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Author: Thomas Roche
Publisher: Penguin UK
ISBN: 014193672X
Category : Poetry
Languages : en
Pages : 377
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Book Description
Franceso Petrarch (1304-1374), creator of the sonnet form, remained for more than three hundred years the most influential poet in Europe, his works more widely read than even those of Dante. This collection contains English language versions of his poems from across six centuries, in a wide variety of translations and reinterpretations. Spanning the Trionfi series and the Canzoniere - Petrarch's empassioned sonnet-sequence concerning his beloved Laura - it also includes great English poems influenced by Petrarch. From Chaucer's early adaptation of a Petrarchan sonnet in Troilus and Criseyde to the sixteenth century translations by the Earl of Surrey, Byron's mocking consideration of the Canzoniere in Don Juan and Ezra Pound's parody Silet, all provide a unique insight into the significance of the founder of the European lyric tradition.
Author: Thomas Roche
Publisher: Penguin UK
ISBN: 014193672X
Category : Poetry
Languages : en
Pages : 377
Get Book Here
Book Description
Franceso Petrarch (1304-1374), creator of the sonnet form, remained for more than three hundred years the most influential poet in Europe, his works more widely read than even those of Dante. This collection contains English language versions of his poems from across six centuries, in a wide variety of translations and reinterpretations. Spanning the Trionfi series and the Canzoniere - Petrarch's empassioned sonnet-sequence concerning his beloved Laura - it also includes great English poems influenced by Petrarch. From Chaucer's early adaptation of a Petrarchan sonnet in Troilus and Criseyde to the sixteenth century translations by the Earl of Surrey, Byron's mocking consideration of the Canzoniere in Don Juan and Ezra Pound's parody Silet, all provide a unique insight into the significance of the founder of the European lyric tradition.
Author: Christopher S. Celenza
Publisher: Reaktion Books
ISBN: 1780238770
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
An enlightening study of the contradictory character of this canonical fourteenth-century Italian poet. Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private. In this biography, Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike.
Author: Petrarch
Publisher: Penguin UK
ISBN: 0141935448
Category : Poetry
Languages : en
Pages : 178
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Book Description
The 'Canzoniere', a sequence of sonnets and other verse forms, were written over a period of about 40 years. They describe Petrarch's intense love for Laura, whom he first met in Avignon in 1327, and her effect on him after she died in 1348. The collection is an examination of the poet's growing spiritual crisis, and also explores important contemporary issues such as the role of the papacy and religion.
Author: Petrarch
Publisher: Hackett Publishing
ISBN: 1624661998
Category : History
Languages : en
Pages : 288
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Book Description
Petrarch fashioned so many different versions of himself for posterity that it is an exacting task to establish where one might start to explore. . . . Hainsworth's study meets this problem through examples of what Petrarch wrote, and does so decisively and succinctly. . . . [A] careful and unpretentious book, penetrating in its organization and treatment of its subject, gentle in its guidance of the reader, nimble and dexterous in its scholarly infrastructure—and no less profound for those qualities of lightness. The translations themselves are a delight, and are clearly the result of profound meditation and extensive experiment. . . . The Introduction and the notes to each work form a clear plexus of support for the reader, with a host of deft cross-references. --Richard Mackenny, Binghamton University, State University of New York
Author: Jackson Campbell Boswell
Publisher: Routledge
ISBN: 1351911627
Category : Literary Criticism
Languages : en
Pages : 670
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Book Description
The powerful influence of Petrarch on the development of Renaissance vernacular poetry has long been recognized as one of the major factors in early modern cultural history; this work provides a far more comprehensive catalogue of the direct evidence for that influence in England than any yet available. Following the model of Boswell's Dante's Fame in England (1999), it offers an itemized presentation, year by year, of printed citations, translations, and allusions, with complete bibliographical information, quotations of the relevant passages, and brief commentary. The most fully studied aspect of Petrarch's influence, his love poetry as a model for imitation, remains paramount: a model by turns slavishly imitated, ruthlessly mocked, and searchingly reworked, sometimes all at the same time. But the significance of other aspects of his legacy are also documented, with new fullness: notably his Latin prose works-especially his encyclopedic moral treatise On the Remedies of Both Kinds of Fortune, popular throughout the period-and his polemics against the Avignon papacy, which earned him a strong reputation in England as an angry moral prophet and champion of what would become the Protestant cause. The picture here presented provides new texture and complexity for any further discussion of Petrarch in the English Renaissance.
Author: Martin McLaughlin
Publisher: British Academy
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 392
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Book Description
This volume surveys of Petrarch's literary legacy in Britain. It explores a number of key topics: Petrarch's analysis of the self; his dialogue with other classical and Italian authors; Petrarchism and anti-Petrarchism in Renaissance Italy; Petrarchism in England and Scotland; and his modern legacy in both Italy and Britain.
Author: Alessandra Petrina
Publisher: MHRA
ISBN: 1781888825
Category : Poetry
Languages : en
Pages : 244
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Book Description
This edition argues that Petrarch's text has been neglected by modern scholarship in favour of the translations of the Canzoniere, while it can be shown that the Triumphi enjoyed a much earlier and much more durable fame in Europe as well as in the British Isles, being translated at least twice in its entirety, with individual books and smaller sections being translated or adapted a number of times. Critical editions of the translations are accompanied by analysis of the reception of Petrarch's work in the British Isles, looking at the circulation of the book in the original Italian and in the various French translations, as well as at the use that is made of the Triumphi motifs not only in literature, but in paintings, music, etc.
Author: William J. Kennedy
Publisher: Cornell University Press
ISBN: 1501703803
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
The Italian scholar and poet Francesco Petrarch (1304–1374) is best remembered today for vibrant and impassioned love poetry that helped to establish Italian as a literary language. Petrarch inspired later Renaissance writers, who produced an extraordinary body of work regarded today as perhaps the high-water mark of poetic productivity in the European West. These "Petrarchan" poets were self-consciously aware of themselves as poets—as craftsmen, revisers, and professionals. As William J. Kennedy shows in Petrarchism at Work, this commitment to professionalism and the mastery of poetic craft is essential to understanding Petrarch’s legacy. Petrarchism at Work contributes to recent scholarship that explores relationships between poetics and economic history in early-modern European literature. Kennedy traces the development of a Renaissance aesthetics from one based upon Platonic intuition and visionary furor to one grounded in Aristotelian craftsmanship and technique. Their polarities harbor economic consequences, the first privileging the poet’s divinely endowed talent, rewarded by the autocratic largess of patrons, the other emphasizing the poet’s acquired skill and hard work. Petrarch was the first to exploit the tensions between these polarities, followed by his poetic successors. These include Gaspara Stampa in the emergent salon society of Venice, Michelangelo Buonarroti in the "gift" economy of Medici Florence and papal Rome, Pierre de Ronsard and the poets of his Pléiade brigade in the fluctuant Valois court, and William Shakespeare and his contemporaries in the commercial world of Elizabethan and early Stuart London. As Kennedy shows, the poetic practices of revision and redaction by Petrarch and his successors exemplify the transition from a premodern economy of patronage to an early modern economy dominated by unstable market forces.
Author: Francesco Petrarca
Publisher: Rodopi
ISBN: 9042016760
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Seven centuries after the birth of Petrarch (1304-74) the nature and extent of his influence loom ever larger in the study of renaissance literature. In this revised and expanded edition of Petrarch's Canzoniere in the English Renaissance Anthony Mortimer presents a unique anthology of 136 English poems together with the specific Italian texts that they translate, adapt or exploit. The result, with its revealing juxtapositions of major and minor figures, makes fascinating reading for anyone who wants to get beyond broad generalizations about Petrarchism and see exactly what English poets made of Petrarch's celebrated sequence. Reviewing the first edition, Professor Brian Vickers wrote: An ideal text-book for university courses in English or Comparative Literature. The critical introduction is a fresh, independent and accurate survey of the role of Petrarchism in the English Renaissance ... our literary history is being rewritten, more accurately.
Author: Alessandra Petrina
Publisher: Routledge
ISBN: 1317102916
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Machiavelli in the British Isles reassesses the impact of Machiavelli's The Prince in sixteenth-century England and Scotland through the analysis of early English translations produced before 1640, surviving in manuscript form. This study concentrates on two of the four extant sixteenth-century versions: William Fowler's Scottish translation and the Queen's College (Oxford) English translation, which has been hitherto overlooked by scholars. Alessandra Petrina begins with an overview of the circulation and readership of Machiavelli in early modern Britain before focusing on the eight surviving manuscripts. She reconstructs each manuscript's history and the afterlife of the translations before moving to a detailed examination of two of the translations. Petrina's investigation of William Fowler's translation takes into account his biography, in order to understand the Machiavellian influence on early modern political thought. Her study of the Queen's College translation analyses the manuscript's provenance as well as technical details including writing and paper quality. Importantly, this book includes annotated editions of both translations, which compare the texts with the original Italian versions as well as French and Latin versions. With this volume Petrina has compiled an important reference source, offering easy access to little-known translations and shedding light on a community of readers and scholars who were fascinated by Machiavelli, despite political or religious opinion.
