B. Systematic philosophy. C. Logic. D. Aesthetics. E. Philosophy of religion. F. Ethics. G. Psychology

B. Systematic philosophy. C. Logic. D. Aesthetics. E. Philosophy of religion. F. Ethics. G. Psychology PDF Author:
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 666

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B. Systematic philosophy. C. Logic. D. Aesthetics. E. Philosophy of religion. F. Ethics. G. Psychology

B. Systematic philosophy. C. Logic. D. Aesthetics. E. Philosophy of religion. F. Ethics. G. Psychology PDF Author:
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 666

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Philosophie de L'art

Philosophie de L'art PDF Author: Hippolyte Taine
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages :

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Art History and Its Institutions

Art History and Its Institutions PDF Author: Elizabeth Mansfield
Publisher: Psychology Press
ISBN: 9780415228688
Category : Art
Languages : en
Pages : 360

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Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundations in the nineteenth century. From museums and universities to law courts, labour organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism; their role in conveying or denying legitimacy; and their impact on defining the parameters of the discipline.

The British Quarterly Review

The British Quarterly Review PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 654

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A Manual of Hygiene

A Manual of Hygiene PDF Author: Charles Cameron
Publisher: BoD – Books on Demand
ISBN: 3368807293
Category :
Languages : en
Pages : 534

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Catalogue of the London library. [With]

Catalogue of the London library. [With] PDF Author: Robert Harrison
Publisher:
ISBN:
Category :
Languages : en
Pages : 1074

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Odd Man Out

Odd Man Out PDF Author: Carol M. Armstrong
Publisher: University of Chicago Press
ISBN: 9780226026954
Category : Art
Languages : en
Pages : 334

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In Odd Man Out, Carol Armstrong offers an important study of Edgar Degas's work and reputation. Armstrong grapples with contradictory portrayals of Degas as odd man out within the modernist canon: he was a realist whom realists rejected; he was a storyteller in pictures who did not satisfy novelist-critics; he painted modern life yet was no modernist; he belonged to the impressionist group yet was no impressionist. She confronts these and other contradictions by analyzing the critical vocabularies used to describe Degas's work. By reading several groups of the artist's images through the lens of a sequence of critical texts, Armstrong shows how our critical and popular expectations of Degas are overturned and subverted. Each of these groups of images is matched to different interpretive moves, each highlighting distinct themes: economics and vocation; narrative and semiotics; gender and corporeality; and the author and self. Armstrong's provocative analysis celebrates the tantalizing qualities of the artist's elusive career: the pluralism of his work, its conflation of positivistic and negational tactics, the modern and the traditional, the abstract and the representational. "A lucid and searching study. . . . Armstrong has produced one of the most elegant and persuasive examples of the historian's use of 19th-century art criticism. In the process, she has achieved a reading of the artist which makes a difference to the way we understand the difference of Degas himself."—Neil McWilliam, Times Higher Education Supplement "This is a brilliant, original, and beautifully articulated study. Carol Armstrong's scholarship is impressive in its richness, ambition, and sophistication: Degas's works have rarely been given such detailed, penetrating, and suggestive readings as those offered in this book."—Linda Nochlin, Yale University "With brilliant insight and incisive analytical intelligence, Carol Armstrong introduces new ways to conceptualize the structural ambiguities of Degas's work. Her subtle and probing readings clarify the fundamental contrariness of Degas's images—their disturbing negativity, their anti-modern modernism. Odd Man Out catapults the criticism of Degas from the hinterlands of traditional art history to the foreground of contemporary critical theory in both literature and the visual arts."—Charles Bernheimer, University of Pennsylvania

The Artificial Self

The Artificial Self PDF Author: Hilary Nias
Publisher: Routledge
ISBN: 1351198815
Category : Literary Criticism
Languages : en
Pages : 226

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"This book reassesses Taine as the very model of the European intellectual in the second half of the 19th century. The author draws on unpublished manuscripts and letters to reveal a self-disguised, tentative and ironic mentality very like the one Taine described in his psychological writings. These qualities are reflected not only in his own ludic response to his times, but in that of many fellow Second Empire intellectuals. Darwinian evolution, new scientific discoveries, ""la Critique"" and Impressionism all made a profound impact on Taine's thinking and on his contribution to the moral revival and Nationalism of the Third Republic."

Chiasmi International 16

Chiasmi International 16 PDF Author: Aa. Vv.
Publisher: Mimesis
ISBN: 8857531155
Category : Philosophy
Languages : en
Pages : 310

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Merleau-PontyENTRE HIER ET DEMAINBETWEEN YESTERDAY AND TOMORROWTRA IERI E DOMANI****dossiers – special sections – dossiersMerleau -Ponty demainMerleau -Ponty TomorrowMerleau -Ponty domaniMerleau -Ponty et la philosophie classique allemandeMerleau -Ponty and Classical German PhilosophyMerleau -Ponty e la filosofia classica tedesca****varia – diverse – varia****COMPTES RENDUS – REVIEWS – RECENSIONItextes de – texts by – testi diJacopo Bodini, Guillaume Carron, Frank Chouraqui, Anna Caterina Dalmasso, Guy-Félix Duportail, Faustino Fabbianelli, Véronique M. Fóti, Anne Gléonec, Koji Hirose, Kathleen Hulley, Takashi Kakuni, Stefan Kristensen, Donald A. Landes, Len Lawlor, Laura McMahon, Stefano Micali, David Morris, Angelica Nuzzo, Claudio Rozzoni, Ted Toadvine, Dylan Trigg, Luca Vanzago

Science and Aesthetic Judgement

Science and Aesthetic Judgement PDF Author: Sholom J. Kahn
Publisher: Routledge
ISBN: 131720848X
Category : Philosophy
Languages : en
Pages : 298

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Book Description
First published in 1953. This title provides an exposition and discussion on Hippolyte Taine (1828-1893), the leader of the Naturalist movement in French criticism. The book examines his theories and some of his practice, as a critic of literature and art. A more general consideration of the chief issues raised by his central problem is also given, namely the attempt to approach the analysis and judgement of works of art historically, and thus to provide an objective basis of criticism. This title will be of interest to students of art history and philosophy.