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Author: David Evans
Publisher: Routledge
ISBN: 1351539280
Category : Foreign Language Study
Languages : en
Pages : 399
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Book Description
Theodore de Banville (1823-1891) was a prolific poet, dramatist, critic and prose fiction writer whose significant contribution to poetic and aesthetic debates in nineteenth-century France has long been overlooked. Despite his profound influence on major writers such as Baudelaire, Rimbaud, Verlaine and Mallarme, Banville polarised critical opinion throughout his fifty-year career. While supporters championed him as a virtuoso of French verse, many critics dismissed his formal pyrotechnics, effervescent rhythms and extravagant rhymes as mere clowning. This book explores how Banville's remarkably coherent body of verse theory and practice, full of provocative energy and mischievous humour, shaped debates about poetic value and how to identify it during a period of aesthetic uncertainty caused by diverse social, economic, political and artistic factors. It features a detailed new reading of Banville's most infamous and misunderstood text, the Petit Traitede poesie francaise, as well as extended analyses of verse collections such as Les Stalactites, Odes funambulesques, Les Exiles, Trente-six Ballades and Rondels, illuminated by wide reference to Banville's plays, fiction and journalism. Evans elucidates not only aesthetic tensions at the heart of nineteenth-century French verse, but also a centuries-old tension between verse mechanisms and an unquantifiable, mysterious and elusive poeticity which emerges as one of the defining narratives of poetic value from the Middle Ages, via the Grands Rhetoriqueurs and Dada, to the experiments of the OuLiPo and beyond.
Author: David Evans
Publisher: Routledge
ISBN: 1351539280
Category : Foreign Language Study
Languages : en
Pages : 399
Get Book Here
Book Description
Theodore de Banville (1823-1891) was a prolific poet, dramatist, critic and prose fiction writer whose significant contribution to poetic and aesthetic debates in nineteenth-century France has long been overlooked. Despite his profound influence on major writers such as Baudelaire, Rimbaud, Verlaine and Mallarme, Banville polarised critical opinion throughout his fifty-year career. While supporters championed him as a virtuoso of French verse, many critics dismissed his formal pyrotechnics, effervescent rhythms and extravagant rhymes as mere clowning. This book explores how Banville's remarkably coherent body of verse theory and practice, full of provocative energy and mischievous humour, shaped debates about poetic value and how to identify it during a period of aesthetic uncertainty caused by diverse social, economic, political and artistic factors. It features a detailed new reading of Banville's most infamous and misunderstood text, the Petit Traitede poesie francaise, as well as extended analyses of verse collections such as Les Stalactites, Odes funambulesques, Les Exiles, Trente-six Ballades and Rondels, illuminated by wide reference to Banville's plays, fiction and journalism. Evans elucidates not only aesthetic tensions at the heart of nineteenth-century French verse, but also a centuries-old tension between verse mechanisms and an unquantifiable, mysterious and elusive poeticity which emerges as one of the defining narratives of poetic value from the Middle Ages, via the Grands Rhetoriqueurs and Dada, to the experiments of the OuLiPo and beyond.
Author: David Hunter
Publisher: OUP USA
ISBN: 0195177169
Category : Juvenile Nonfiction
Languages : en
Pages : 133
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Book Description
This guide is aimed at singers and singing teachers interseted in the French song repertoire. In a clear and concise way, using examples from well known song settings, it sets out the basics of French versification, showing how an understanding of verse techniques can enhance the enjoyment and interpretation of the French mélodie.
Author: Seth Whidden
Publisher: Oxford University Press
ISBN: 0192666878
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Through its readings of Charles Baudelaire's collection Le Spleen de Paris and other prose poems from the nineteenth century, this book considers the practice of reading prose poetry and how it might be different from reading poetry in verse. Among the numerous factors that helped shape the nascent modernity in Baudelaire's poetic prose are the poems' themes, forms, linguistic qualities, and modes. The contradictions identifiable at the level of prose poetry's discourse are similarly perceptible in other aspects of Baudelaire's poetic language, beyond the discursive: in the poems' formal considerations, which retain recognisable traces of verse despite their prose presentation; and, with respect to both poetic form and thematics, in the sights and sounds that contribute to their poeticity. With a focus on what makes prose texts poetic, this study sheds light on Baudelaire the practitioner of the prose poem, as he navigated and complicated the boundaries between verse, prose, and poetry. Rather than rejecting those categories, Baudelaire forges a poetic space in which the notions of poetry and prose are recast, juxtaposed in a delicate balance in a textual space they manage to share. This coexistence of poetry and prose—previously thought of as incompatible—is the underlying tension and framework that contributes importantly to the modernity of his prose poetry. In turn, this new mode of poetry calls for new modes of reading poetry and new ways of engaging with a text.
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 2148
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Author: Helen Abbott
Publisher: Routledge
ISBN: 1317175069
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Author: Jean Renart
Publisher: Summa Publications, Inc.
ISBN: 9780917786402
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
Author: Harriet Monroe
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 464
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Author:
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1586
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Author: Broome
Publisher: BRILL
ISBN: 9004649441
Category : Literary Criticism
Languages : en
Pages : 543
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Book Description
This major new study of Baudelaire is a journey into the secret language of Les Fleurs du Mal: the expressive pliabilities of its verse-forms and syntax, the fluctuations of its rhythms, its significant sonorities, its metaphorical figures and dynamic image-patterns, its network of nerves and trigger-points, its shifting underground of parallels and contrasts, analogies and antitheses. Through a strategic selection of poems constituting a 'constellation', a formal pattern of mutually illuminating parts, the analysis aims to show that form and theme are indissoluble: that each movement in the texture of the verse, each pulse, each rise and fall, each intensification or release, not only aids and abets the thrust of the poet's inspiration but is moulding and, in the end, creating the subtleties of sense, which cannot exist but in the weft and web of the breathing, evolving text. It is a study which prioritizes the individual poem, then the poem within an expanding formation of poems, then Baudelaire within and beyond that formation: an infini dans le fini. It is also an enquiry into what makes poetry, as well as a provocative contribution to the ongoing debate on the nature of criticism.
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1584
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Book Description
