Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 780
Book Description
The Catholic Choirmaster
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 780
Book Description
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 780
Book Description
The Gregorian Chant Manual of the Catholic Church Music Hour
Author: Bishop Joseph Schrembs
Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 364
Book Description
Encyclopaedic Dictionary of Music
Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 924
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 924
Book Description
A Manual of Music
Author: Wilber M. Derthick
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 638
Book Description
The Relationship of the Composer with the Conservatoire de Paris and the Music Establishment in the Late Nineteenth and Early Twentieth Centuries
Author: Janet Esser
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 448
Book Description
Music in Imperial Rio de Janeiro
Author: Cristina Magaldi
Publisher: Scarecrow Press
ISBN: 9780810850255
Category : Music
Languages : en
Pages : 226
Book Description
This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe. After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian models, the author discusses the importation of operatic repertory, the use of German classical music as the basis of an elite social class, the role of European music in Brazilian theater, and finally, the emergence of a "national" music. Overall, this study reveals European music as a powerful force in the internal processes of political, cultural, social, and ethnic negotiations during the 19th century government of Emperor Pedro II. Musicologists, Latin American historians, and anyone with an interest in urban studies will find much of interest in this book.
Publisher: Scarecrow Press
ISBN: 9780810850255
Category : Music
Languages : en
Pages : 226
Book Description
This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe. After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian models, the author discusses the importation of operatic repertory, the use of German classical music as the basis of an elite social class, the role of European music in Brazilian theater, and finally, the emergence of a "national" music. Overall, this study reveals European music as a powerful force in the internal processes of political, cultural, social, and ethnic negotiations during the 19th century government of Emperor Pedro II. Musicologists, Latin American historians, and anyone with an interest in urban studies will find much of interest in this book.
Dictionary of Music
Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 482
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 482
Book Description
Baker's Biographical Dictionary of Musicians
Author: Theodore Baker
Publisher: New York : G. Schirmer
ISBN:
Category : Music
Languages : en
Pages : 1124
Book Description
Publisher: New York : G. Schirmer
ISBN:
Category : Music
Languages : en
Pages : 1124
Book Description
Western Plainchant
Author: David Hiley
Publisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Publisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
To Praise God
Author: Leonard Ellinwood
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
Book Description