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Author: William Henry Noble
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 108
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Book Description
Author: William Henry Noble
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 108
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Book Description
Author:
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 532
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Author:
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 528
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 562
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Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 1000
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Book Description
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 362
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Author: Herbert M. Katz
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 424
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Book Description
Provides an entertaining social history and a unique reference guide, because it tells where the museums are as of 1965, how they got there, who put them there, and what they contain. The Appendix includes a listing by state and city of more than 2500 operating museums. The index is cross-referenced, so that it is possible to locate anything from an important Rembrandt to a major entomological collection.
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0
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Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author:
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 444
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Book Description
