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Author: Biljana Arandelovic
Publisher: Springer Nature
ISBN: 3031367812
Category : Science
Languages : en
Pages : 301
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Book Description
Denise Scott Brown is best known as part of one of the most acclaimed architectural partnerships in modern architectural history, Denise Scott Brown & Robert Venturi. Together with Venturi, she ran the firm Venturi, Scott Brown & Associates (VSBA). Their architectural and urban planning designs, theories and publications caused a revolution in the world of architecture. Their most famous theoretical work, co-authored with Steven Izenour, Learning from Las Vegas, became a global phenomenon that marked the 20th century. Scott Brown & Venturi were also a married couple. However, in the traditional male-dominated architectural world, men were automatically put in leadership positions while the role of women was always underplayed, although they worked in equal partnership and made the same contribution. The role of Denise Scott Brown in joint projects, in the eyes of the public, was for decades diminished, while Venturi was brought to the forefront and celebrated as a genius. She never received due recognition for her work. This book is entirely dedicated to Denise Scott Brown and gives her the credit she deserves. It informs readers about her life, analyzes her projects in both architecture and urban planning, and offers a better understanding of her theories. The seven chapters provide a comprehensive insight into the world of legendary Denise and complete the knowledge necessary to understand her as a true and authentic diva of architecture, an innovative urban planner, theorist and passionate professor. Chapter 8 is a comprehensive conclusion that rounds off the monograph through a shorter review of numerous topics covered in the previous chapters. At the very beginning of the book is a letter that Denise wrote to the author. Her words are an authentic testimony of her life after 1967. The book is richly illustrated with a total of 274 photographs, urban planning layouts and various project illustrations.
Author: Biljana Arandelovic
Publisher: Springer Nature
ISBN: 3031367812
Category : Science
Languages : en
Pages : 301
Get Book Here
Book Description
Denise Scott Brown is best known as part of one of the most acclaimed architectural partnerships in modern architectural history, Denise Scott Brown & Robert Venturi. Together with Venturi, she ran the firm Venturi, Scott Brown & Associates (VSBA). Their architectural and urban planning designs, theories and publications caused a revolution in the world of architecture. Their most famous theoretical work, co-authored with Steven Izenour, Learning from Las Vegas, became a global phenomenon that marked the 20th century. Scott Brown & Venturi were also a married couple. However, in the traditional male-dominated architectural world, men were automatically put in leadership positions while the role of women was always underplayed, although they worked in equal partnership and made the same contribution. The role of Denise Scott Brown in joint projects, in the eyes of the public, was for decades diminished, while Venturi was brought to the forefront and celebrated as a genius. She never received due recognition for her work. This book is entirely dedicated to Denise Scott Brown and gives her the credit she deserves. It informs readers about her life, analyzes her projects in both architecture and urban planning, and offers a better understanding of her theories. The seven chapters provide a comprehensive insight into the world of legendary Denise and complete the knowledge necessary to understand her as a true and authentic diva of architecture, an innovative urban planner, theorist and passionate professor. Chapter 8 is a comprehensive conclusion that rounds off the monograph through a shorter review of numerous topics covered in the previous chapters. At the very beginning of the book is a letter that Denise wrote to the author. Her words are an authentic testimony of her life after 1967. The book is richly illustrated with a total of 274 photographs, urban planning layouts and various project illustrations.
Author: Matthew Mindrup
Publisher: MIT Press
ISBN: 0262042754
Category : Architecture
Languages : en
Pages : 347
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Book Description
An investigation of different uses for the architectural model through history—as sign, souvenir, funerary object, didactic tool, medium for design, and architect's muse. For more than five hundred years, architects have employed three-dimensional models as tools to test, refine, and illustrate their ideas. But, as Matthew Mindrup shows, the uses of physical architectural models extend beyond mere representation. An architectural model can also simulate, instruct, inspire, and generate architectural designs. It can be, among other things, sign, souvenir, toy, funerary object, didactic tool, medium, or muse. In this book, Mindrup surveys the history of architectural models by investigating their uses, both theoretical and practical. Tracing the architectural model's development from antiquity to the present, Mindrup also offers an interpretive framework for understanding each of its applications in the context of time and place. He first examines models meant to portray extant, fantastic, or proposed structures, describing their use in ancient funerary or dedicatory practices, in which models are endowed with magical power; as a medium for architectural reverie and inspiration; and as prototypes for twentieth-century experimental designs. Mindrup then considers models that exemplify certain architectural uses, exploring the influence of Leon Battista Alberti's dictum that models be simple, lest they distract from the architect's ideas; analyzing the model as a generative tool; and investigating allegorical, analogical, and anagogical interpretations of models. Mindrup's histories show how the model can be a surrogate for the architectural structure itself, or for the experience of its formal, tactile, and sensory complexity; and beyond that, that the manipulation, play, experimentation, and dreaming enabled by models allow us to imagine architecture in new ways.
Author: Gail Peter Borden
Publisher: Routledge
ISBN: 1317397045
Category : Architecture
Languages : en
Pages : 493
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Book Description
This comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.
Author: Rachel Armstrong
Publisher: Routledge
ISBN: 1351272470
Category : Architecture
Languages : en
Pages : 229
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Book Description
In this ground-breaking book, the first to provide an overview of the theory and practice of experimental architecture, Rachel Armstrong explores how interdisciplinary, design-led research practices are beginning to redefine the possibilities of architecture as a profession. Drawing on experts from disciplines as varied as information technology, mathematics, poetry, graphic design, scenography, bacteriology, marine applied science and robotics, Professor Armstrong delineates original, cutting-edge architectural experiments through essays, quotes, poetry, equations and stories. Written by an acknowledged pioneer of architectural experiment, this visionary book is ideal for students and researchers wishing to engage in experimental, practice-based architectural and artistic research. It introduces radical new ideas about architecture and provides ideas and inspiration which students and researchers can apply in their own work and proposals, while practitioners can draw on it to transform their creative assumptions and develop thereby a distinctive "edge" to stand out in a highly competitive profession.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606066080
Category : Art
Languages : en
Pages : 240
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Book Description
The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on the culture of display in eighteenth-century Venetian palaces, the influence of prehistoric cave paintings on American abstract artists, the life and writings of Pauline Gibling Schindler, an unrealized project by Sam Francis and Walter Hopps for a contemporary art venue in 1960s Los Angeles, Harald Szeemann’s early plans for the documenta 5 exhibition, and the notebooks and manuscripts that led to Aldo Rossi’s Scientific Autobiography. Shorter texts include notices on Felipe Guaman Poma de Ayala’s illustrations accompanying a tale in Martín de Murúa’s Historia general del Piru, copperplate prints depicting the Qing army’s invasion of Nepal in 1792, the Nazi-era business records of the Gustav Cramer gallery in The Hague, Netherlands, and a proposal for the integration of provenance research into all aspects of museum activities, including a call for cross-institutional databases and international collaborations.
Author: Karen Shelby
Publisher: Routledge
ISBN: 1317377524
Category : Social Science
Languages : en
Pages : 323
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Book Description
Belgian Museums of the Great War: Politics, Memory, and Commerce examines the handling of the centennial of World War I by several museums along the Western Front in Flanders, Belgium. In the twenty-first century, the museum has become a strategic space for negotiating ownership of and access to knowledge produced in local settings. The specific focus on museums and commemorative events in Flanders allows for an in-depth evaluation of how each museum works with the remembrance and tourist industry in the region while carving a unique niche. Belgian Museums of the Great War writes the history of these institutions, analyzes the changes made in advance of the anniversary years, and considers the site-specificity of each institution and its architectural frame. Since museums not only transmit information but also shape knowledge, as Eileen Hooper-Greenhill has noted, the diverse narratives and community programs sponsored by each museum have served to challenge prior historiographies of the war. Through newly revamped interactive environments, self-guided learning, and an emphasis on the landscape, the museums in Flanders have a significant role to play in the ever-changing dialogue on the meaning of the history and remembrance of the Great War.
Author: Sotirios Triantafyllos
Publisher: Vernon Press
ISBN: 1648892868
Category : History
Languages : en
Pages : 344
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Book Description
'Topos in Utopia' examines early modern literary utopias' and intentional communities' social and cultural conception of space. Starting from Thomas More's seminal work, published in 1516, and covering a period of three centuries until the emergence of Enlightenment's euchronia, this work provides a thorough yet concise examination of the way space was imagined and utilised in the early modern visions of a better society. Dealing with an aspect usually ignored by the scholars of early modern utopianism, this book asks us to consider if utopias' imaginary lands are based not only on abstract ideas but also on concrete spaces. Shedding new light on a period where reformation zeal, humanism's optimism, colonialism's greed and a proto-scientific discourse were combined to produce a series of alternative social and political paradigms, this work transports us from the shores of America to the search for the Terra Australis Incognita and the desire to find a new and better world for us.
Author: Braden R. Engel
Publisher: Cambridge Scholars Publishing
ISBN: 1527582957
Category : Architecture
Languages : en
Pages : 285
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Book Description
Colin Rowe is recognized as one of the most influential architecture teachers of the twentieth century, yet he is more popularly known for his critical essays. This book investigates the methods that made Rowe such an influential teacher. Paralleling the promises of the modernists to biblical prophecies of salvation, Rowe led his students into the temptations of modern architecture in order to test their convictions in architectural design. Everything Rowe did taught, and, beyond his published writing, this book uniquely pulls from his personal notes, sketches, talks, and thoughts. This analysis of Rowe’s use of irony, paradox, ambiguity, and subversion will benefit educators and designers interested in the roles of mischief and curiosity in creative endeavors. The book offers a more balanced appreciation of Colin Rowe, while rethinking attitudes to pedagogy, historical interpretation, and meaning in the arts.
Author: Micheline Nilsen
Publisher: Routledge
ISBN: 1351556274
Category : Art
Languages : en
Pages : 293
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Book Description
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism. Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early processes. During its formative decades photography responded to evolutionary cultural forces of market and artistic production. Photographs of architecture reflected a specific political or social context modulated through individual points of view. For this reason, the examination of each photographic image as a primary visual document and an aesthetic object rather than a technical milestone on a chronological trajectory affords a richer multi-faceted approach to the extensive and complex corpus of photographs taken by photographers all over the world. This project acknowledges the importance of technique in the early decades of photography but focuses on the thematic content of the material. It places the photography of architecture in an international context under the contemporary critical lens sharpened by theoretical and cultural examinations of the topic.
Author: Helen Kingstone
Publisher: Springer Nature
ISBN: 3031156846
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making them crucial lenses through which to view a broad range of genre and forms. It brings together interdisciplinary research materials belonging to different period silos to create new understandings of how nineteenth-century audiences dealt with information overload. It argues for a new politics of distance: one that recognizes the value of immersing oneself in a situation, event or phenomenon, but which also does not chastise us for trying to see the big picture. This book is essential reading for students and scholars of nineteenth-century literature, history, visual culture and information studies.
