's block, quirky locals, personal demons, unexpected attractions, and even each other during their two-week residency. For Barb and each of her twelve writers, the stakes in this fast-moving story are high, but its emotional and romantic payoffs are slow and sweet. Filled with equal parts laugh-out-loud humor and breathtaking pathos, Backcast serves up a sometimes irreverent, sometimes sobering look at the hidden lives of women, and how they laugh, love, lose, and blunder through their own search for meaning. Ann McMan is the author of five novels, including Jericho and Aftermath, and two short story collections. She has won two Golden Crown Literary Awards and her novel, Hoosier Daddy, was a Lambda Literary Award Finalist.
Author: Wendy S. Jones
Publisher: University of Toronto Press
ISBN: 1442658584
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
In eighteenth and nineteenth-century England, consensual marriages became increasingly popular, according women a 'contractual subjectivity' in which the liberal ideal of individual choice was key. Representations of consensual marriage thus provide a firm grounding for the re-evaluation of women's place within society. Because this new progressive form of marriage was based on emotion rather than considerations of status or money, it challenged the hierarchical status quo of English society that the traditional patriarchal marriage had upheld. This phenomenon shows how necessary it is to historicize evaluations of political theory; while the relationship between liberalism and feminism is fiercely debated today, it was the foundation for radical feminism and social change from early modern times through much of the twentieth century. In Consensual Fictions, Wendy S. Jones focuses on the English novel of the period to explore the relationship between married love, classic liberal thought, and novelistic form. Jones argues that these works of fiction use the mulitplot form to explore the specific set of cultural problems associated with the ways in which liberalism reconceived marriage, love, and gender by exploring alternative resolutions to cultural problems through different narrative lines.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 850
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Book Description
Author: Talia Schaffer
Publisher: OUP USA
ISBN: 0195398041
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Domestic handicraft was an extraordinarily popular leisure activity in Victorian Britain, especially amongst middle-class women. Craftswomen pasted shells onto boxes, stitched fish scales onto silk, scorched patterns into wood, cast flower petals out of wax, and made needlework portraits of the royal spaniels. Yet despite its ubiquity, little has been written about this curious hobby. Providing a much-needed history of this under-studied phenomenon, Talia Schaffer demonstrates the importance of domestic handicraft in Victorian literature and culture.Novel Craft presents what Schaffer terms the "craft paradigm" -- a set of beliefs about representation, production, consumption, value, and beauty that were crucial to mid-Victorian thought. She uncovers how handicrafts expressed anxieties about modernity and offered an alternative to the conventional financial, political, and aesthetic ideas of the era. Novel Craft reveals how this mindset evolves in four major Victorian novels: Gaskell's Cranford, Yonge's The Daisy Chain, Dickens's Our Mutual Friend, and Oliphant's Phoebe Junior. Each chapter centers on a scene of craft production that expresses the novel's ideals and also interrogates the novel itself as a form of craft, and each chapter highlights an influential craft genre: paper crafts, pressed flowers, knitting, and hair jewelry. The book closes with a coda on the current resurgent crafts movement of Etsy.com as a fresh version of a Victorian sensibility.Featuring illustrations from two centuries of domestic handicraft, Schaffer deftly combines cultural history and literary analyses to create a revealing portrait of a neglected part of nineteenth-century life and highlights its continuing relevance in today's world of Martha Stewart, women's magazine crafts, and a rapidly expanding alt craft culture.
Author: Elsie B. Michie
Publisher: JHU Press
ISBN: 1421402327
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
It is a familiar story line in nineteenth-century English novels: a hero must choose between money and love, between the wealthy, materialistic, status-conscious woman who could enhance his social position and the poorer, altruistic, independent-minded woman whom he loves. Elsie B. Michie explains what this common marriage plot reveals about changing reactions to money in British culture. It was in the novel that writers found space to articulate the anxieties surrounding money that developed along with the rise of capitalism in nineteenth-century England. Michie focuses in particular on the character of the wealthy heiress and how she, unlike her male counterpart, represents the tensions in British society between the desire for wealth and advancement and the fear that economic development would blur the traditional boundaries of social classes. Michie explores how novelists of the period captured with particular vividness England’s ambivalent emotional responses to its own financial successes and engaged questions identical to those raised by political economists and moral philosophers. Each chapter reads a novelist alongside a contemporary thinker, tracing the development of capitalism in Britain: Jane Austen and Adam Smith and the rise of commercial society, Frances Trollope and Thomas Robert Malthus and industrialism, Anthony Trollope and Walter Bagehot and the political influence of money, Margaret Oliphant and John Stuart Mill and professionalism and managerial capitalism, and Henry James and Georg Simmel and the shift of economic dominance from England to America. Even the great romantic novels of the nineteenth century cannot disentangle themselves from the vulgar question of money. Michie’s fresh reading of the marriage plot, and the choice between two women at its heart, shows it to be as much about politics and economics as it is about personal choice.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 432
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1214
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Author:
Publisher: Cambria Press
ISBN: 1621969797
Category :
Languages : en
Pages : 342
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Book Description
Author: Talia Schaffer
Publisher: Oxford University Press
ISBN: 0190465093
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we thought. In Victorian novels, women may marry for erotic desire--but they might, instead, insist on "familiar marriage," marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. Romance's Rival shows how familiar marriage expresses ideas of female subjectivity dating back through the seventeenth century, while romantic marriage felt like a new, risky idea. Undertaking a major rereading of the rise-of-the-novel tradition, from Richardson through the twentieth century, Talia Schaffer rethinks what the novel meant if one tracks familiar-marriage virtues. This alternative perspective offers new readings of major texts (Austen, the Bront s, Eliot, Trollope) but it also foregrounds women's popular fiction (Yonge, Oliphant, Craik, Broughton). Offering a feminist perspective that reads the marriage plot from the woman's point of view, Schaffer inquires why a female character might legitimately wish to marry for something other than passion. For the past half-century, scholars have valorized desire, individuality, and autonomy in the way we read novels; Romance's Rival asks us to look at the other side, to validate the yearning for work, family, company, or social power as legitimate reasons for women's marital choices in Victorian fiction. Comprehensive in its knowledge of several generations of scholarship on the novel, Romance's Rival convinces us to re-examine assumptions about the nature and function of marriage and the role of the novel in helping us not simply imagine marriage but also process changing ideas about what it might look like and how it might serve people.
Author: Stendhal
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 17537
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Book Description
This collection of regency romance novels consists of the most loved books of all time, including Pride and Prejudice by Jane Austen, Vanity Fair by William Makepeace, The Black Moth by Georgette Heyer and many more such stories, which paved the way for modern romance books, TV series and movies: Pride and Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Mansfield Park (Jane Austen) Emma (Jane Austen) Persuasion (Jane Austen) Powder and Patch (Georgette Heyer) The Black Moth (Georgette Heyer) These Old Shades (Georgette Heyer) Evelina (Fanny Burney) Cecilia (Fanny Burney) Camilla (Fanny Burney) The Wanderer (Fanny Burney) Mary: A Fiction (Mary Wollstonecraft) Paul and Virginia (Bernardin de Saint-Pierre) First Love (Mrs. Loudon) Dilemmas of Pride (Mrs. Loudon) The Yellow Poppy (D. K. Broster) Mr. Rowl (D. K. Broster) The Battle of the Strong (Gilbert Parker) Malcolm (George MacDonald) Lorna Doone (R.D. Blackmore) First Love (Ivan Turgenev) A Dash for a Throne (Arthur W. Marchmont) The Wild Irish Girl (Lady Sydney Morgan) Sophia (Stanley John Weyman) Belinda (Maria Edgeworth) Patronage (Maria Edgeworth) Love in Excess (Eliza Haywood) Fantomina (Eliza Haywood) The History of Miss Betsy Thoughtless (Eliza Haywood) The Fortunate Foundlings (Eliza Haywood) Memoirs of Emma Courtney (Mary Hays) Dangerous Liaisons (Pierre Choderlos de Laclos) Miss Marjoribanks (Mrs. Olifant) Phoebe, Junior (Mrs. Olifant) Vanity Fair (William Makepeace Thackeray) Pamela (Samuel Richardson) Anti-Pamela (Eliza Haywood) Shamela (Henry Fielding) Olinda's Adventures (Catharine Trotter Cockburn) The Charterhouse of Parma (Stendhal) The Sorrows of Young Werther (Goethe) War and Peace (Leo Tolstoy)
