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Author: Peter Paul Rubens
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
"Two celebrated and complementary collections of Rubens' sketches - in the Courtauld Institute of Art in London and The State Hermitage Museum, St Petersburg - are brought together to form the basis of this study of the artist's work." "Often regarded as one of the most compelling and remarkable aspects of the artist's work, Rubens' oil sketches reveal the genesis of many of his most important commissions. This book, published to coincide with a major exhibition at the Hermitage Rooms, Courtauld Institute of Art, focuses on Rubens' projects where the Hermitage and Courtauld holdings are exceptionally rich, including the ceiling of the Banqueting House at Whitehall, and the now lost ceiling of the Jesuit church in Antwerp. By bringing together preparatory material from a number of major commissions this book aims to provide a concentrated account of the role of the oil sketch in Rubens' work."--Jacket.
Author: Peter Paul Rubens
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
"Two celebrated and complementary collections of Rubens' sketches - in the Courtauld Institute of Art in London and The State Hermitage Museum, St Petersburg - are brought together to form the basis of this study of the artist's work." "Often regarded as one of the most compelling and remarkable aspects of the artist's work, Rubens' oil sketches reveal the genesis of many of his most important commissions. This book, published to coincide with a major exhibition at the Hermitage Rooms, Courtauld Institute of Art, focuses on Rubens' projects where the Hermitage and Courtauld holdings are exceptionally rich, including the ceiling of the Banqueting House at Whitehall, and the now lost ceiling of the Jesuit church in Antwerp. By bringing together preparatory material from a number of major commissions this book aims to provide a concentrated account of the role of the oil sketch in Rubens' work."--Jacket.
Author: Peter C. Sutton
Publisher: Yale University Press
ISBN: 0300106262
Category : Art
Languages : en
Pages : 284
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Book Description
Oil sketches by Peter Paul Rubens—created at speed and in the heat of invention with a colorful loaded brush—convey all the spontaneity of the great Flemish painter’s creative process. This ravishing book draws from both private and public collections to present in full color 40 of Rubens’s oil sketches. Viewers will find in these informal paintings an enchanting intimacy and gain a new appreciation of Rubens’s capacity for invention and improvisation, and of his special genius for dramatic design and coloristic brilliance. The book investigates the role of the oil sketch in Rubens’s work; the development of the artist’s themes and narratives in his multiple sketches; and the history of the appreciation of his oil sketches. It also explores some of the unique aspects of his techniques and materials. By revealing the oil sketches as the most direct record of Rubens’s creative process, the book presents him as the greatest and most fluent practitioner of this vibrant and vital medium.
Author: Anne-Marie S. Logan
Publisher: Metropolitan Museum of Art
ISBN: 0300104944
Category : Art
Languages : en
Pages : 346
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Book Description
Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 15-Apr. 3, 2005.
Author: Adam Sammut
Publisher: BRILL
ISBN: 9004276386
Category : Art
Languages : en
Pages : 556
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Book Description
This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.
Author: Robert Muchembled
Publisher: Cambridge University Press
ISBN: 0521845483
Category : History
Languages : en
Pages : 395
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Book Description
A ground-breaking reassessment of the status of information in early modern Europe, first published in 2007.
Author: Jon L. Seydl
Publisher: Getty Publications
ISBN: 0892368128
Category : Art
Languages : en
Pages : 97
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Book Description
Giambattista Tiepolo (1696-1770) was the greatest Italian painter of the eighteenth century, best known for his monumental frescoes and epic altarpieces. The scale of these paintings is immense, even overpowering. Yet some of Tiepolo's finest work can be found in the small oil sketches that he often made in preparation for these grand commissions. Published to coincide with an exhibition at the J. Paul Getty Museum, Giambattista Tiepolo: Fifteen Oil Sketches brings together a group of the artist's oil sketches from the Courtauld Institute in London that spans his entire career and reveals the amazing confidence and fluidity with which he created these paintings. The unusual intimacy of these preparatory sketches-made directly on the canvas with no preliminary underdrawing-reveals a great artist's vigorous imagination at work. The exhibit will run from May 3, 2005, to September 4, 2005. An introductory essay situates these works within the context of eighteenth-century art and Tiepolo's life and career.
Author: Craig W. Kallendorf
Publisher: John Wiley & Sons
ISBN: 1405172029
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
A Companion to the Classical Tradition accommodates the pressing need for an up-to-date introduction and overview of the growing field of reception studies. A comprehensive introduction and overview of the classical tradition - the interpretation of classical texts in later centuries Comprises 26 newly commissioned essays from an international team of experts Divided into three sections: a chronological survey, a geographical survey, and a section illustrating the connections between the classical tradition and contemporary theory
Author: Sandra Cavallo
Publisher: Routledge
ISBN: 1351569325
Category : Art
Languages : en
Pages : 314
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Book Description
The early modern period saw the proliferation of religious, public and charitable institutions and the emergence of new educational structures. By bringing together two areas of inquiry that have so far been seen as distinct, the study of institutions and that of the house and domesticity, this collection provides new insights into the domestic experience of men, women and children who lived in non-family arrangements, while also expanding and problematizing the notion of 'domestic interior'. Through specific case studies, contributors reassess the validity of the categories 'domestic' and 'institutional' and of the oppositions private public, communal individual, religious profane applied to institutional spaces and objects. They consider how rituals, interior decorations, furnishings and images were transferred from the domestic to the institutional interior and vice versa, but also the creative ways in which the residents participated in the formation of their living settings. A variety of secular and religious institutions are considered: hospitals, asylums and orphanages, convents, colleges, public palaces of the ducal and papal court. The interest and novelty of this collection resides in both its subject matter and its interdisciplinary and Europe-wide dimension. The theme is addressed from the perspective of art history, architectural history, and social, gender and cultural history. Chapters deal with Italy, Britain, the Netherlands, Flanders and Portugal and with both Protestant and Catholic settings. The wide range of evidence employed by contributors includes sources - such as graffiti, lottery tickets or garland pictures - that have rarely if ever been considered by historians.
Author: Nicola Suthor
Publisher: Princeton University Press
ISBN: 0691213437
Category : Art
Languages : en
Pages : 304
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Book Description
The first major history of the bravura movement in European painting The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura’s richness and power. Suthor delves into how bravura’s unique and groundbreaking methods—visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis—cause viewers to feel intensely the artist’s touch. Examining bravura’s etymological history, she traces the term’s associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration. Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art.
Author: William W. Robinson
Publisher: Yale University Press
ISBN: 0300208049
Category : Art
Languages : en
Pages : 414
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Book Description
This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.
