Author: Christian A. Peterson
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 104
Book Description
Peter Henry Emerson (1856-1936) was a leading English photographer who spearheaded a style he termed "naturalistic photography." He argued for photography as a fine art, encouraged his colleagues to use nature as their standard, and introduced the theory of "differential focusing," whereby the main subject was in focus and everything else fell into moderate softness. Many young Americans admired Emerson's work, forming a movement of naturalistic photography in this country that lasted from the 1890s to about 1930. Like Emerson, they emphasized the beauty of Mother Nature and humankind's harmony with her, photographing the land in all its seasons. Among the photographers whose work is included are Edward Curtis, Rudolf Eickemeyer, Alfred Stieglitz, and Doris Ulman.
Peter Henry Emerson and American Naturalistic Photography
Author: Christian A. Peterson
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 104
Book Description
Peter Henry Emerson (1856-1936) was a leading English photographer who spearheaded a style he termed "naturalistic photography." He argued for photography as a fine art, encouraged his colleagues to use nature as their standard, and introduced the theory of "differential focusing," whereby the main subject was in focus and everything else fell into moderate softness. Many young Americans admired Emerson's work, forming a movement of naturalistic photography in this country that lasted from the 1890s to about 1930. Like Emerson, they emphasized the beauty of Mother Nature and humankind's harmony with her, photographing the land in all its seasons. Among the photographers whose work is included are Edward Curtis, Rudolf Eickemeyer, Alfred Stieglitz, and Doris Ulman.
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 104
Book Description
Peter Henry Emerson (1856-1936) was a leading English photographer who spearheaded a style he termed "naturalistic photography." He argued for photography as a fine art, encouraged his colleagues to use nature as their standard, and introduced the theory of "differential focusing," whereby the main subject was in focus and everything else fell into moderate softness. Many young Americans admired Emerson's work, forming a movement of naturalistic photography in this country that lasted from the 1890s to about 1930. Like Emerson, they emphasized the beauty of Mother Nature and humankind's harmony with her, photographing the land in all its seasons. Among the photographers whose work is included are Edward Curtis, Rudolf Eickemeyer, Alfred Stieglitz, and Doris Ulman.
Naturalistic Photography For Students of the Art
Author: P.H Emerson
Publisher: BoD – Books on Demand
ISBN: 3752407921
Category : Fiction
Languages : en
Pages : 246
Book Description
Reproduction of the original: Naturalistic Photography For Students of the Art by P.H Emerson
Publisher: BoD – Books on Demand
ISBN: 3752407921
Category : Fiction
Languages : en
Pages : 246
Book Description
Reproduction of the original: Naturalistic Photography For Students of the Art by P.H Emerson
The History of Photography
Author: Alma Davenport
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
Book Description
A compact, readable, up-to-date overview of the history of photography.
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
Book Description
A compact, readable, up-to-date overview of the history of photography.
Marsh Leaves
Author: P. H. Emerson
Publisher: Hoar Press
ISBN: 9781444603828
Category : Fiction
Languages : en
Pages : 204
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... (6) Columns for Discount on Purchases and Discount on Notes on the same side of the Cash Book; (c) Columns for Discount on Sales and Cash Sales on the debit side of the Cash Book; (d) Departmental columns in the Sales Book and in the Purchase Book. Controlling Accounts.--The addition of special columns in books of original entry makes possible the keeping of Controlling Accounts. The most common examples of such accounts are Accounts Receivable account and Accounts Payable account. These summary accounts, respectively, displace individual customers' and creditors' accounts in the Ledger. The customers' accounts are then segregated in another book called the Sales Ledger or Customers' Ledger, while the creditors' accounts are kept in the Purchase or Creditors' Ledger. The original Ledger, now much reduced in size, is called the General Ledger. The Trial Balance now refers to the accounts in the General Ledger. It is evident that the task of taking a Trial Balance is greatly simplified because so many fewer accounts are involved. A Schedule of Accounts Receivable is then prepared, consisting of the balances found in the Sales Ledger, and its total must agree with the balance of the Accounts Receivable account shown in the Trial Balance. A similar Schedule of Accounts Payable, made up of all the balances in the Purchase Ledger, is prepared, and it must agree with the balance of the Accounts Payable account of the General Ledger." The Balance Sheet.--In the more elementary part of the text, the student learned how to prepare a Statement of Assets and Liabilities for the purpose of disclosing the net capital of an enterprise. In the present chapter he was shown how to prepare a similar statement, the Balance Sheet. For all practical...
Publisher: Hoar Press
ISBN: 9781444603828
Category : Fiction
Languages : en
Pages : 204
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1917 edition. Excerpt: ... (6) Columns for Discount on Purchases and Discount on Notes on the same side of the Cash Book; (c) Columns for Discount on Sales and Cash Sales on the debit side of the Cash Book; (d) Departmental columns in the Sales Book and in the Purchase Book. Controlling Accounts.--The addition of special columns in books of original entry makes possible the keeping of Controlling Accounts. The most common examples of such accounts are Accounts Receivable account and Accounts Payable account. These summary accounts, respectively, displace individual customers' and creditors' accounts in the Ledger. The customers' accounts are then segregated in another book called the Sales Ledger or Customers' Ledger, while the creditors' accounts are kept in the Purchase or Creditors' Ledger. The original Ledger, now much reduced in size, is called the General Ledger. The Trial Balance now refers to the accounts in the General Ledger. It is evident that the task of taking a Trial Balance is greatly simplified because so many fewer accounts are involved. A Schedule of Accounts Receivable is then prepared, consisting of the balances found in the Sales Ledger, and its total must agree with the balance of the Accounts Receivable account shown in the Trial Balance. A similar Schedule of Accounts Payable, made up of all the balances in the Purchase Ledger, is prepared, and it must agree with the balance of the Accounts Payable account of the General Ledger." The Balance Sheet.--In the more elementary part of the text, the student learned how to prepare a Statement of Assets and Liabilities for the purpose of disclosing the net capital of an enterprise. In the present chapter he was shown how to prepare a similar statement, the Balance Sheet. For all practical...
Naturalistic Photography for Students of the Art
Author: Peter Henry Emerson
Publisher:
ISBN:
Category : Art and photography
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category : Art and photography
Languages : en
Pages : 358
Book Description
Between Amateur and Aesthete
Author: Paul Spencer Sternberger
Publisher:
ISBN:
Category : Art and photography
Languages : en
Pages : 240
Book Description
The first thorough investigation of the part played by the amateur photographer and of the struggle to legitimize photography as art.
Publisher:
ISBN:
Category : Art and photography
Languages : en
Pages : 240
Book Description
The first thorough investigation of the part played by the amateur photographer and of the struggle to legitimize photography as art.
Encyclopedia of Nineteenth-Century Photography
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Pictorial Effect in Photography
Author: Henry Peach Robinson
Publisher:
ISBN:
Category : Composition (Photography)
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Composition (Photography)
Languages : en
Pages : 182
Book Description
Sublime Nature
Author: Cristina Mittermeier
Publisher: National Geographic Books
ISBN: 1426213018
Category : Nature
Languages : en
Pages : 228
Book Description
A photograph collection explores the variations of natural landscapes, plants, and animals and is complemented by perspectives on humanity's visceral connections to the natural universe.
Publisher: National Geographic Books
ISBN: 1426213018
Category : Nature
Languages : en
Pages : 228
Book Description
A photograph collection explores the variations of natural landscapes, plants, and animals and is complemented by perspectives on humanity's visceral connections to the natural universe.
Photography and the Art of Chance
Author: Robin Kelsey
Publisher: Harvard University Press
ISBN: 0674744004
Category : Art
Languages : en
Pages : 409
Book Description
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Publisher: Harvard University Press
ISBN: 0674744004
Category : Art
Languages : en
Pages : 409
Book Description
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.