Author: Harvey Alan Shapiro
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 308
Book Description
Personifications in Greek Art
Author: Harvey Alan Shapiro
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 308
Book Description
Polis and Personification in Classical Athenian Art
Author: Amy C. Smith
Publisher: BRILL
ISBN: 9004194177
Category : Art
Languages : en
Pages : 281
Book Description
Ancient Greek artists pioneered in the allegorical use of personifications of political ideas, events, places, institutions, and peoples in visual arts. This book surveys and interprets these personifications within the intellectual and political climate of the golden age of Athens.
Publisher: BRILL
ISBN: 9004194177
Category : Art
Languages : en
Pages : 281
Book Description
Ancient Greek artists pioneered in the allegorical use of personifications of political ideas, events, places, institutions, and peoples in visual arts. This book surveys and interprets these personifications within the intellectual and political climate of the golden age of Athens.
Worshipping Virtues
Author: Emma Stafford
Publisher:
ISBN:
Category : Goddesses, Greek
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category : Goddesses, Greek
Languages : en
Pages : 296
Book Description
Personification in the Greek World
Author: Judith Herrin
Publisher: Routledge
ISBN: 1351911775
Category : History
Languages : en
Pages : 369
Book Description
Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.
Publisher: Routledge
ISBN: 1351911775
Category : History
Languages : en
Pages : 369
Book Description
Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.
Rhetoric and Innovation in Hellenistic Art
Author: Kristen Seaman
Publisher: Cambridge University Press
ISBN: 1108490913
Category : Architecture
Languages : en
Pages : 203
Book Description
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.
Publisher: Cambridge University Press
ISBN: 1108490913
Category : Architecture
Languages : en
Pages : 203
Book Description
Explores how rhetorical techniques helped to produce innovations in art of the Hellenistic courts at Pergamon and Alexandria.
The Cambridge Guide to Homer
Author: Corinne Ondine Pache
Publisher: Cambridge University Press
ISBN: 1108663621
Category : Literary Collections
Languages : en
Pages : 985
Book Description
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
Publisher: Cambridge University Press
ISBN: 1108663621
Category : Literary Collections
Languages : en
Pages : 985
Book Description
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
Polis and Personification in Classical Athenian Art
Author: Amy C. Smith
Publisher: BRILL
ISBN: 9004214526
Category : History
Languages : en
Pages : 280
Book Description
In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens—its people, government, and events—as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
Publisher: BRILL
ISBN: 9004214526
Category : History
Languages : en
Pages : 280
Book Description
In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens—its people, government, and events—as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
Word of Mouth
Author: Gianni Guastella
Publisher: Oxford University Press
ISBN: 0191036293
Category : Literary Criticism
Languages : en
Pages : 457
Book Description
The concept expressed by the Roman term fama, although strictly linked to the activity of speaking, recalls a more complex form of collective communication that puts diverse information and opinions into circulation by 'word of mouth', covering the spreading of rumours, expression of common anxieties, and sharing of opinions about peers, contemporaries, or long-dead personages within both small and large communities of people. This 'hearsay' method of information propagation, of chain-like transmission across a complex network of transfers of uncertain order and origin, often rapid and elusive, has been described by some ancient writers as like the flight of a winged word, provoking interesting contrasts with more recent theories that anthropologists and sociologists have produced about the same phenomenon. This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth and the beginning of the sixteenth centuries. Commenting on examples ranging from Virgil's Fama in Book 4 of the Aeneid to Chaucer's House of Fame, it addresses areas of anthropological, sociological, literary, and historical-artistic interest, charting the evolving depiction of fama from a truly interdisciplinary perspective. Following this theme, it is revealed that although the most important personifications were originally created to represent the invisible but pervasive diffusion of talk which circulates information about others, these then began to give way to embodiments of the abstract idea of the glory of illustrious men. By the end of the medieval period, these two different representations, of rumour and glory, were variously combined to create the modern icon of Fame with which we are more familiar today.
Publisher: Oxford University Press
ISBN: 0191036293
Category : Literary Criticism
Languages : en
Pages : 457
Book Description
The concept expressed by the Roman term fama, although strictly linked to the activity of speaking, recalls a more complex form of collective communication that puts diverse information and opinions into circulation by 'word of mouth', covering the spreading of rumours, expression of common anxieties, and sharing of opinions about peers, contemporaries, or long-dead personages within both small and large communities of people. This 'hearsay' method of information propagation, of chain-like transmission across a complex network of transfers of uncertain order and origin, often rapid and elusive, has been described by some ancient writers as like the flight of a winged word, provoking interesting contrasts with more recent theories that anthropologists and sociologists have produced about the same phenomenon. This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth and the beginning of the sixteenth centuries. Commenting on examples ranging from Virgil's Fama in Book 4 of the Aeneid to Chaucer's House of Fame, it addresses areas of anthropological, sociological, literary, and historical-artistic interest, charting the evolving depiction of fama from a truly interdisciplinary perspective. Following this theme, it is revealed that although the most important personifications were originally created to represent the invisible but pervasive diffusion of talk which circulates information about others, these then began to give way to embodiments of the abstract idea of the glory of illustrious men. By the end of the medieval period, these two different representations, of rumour and glory, were variously combined to create the modern icon of Fame with which we are more familiar today.
The Panathenaic Games
Author: Olga Palagia
Publisher: Oxbow Books
ISBN: 1782979859
Category : History
Languages : en
Pages : 176
Book Description
The papers in this volume were presented at an international conference organised in Athens (May 11-14, 2004) and focus on the study of the Panathenaic Games, a Panhellenic athletic event that lasted for nearly a millennium. An international assembly of archaeologists, art historians, ancient historians, epigraphists and classical scholars contributed to the discussion of the origins and the historical development of the Panathenaic Games in general and of individual contests in particular. The role of royal and other patrons in the Hellenistic and Roman periods, as well as the form and meaning of victory dedications and other monuments generated by the games were also examined, making this a truly interdisciplinary study into this fascinating event. Two papers are in Greek. "This handsomely-illustrated conference volume is the first to concentrate exclusively on the games." Jackson, Journal of Hellenic Studies "A handsome, well-illustrated, large-format volume of the proceeding, mostly in English, of a conference held in Athens in 2004 in connection with the modern Olympics." - Tsetskhladze, Ancient West & East
Publisher: Oxbow Books
ISBN: 1782979859
Category : History
Languages : en
Pages : 176
Book Description
The papers in this volume were presented at an international conference organised in Athens (May 11-14, 2004) and focus on the study of the Panathenaic Games, a Panhellenic athletic event that lasted for nearly a millennium. An international assembly of archaeologists, art historians, ancient historians, epigraphists and classical scholars contributed to the discussion of the origins and the historical development of the Panathenaic Games in general and of individual contests in particular. The role of royal and other patrons in the Hellenistic and Roman periods, as well as the form and meaning of victory dedications and other monuments generated by the games were also examined, making this a truly interdisciplinary study into this fascinating event. Two papers are in Greek. "This handsomely-illustrated conference volume is the first to concentrate exclusively on the games." Jackson, Journal of Hellenic Studies "A handsome, well-illustrated, large-format volume of the proceeding, mostly in English, of a conference held in Athens in 2004 in connection with the modern Olympics." - Tsetskhladze, Ancient West & East
Haspels Addenda
Author: Caroline Henriette Emilie Haspels
Publisher: Oxford University Press
ISBN: 9780197263150
Category : Art
Languages : en
Pages : 124
Book Description
"A valuable reference source, providing new information on and recording references to new illustrations of the more than 1,500 Greek black-figured vases catalogued by Haspels"--Book jacket.
Publisher: Oxford University Press
ISBN: 9780197263150
Category : Art
Languages : en
Pages : 124
Book Description
"A valuable reference source, providing new information on and recording references to new illustrations of the more than 1,500 Greek black-figured vases catalogued by Haspels"--Book jacket.