Author: Philip Gould
Publisher: Abacus
ISBN: 1405514736
Category : Biography & Autobiography
Languages : en
Pages : 123
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Book Description
On 29 January 2008 Philip Gould was told he had cancer. He was stoical, and set about his treatment, determined to fight his illness. In the face of difficult decisions he sought always to understand the disease and the various medical options open to him, supported by his wife Gail and their two daughters, Georgia and Grace. In 2010, after two hard years of chemotherapy and surgery, the tests came up clear - Philip appeared to have won the battle. But his work as a key strategist for the Labour party took its toll, and feeling ill six months later, he insisted on one extra, precautionary test, which told him that the cancer had returned. Thus began Philip's long, painful but ultimately optimistic journey towards death, during which time he began to appreciate and make sense of his life, his work and his relationships in a way he had never thought possible. He realized something that he had never heard articulated before: death need not be only negative or painful, it can be life-affirming and revelatory. Written during the last few months of his life, When I Die describes the journey Philip took with his illness, leaving to us what he called his lessons from the death zone. This courageous, profoundly moving and inspiring work is as valuable a legacy to the world as anyone could wish to bestow - hugely uplifting, beautifully written with extraordinary insight.
Author: Philip Gould
Publisher: Abacus
ISBN: 0748131817
Category : Social Science
Languages : en
Pages : 472
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Book Description
The Unfinished Revolution is the definitive story of New Labour from its genesis to its election defeat 2010 - covering over 25 years and six general elections of strategy, rebuilding and reinvention. In this extraordinary book, Philip Gould, one of the world's leading political strategists and a key adviser to Tony Blair during the period, brilliantly describes how New Labour came to dominate, falter and fall, assessing how successful it was in government, and where it should go from here. Drawing on his years of experience at the heart of New Labour he gives us his unique perspective on how best to understand the electorate, how to communicate policy and how to adapt in a rapidly changing world.
Author: Philip GOULD
Publisher: Harvard University Press
ISBN: 0674037855
Category : History
Languages : en
Pages : 271
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Book Description
Eighteenth-century antislavery writers attacked the slave trade as "barbaric traffic"--a practice that would corrupt the mien and manners of Anglo-American culture to its core. Less concerned with slavery than with the slave trade in and of itself, these writings expressed a moral uncertainty about the nature of commercial capitalism. This is the argument Philip Gould advances in Barbaric Traffic. A major work of cultural criticism, the book constitutes a rethinking of the fundamental agenda of antislavery writing from pre-revolutionary America to the end of the British and American slave trades in 1808. Studying the rhetoric of various antislavery genres--from pamphlets, poetry, and novels to slave narratives and the literature of disease--Gould exposes the close relation between antislavery writings and commercial capitalism. By distinguishing between good commerce, or the importing of commodities that refined manners, and bad commerce, like the slave trade, the literature offered both a critique and an outline of acceptable forms of commercial capitalism. A challenge to the premise that objections to the slave trade were rooted in modern laissez-faire capitalism, Gould's work revises--and expands--our understanding of antislavery literature as a form of cultural criticism in its own right. Table of Contents: Introduction 1. The Commercial Jeremiad 2. The Poetics of Antislavery 3. American Slaves in North Africa 4. Liberty, Slavery, and Black Atlantic Autobiography 5. Yellow Fever and the Black Market Epilogue Notes Index This is a very important book which convincingly rethinks the fundamental agenda of Anglo-American anti-slavery literature from 1775 to 1808 (the end of the British slave trade). This is no small feat. Anti-slavery texts, Gould argues, offered less a critique of slavery than a critique of the slave trade. By distinguishing between good commerce (the importing of commodities that refined the manners) and bad commerce (the importation of slaves), these texts both critiqued commercial capitalism and outlined its acceptable and necessary forms. Thus anti-slavery texts endlessly deferred the issue of abolition in order to serve as a site of moral uncertainty about whether commercial capitalism would debase or civilize modern society. Sin is less feared than the depravity of manners which could corrupt Anglo-American culture at its core. Because virtuous and vicious commerce turned on the nature and regulation of passions, much was at stake. Closely attending to a vast number of transatlantic texts, Gould defines and demonstrates a "commercial aesthetic" that inflects the language of race and sentiments with issues of economic and social change. Gould's next move is to argue with reference to what he calls "the commercial jeremiad" that the very ideological discourse of civilization and savagery is rooted in trade. The concept of race is largely produced by this oppositional discourse rather than founded on its prior existence. --Jay Fliegelman, author of Prodigals and Pilgrims and Declaring Independence This is a very important book with compelling and new insights throughout. It is the first book to examine such a wide range of both literary and historical sources on 18th century Anglo-American antislavery, and it does so with superb textual readings. --John Stauffer, author of The Black Hearts of Men and John Brown and the Coming of the Civil War Extensively researched and carefully argued, Barbaric Traffic demonstrates an admirably sure-footed, clearsighted awareness of how transatlantic Enlightenment discourses of aesthetics, commerce, liberty, race, religion, and sentiment pursue distinct logics of their own yet cannot be pried apart. --Lawrence Buell, author of Emerson and Writing for an Endangered World Barbaric Traffic: Commerce and Antislavery in the 18th Century Atlantic World appears as a welcome addition to debates about slavery, sentimentality, and culture in American studies. Its readings are meticulous, historically grounded, and theoretically informed. The writing is clear and persuasive. Gould has an original and sometimes really stunning sense of the relation between ethics and manners in eighteenth century interpretations of capitalism and slavery exposed so trenchantly by earlier critics like Eric Williams. In particular, he is very good at deciphering what he calls "the ideological movement from theology to ethics" that appears through debates about slavery and commerce in the period. Gould presents excellent interpretations of the Christian sentiments of Phillis Wheatley, of the under-interpreted political context of Slaves of Algiers, of the expose of the slave ship by the Philadelphian Mathew Carey, and of the racialized ambivalence attached to the yellow fever panic of 1793 in Philadelphia. Few critics writing today show the range of concerns and depth of research that appears in Gould's work, which reminds me of the historical depth and clarity of David Brion Davis, and also of the commitment to paradigm shifts of Thomas Haskell. In short, Philip Gould is one of the most thoughtful and engaged critics working in American literature and culture today. --Shirley Samuels, author of Romances of the Republic
Author: Philip Gould
Publisher: LSU Press
ISBN: 0807172227
Category : Photography
Languages : en
Pages : 0
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Book Description
Bridging the Mississippi: Spans across the Father of Waters portrays in words and stunning photographs the manmade structures that cross the nation’s most important and, during the mid-nineteenth century, most daunting natural waterway. Philip Gould spent three years photographing Mississippi River bridges, from the Crescent City Connection in New Orleans to the span of boulders at the river’s headwaters in Lake Itasca, Minnesota. This book features seventy-five of the river’s more than 130 spans, progressing from south to north, in rural, small-town, and metropolitan settings. In every season and from numerous angles, Gould captured images of historical, architectural, and engineering significance as well as dramatic natural beauty. In addition, his photos reflect the many perspectives of people whose lives intersect with the bridges, including riverboat captains, construction workers, pedestrians, drivers, cyclists, wedding parties, recreational boaters and fishers, business owners, and train engineers. Margot Hasha offers a fascinating overview of bridge construction on the Mississippi, starting with the waterway’s geology and the earliest-known settlement along the banks of Misi-ziibi, what Native Americans called the “father of waters.” She discusses the impact of steel production on the expansion of railroad bridges, hazards encountered by river pilots today, the preservation of vintage structures, and the latest bridge designs. Hasha and Gould profile select crossings in eleven cities and towns, explaining each one’s unique story and importance to its riverside community. Architectural and engineering feats; focal points for urban renewal; essential links in the nation’s transportation and commerce; aesthetic frames for parks, riverwalks, and levee trails—the Mississippi River’s bridges come into full focus in this visual tribute.
Author: Philip Gould
Publisher: LSU Press
ISBN: 9780807117699
Category : Music
Languages : en
Pages : 148
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Book Description
"Imagine," writes Philip Gould, "a remote club nestled in a rural community that is barely on the map, where upon entering through worn screen doors one feels the flow of air from the wall-sized floor fans working hard to relieve the sultriness. Folks of all ages glide across a worn wooden dance floor as a Cajun or zydeco band belts out spirited two-steps and waltzes..." In this engaging book Gould takes us into the fascinating world of south Louisiana's celebrated musical cultures. Cajun Music and Zydeco contains more than one hundred color photographs of the performers, dance halls, and appreciative fans that have made the state's indigenous music a national, even worldwide, phenomenon. The photographs span a period of some ten years. They include portraits of Cajun musicians like Zachary Richard, Dewey Balfa, Wayne Toups, Michael Doucet, and Steve Riley and such zydeco performers as Terrance Simien, the Ardoin family, Canray Fontenot, Boozoo Chavis, and the legendary Clifton Chenier. Gould photographs many of the venues in which these musicians have performed, including El Sid O's Club and Hamilton's Place, in Lafayette; La Poussiere and Mulate's, in Breaux Bridge; Smiley's Bayou Club, in Erath; Slim's Y Ki Ki, in Opelousas; and Tipitina's, in New Orleans -- not to mention Carnegie Hall. He also shows throngs of music lovers at annual events such as the Zydeco Festival in Plaisance and Lafayette's Festival International de Louisiane. Many of the images reinforce the importance of family and community among the musicians, and others emphasize the sheer power the music holds over performers and listeners alike. Philip Gould first came to Louisiana in 1974, just as the revival of Cajun music and zydeco was beginning to take shape. Indeed, one of his early assignments as a photographer for the Daily Iberian newspaper was to cover the first Tribute to Cajun Music, which was held in Lafayette on March 26, 1974. A driving force behind that magical event was Barry Jean Ancelet, whose informed Introduction to this book provides a brief history of Cajun music and zydeco. Ancelet describes the multivarious ethnic mix that contributed to the development of the two musics, outlines their waning popularity during the early years of this century, and celebrates their reenergized vitality since the mid-1970s. He provides a vivid description of the 1974 festival, which unexpectedly attracted more than twelve thousand spectators. It proved to be a watershed in the renaissance not only of Cajun music and zydeco but of Cajun and Creole culture in general. Deeply rooted in the unique world of south Louisiana, Cajun music and zydeco are an important part of the American folk tradition. This beautiful book is a fitting tribute to their enduring appeal.
Author: Carl A. Brasseaux
Publisher: LSU Press
ISBN: 0807139653
Category : Photography
Languages : en
Pages : 708
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Book Description
"Acadiana" summons up visions of a legendary and exotic world of moss-draped cypress, cocoa-colored bayous, subtropical wildlife, and spicy indigenous cuisine. The ancestral home of Cajuns and Creoles, this twenty-two-parish area of south Louisiana encompasses a broad range of people, places, and events. In their historical and pictorial tour of the region, author Carl A. Brasseaux and photographer Philip Gould explore in depth this fascinating and complex world. As passionate documentarians of all things Cajun and Creole, Brasseaux and Gould delve into the topography, culture, and economy of Acadiana. In two hundred color photographs of architecture, landscapes, wildlife, and artifacts, Gould portrays the rich history still visible in the area, while Brasseaux's engagingly written narrative covers the eighteenth- and nineteenth-century story of settlement and development in the region. Brasseaux brings the story up to date, recounting devastating hurricanes and coastal degradation. From living-history attractions such as Vermilionville, the Acadian Village, and Longfellow-Evangeline State Park to music venues, festivals, and crawfish boils, Acadiana depicts a resilient and vibrant way of life and presents a vivid portrait of a culture that continues to captivate, charm, and endure. For all those who want to explore these people and this place, Brasseaux and Gould have provided an insightful written and visual history.
Author:
Publisher: University of Louisiana
ISBN: 9781935754855
Category : Dance halls
Languages : en
Pages : 0
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Book Description
Ghosts of Good Times: South Louisiana Dance Halls Past and Present examines a world of Cajun dance halls, Zydeco clubs, Chitlin' Circuit R&B night clubs, Swamp-Pop Honkytonks and other venues that at one time were prevalent throughout the region. Photographs by Philip Gould blend architectural imagery of buildings still standing with historic photographs of the clubs that he took in their heyday. Herman Fuselier and other writers provide a rich selection of historic accounts and essays about their personal experiences in the clubs. The book also examines the dance hall scene today and how the venues have changed. The music following remains strong and people still come to dance. The surviving old dance halls and newer venues are still in full swing. Old or new, they are icons, a proud south Louisiana legacy of Good Times.
Author: Philip Gould
Publisher: Oxford University Press
ISBN: 019996789X
Category : History
Languages : en
Pages : 231
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Book Description
Writing the Rebellion presents a cultural history of loyalist writing in early America, dissolving the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility.
Author: Cyril E. Vetter
Publisher: LSU Press
ISBN: 0807123714
Category : Architecture
Languages : en
Pages : 192
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Book Description
A. Hays Town changed the face of the Louisiana house. In a career that includes designing more than five hundred homes, he led architects, builders, and homeowners to embrace the finest elements of Louisiana's architectural past. Almost every home built in Louisiana during the last twenty years is in some way inspired by Town's work. The Louisiana Houses of A. Hays Town honors his legacy as Louisiana's premier residential architect. Color photographs of numerous homes -- including Town's own -- by Philip Gould combined with an illuminating text by Cyril E. Vetter produce a volume that captures the appeal and beauty of the state's finest architectural tradition. Born and raised in rural southwest Louisiana, Hays Town graduated from Tulane University with a degree in architecture in 1926 and worked for a firm in Jackson, Mississippi, for many years. He established his own successful commercial practice in Baton Rouge in 1939, but in the 1960s, Town turned to his abiding passion -- residential architecture. Throughout this chapter of his career, he perfected his inimitable style and emerged as one of the most prominent architects in the South. Town's residential designs are perceptibly influenced by the diverse culture of south Louisiana. His synthesis of the classic Acadian cottage, Spanish courtyards, and exterior French doors with Creole-influenced full-length shutters achieves an original confluence of seemingly disparate yet elegantly balanced themes and forms. Other Town trademarks include pigeonniers, tree alleys, thirteen-foot ceilings, heavy use of such woods as cypress and heart of pine, plantation-style separate structures, and brick floors with a special beeswax finish. The Louisiana Houses of A. Hays Town illuminates the momentous effect Town has had on the look of Louisiana. Crafted from the perspective of two people, Vetter and Gould, who are not architects but admirers of one man's exceptional talent, this delightful book demonstrates that each Town house is a work of art that fits both person and terrain. At the door of each home, proud owners hang a bronze plaque that says it all: A. Hays Town, Architect.
Author: Michael Tisserand
Publisher: Skyhorse
ISBN: 1628727993
Category : Music
Languages : en
Pages : 560
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Book Description
“An important book for anyone with an interest in life, American music, Southern culture, dancing, accordions, the recording industry, folklore, old dance clubs in the weeds, fortune tellers, hoodoos or shotguns.” —Annie Proulx There’s a musical kingdom in the American South that’s not marked on any map. Stretching from the prairies of Louisiana to the oil towns of East Texas, it is ruled over accordion-squeezing, washboard-wielding musicians such as Buckwheat Zydeco, Nathan Williams, Keith Frank, Terrance Simien, Rosie Ledet, and C. J. Chenier. Theirs is the kingdom of zydeco. With its African-Caribbean rhythms, Creole-French-English lyrics, and lively dance styles, zydeco has spread from its origins in Louisiana across the nation, from Back Bay to the Bay Area. It has influenced the music of Eric Clapton and Paul Simon and been played at Carnegie Hall. In this remarkable and engrossing book, Michael Tisserand reveals why zydeco’s identifiable and unforgettable blend of blues and Cajun influences has made the dance music of Louisiana black Creoles so popular and widespread. Zydeco’s appeal runs deeper than the feel-good, get-up-and-dance reaction it invariably elicits and is intertwined in the music’s roots and rhythms, handed down from generation to generation. Here is the story of zydeco music. Tisserand goes on the zydeco trail to meet the major artists; he reconstructs the legends behind the music’s beginnings, offering complete biographies of pioneers such as Amédé Ardoin and Clifton Chenier; and he takes you into the dance halls and onto the front porches where zydeco was born and continues to thrive. More than a book on a musical style, The Kingdom of Zydeco is an exploration and a celebration of a distinctive American culture.
