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Author: I︠U︡riĭ Voront︠s︡ov
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 508
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Book Description
Author: I︠U︡riĭ Voront︠s︡ov
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 508
Get Book
Book Description
Author: Iurii Viktorovich Vorontsov
Publisher: Imported Publication
ISBN: 9780828518741
Category : Performing Arts
Languages : en
Pages : 423
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Book Description
Author: Sudha Rajagopalan
Publisher: Indiana University Press
ISBN: 0253220998
Category : History
Languages : en
Pages : 282
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Book Description
Understanding the Soviet public's love of Indian popular film
Author: Peter Rollberg
Publisher: Rowman & Littlefield
ISBN: 1793641757
Category : History
Languages : en
Pages : 467
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Book Description
This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.
Author: Jay Leyda
Publisher: London : Allen & Unwin
ISBN:
Category : Motion pictures
Languages : en
Pages : 538
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Book Description
Author: Derek Spring
Publisher: Routledge
ISBN: 1136128360
Category : Social Science
Languages : en
Pages : 324
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Book Description
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
Author: Vlad Strukov
Publisher: Edinburgh University Press
ISBN: 1474407668
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.
Author: Birgit Beumers
Publisher: Routledge
ISBN: 1317194705
Category : Social Science
Languages : en
Pages : 226
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Book Description
This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.
Author: Nariman Skakov
Publisher: Bloomsbury Publishing
ISBN: 0857721194
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
The phenomenon of time was a central preoccupation of Tarkovsky throughout his career. His films present visions of time by temporal means - that is, in time. Tarkovsky does not represent time through coherent argument, Nariman Skakov proposes, rather he presents it and the viewer experiences the argument. This book explores the phenomenon of spatio-temporal lapse in Tarkovsky's cinema - from Ivan's Childhood (1962) to Sacrifice (1986). Dreams, visions, mirages, memories, revelations, reveries and delusions are phenomena which present alternative spatio-temporal patterns; they disrupt the linear progression of events and create narrative discontinuity. Each chapter is dedicated to the discussion of one of Tarkovsky's seven feature films and in each, one of these phenomena functions as a refrain. Skakov discusses the influence of the flow of and lapses in space and time on the viewer's perception of the Tarkovskian cinematic universe. He opens and closes his original and fascinating book on Tarkovsky's cinema by focusing on the phenomenon of time that is discussed extensively by the filmmaker in his main theoretical treatise Sculpting in Time, as well as in a number of interviews and public lectures.
Author: Daniel J. Goulding
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 344
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Book Description