Philippine Social Realists PDF Download
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Author: Amadis María Guerrero
Publisher:
ISBN: 9786218058057
Category :
Languages : en
Pages : 158
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Book Description
Author: Amadis María Guerrero
Publisher:
ISBN: 9786218058057
Category :
Languages : en
Pages : 158
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Book Description
Author: Alice Guillermo
Publisher:
ISBN:
Category : Art and society
Languages : en
Pages : 158
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Book Description
Author: Alice Guillermo
Publisher: University of Philippines Press
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
A valuable resource for students of art and art history, this book is the fruit of two decades of research and association with social realists and other protest and in revolutionary artists. Guillermo goes back to the origins of protest art in the 19th century and pursues it to its full flourishing in the Marcos regime and its variations during the Aquino administration. It also projects the trajectory of art into the future as new issues emerge to engage the political artist.
Author: Alfredo R. Roces
Publisher:
ISBN: 9789719128816
Category : Art and society
Languages : en
Pages : 224
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Book Description
Author: Jonathan Beller
Publisher: Ateneo University Press
ISBN: 9789715504959
Category : Art
Languages : en
Pages : 348
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Book Description
Acquiring Eyes directs incisive but at the same time admiring attention to H. R. Ocampo, Lino Brocka, Ishmael Bernal, and Emmanuel Garibay--four masters, the original and complex visuality of whose genre-specific efforts to parlay Philippine social dynamics into visual practices of engagement, struggle, and transcendence have produced for each of them a much-deserved and committed local following.
Author:
Publisher: Goodwill Trading Co., Inc.
ISBN: 9789715740708
Category :
Languages : en
Pages : 180
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Book Description
Author: Caroline S. Hau
Publisher: Ateneo University Press
ISBN: 9789715503679
Category : Literary Collections
Languages : en
Pages : 336
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Book Description
Author: Elizabeth Norman
Publisher: Random House Trade Paperbacks
ISBN: 0812984846
Category : History
Languages : en
Pages : 386
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Book Description
In the fall of 1941, the Philippines was a gardenia-scented paradise for the American Army and Navy nurses stationed there. War was a distant rumor, life a routine of easy shifts and dinners under the stars. On December 8 all that changed, as Japanese bombs began raining down on American bases in Luzon, and this paradise became a fiery hell. Caught in the raging battle, the nurses set up field hospitals in the jungles of Bataan and the tunnels of Corregidor, where they tended to the most devastating injuries of war, and suffered the terrors of shells and shrapnel. But the worst was yet to come. After Bataan and Corregidor fell, the nurses were herded into internment camps where they would endure three years of fear, brutality, and starvation. Once liberated, they returned to an America that at first celebrated them, but later refused to honor their leaders with the medals they clearly deserved. Here, in letters, diaries, and riveting firsthand accounts, is the story of what really happened during those dark days, woven together in a deeply affecting saga of women in war. Praise for We Band of Angels “Gripping . . . a war story in which the main characters never kill one of the enemy, or even shoot at him, but are nevertheless heroes . . . Americans today should thank God we had such women.”—Stephen E. Ambrose “Remarkable and uplifting.”—USA Today “[Elizabeth M. Norman] brings a quiet, scholarly voice to this narrative. . . . In just a little over six months these women had turned from plucky young girls on a mild adventure to authentic heroes. . . . Every page of this history is fascinating.”—Carolyn See, The Washington Post “Riveting . . . poignant and powerful.”—The Dallas Morning News Winner of the Lavinia Dock Award for historical scholarship, the American Academy of Nursing National Media Award, and the Agnes Dillon Randolph Award
Author: Yeo Wei Wei
Publisher: National Gallery Singapore
ISBN: 9811455252
Category : Art
Languages : en
Pages : 88
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Book Description
What is the place of realism in Asian art histories? What is the ‘real’? How do reality and realism relate and differ? The six essays in the present volume explore the manifestations of realism in Asian art, relating this art of description to issues of colonialism, world and civil wars, nation building, religion and contemporary culture in Asia.
Author: Jonas Staal
Publisher: MIT Press
ISBN: 0262042800
Category : Art
Languages : en
Pages : 239
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Book Description
How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues in this illuminating and timely book, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas. In Propaganda Art in the 21st Century, Staal offers an essential guide for understanding propaganda art in the post-truth era. Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria. Staal, both a scholar of propaganda and a self-described propaganda artist, proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.
