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Author: Peter Schat
Publisher: Routledge
ISBN: 3718653702
Category : Music
Languages : en
Pages : 428
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Book Description
Principally essays and articles, most of which were written 1963-1992 for the Dutch newspaper NRC Handelsblad in Rotterdam.
Author: Peter Schat
Publisher: Routledge
ISBN: 3718653702
Category : Music
Languages : en
Pages : 428
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Book Description
Principally essays and articles, most of which were written 1963-1992 for the Dutch newspaper NRC Handelsblad in Rotterdam.
Author: Peter Schat
Publisher: Routledge
ISBN: 1136644806
Category : Music
Languages : en
Pages : 428
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Book Description
In addition, The Tone Clock contains a broad selection of Peter Schat's polemical writings, embracing historical, political, aesthetic and environmental perspectives. His book is not just of interest to composers, but it also provides a valuable insight for anyone interested in the development of twentieth-century music. Peter Schat, a former pupil of Pierre Boulez, exposes more than a new theory of music in The Tone Clock. Although he is a long-experienced serialist composer, in devising and using his tone clock system he has reached the clarity and simplicity which comprise two of his major compositional aims. His book, profusely illustrated with clearly analysed musical examples, will enable other composers to achieve similar aims in their own way, while remaining faithful to their own musical personalities. A former pupil of Pierre Boulez, Peter Schat is a well-known Dutch contemporary serialist composer.
Author: D. J. Hoek
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374
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Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Author: Maja Trochimczyk
Publisher: Routledge
ISBN: 1136769668
Category : Music
Languages : en
Pages : 341
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Book Description
This book presents the musician in dialog with a Polish-Canadian musicologist and three of his Dutch friends and collaborators, Reinbert de Leeuw, Elmer Schönberger and Frits van der Waa. Topics include his artistic evolution, his relationship to minimalism, his prevalent interest in mysticism and meaning, the use of quotation and writing for
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 294
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Book Description
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 970
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Book Description
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 968
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Book Description
Author: David J. Hoek
Publisher: MLA Index and Bibliography Series
ISBN:
Category : Music
Languages : en
Pages : 382
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Book Description
"Features over 9000 references to analyses of the works of more than 1000 composers of the nineteenth and twentieth centuries. These references address form, harmony, melody, rhythm and other structural elements of musical composition."--Cover.
Author: Robert Adlington
Publisher: Oxford University Press
ISBN: 0199981027
Category : Music
Languages : en
Pages : 383
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Book Description
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the streets of Amsterdam prompted an array of vigorous responses from these musicians, including collaborations with countercultural and protest groups, campaigns and direct action against established musical institutions, new grassroots performing associations, political concerts, polemicising within musical works, and the advocacy of new, more 'democratic' relationships with both performers and audiences. These activities laid the basis for the unique new music scene that emerged in the Netherlands in the 1970s and which has been influential upon performers and composers worldwide. This book is the first sustained scholarly examination of this subject. It presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change. The narrative is structured around a number of the decade's defining topoi: modernisation and 'the new'; anarchy; participation; politics; self-management; and popular music. Dutch avant-garde musicians engaged actively with each of these themes, but in so doing they found themselves faced with distinct and sometimes intractable challenges, caused by the chafing of their political and aesthetic commitments. In charting a broad chronological progress from the commencement of work on Peter Schat's Labyrint in 1961 to the premiere of Louis Andriessen's Volkslied in 1971, this book traces the successive attempts of Dutch avant-garde musicians to reconcile the era's evolving social agendas with their own adventurous musical practice.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 580
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Book Description
