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Author: Dr Barbara Brend
Publisher: Routledge
ISBN: 1136854185
Category : Art
Languages : en
Pages : 380
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Book Description
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
Author: Adelʹ Tigranovna Adamova
Publisher:
ISBN: 9780500970683
Category : Illumination of books and manuscripts, Iranian
Languages : en
Pages : 0
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Book Description
A stunning catalog of Persian miniature paintings and manuscripts from The al-Sabah Collection, placed in their historical and artistic context
Author: Sheila R. Canby
Publisher: Interlink Books
ISBN: 9781566565738
Category : Art
Languages : en
Pages : 0
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Book Description
Jewel-like colors, rich patterns, precise execution and virtuoso draftmanship characterize the best of Persian miniature painting: the perfect realization of an ideal world. This fully illustrated book provides a concise account of Persian painting from about 1300 to 1900. Beginning with the materials and tools which enabled the artists to achieve their remarkable effects, Sheila Canby goes on to survey the stylistic development of Persian painting and the influences upon it of over six centuries of Iran’s turbulent history.
Author: Dr Barbara Brend
Publisher: Routledge
ISBN: 1136854185
Category : Art
Languages : en
Pages : 380
Get Book Here
Book Description
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
Author: Richard G. Hovannisian
Publisher: Cambridge University Press
ISBN: 9780521591850
Category : History
Languages : en
Pages : 300
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Book Description
The thirteenth volume based on the Giorgio Levi Della Vida conference reassesses the role of the Iranian peoples in the development and consolidation of Islamic civilization. In his key essay, Ehsan Yarshater casts fresh light on that role challenging the view that, after reaching a climax in Baghdad in the ninth century, Islamic culture entered a period of decline. In fact, he maintains, a new and remarkably creative phase began in Khurasan and Transoxania, symbolized by the adoption of Persian as a medium of literary expression. By the mid-sixteenth century, Persian literary and intellectual paradigms had spread from Anatolia to India, encompassing the greater part of the Islamic world. Yarshater also challenges traditional assumptions about the 'Islamization of Persia'. In the essays which follow, six distinguished scholars consider the historical, cultural, and religious aspects of the Persian presence in the Islamic world.
Author: B. W. Robinson
Publisher: NYU Press
ISBN: 9780814774465
Category : Art
Languages : en
Pages : 124
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Book Description
In this book, B.W. Robinson traces the development of the different styles of Persian painting during the fifteenth century, and considers a number of the problems and issues involved in establishing a methodology and system of classification for Persian painting of that period. Robinson begins, by way of background, with a review of the schools of Herat and Shiraz up to the middle of the century, and then proceeds to tackle in order the three main fields of controversy: painting under the Turkmans, Timurid paintings in Transoxiana and Timurid painting in India. The uneasy fusion of contrasting characteristics of Herat and Shiraz that resulted in the emergence of Turkman court painting is traced through the origins, development, and branching of the Turkman style into a definitive form. Then the author reviews a branch of the art almost entirely neglected up to now, which he identifies as originating in Transoxiana. Finally he provides a new approach to the study of pre-Mughal Indian painting in Persian style by dividing the material into five stylistic groups.
Author: Yuka Kadoi
Publisher: Cambridge Scholars Publishing
ISBN: 1443864498
Category : Sports & Recreation
Languages : en
Pages : 325
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Book Description
While the impact of the Persian style is undeniably reflected in most aspects of the art and architecture of Islamic Central Asia, this Perso-Central Asian connection was chiefly formed and articulated by the Euro-American movement of collecting and interpreting the art and material culture of the Persian Islamic world in modern times. This had an enormous impact on the formation of scholarship and connoisseurship in Persian art, for instance, with an attempt to define the characteristics of how the Islamic art of Iran and Central Asia should be viewed and displayed at museums, and how these subjects should be researched in academia. This important historical fact, which has attracted scholarly interest only in recent years, should be treated as a serious subject of research, accepting that the abstract image of Persian art was not a pure creation of Persian civilization, but that it can be the manifestation of particular historical times and charismatic individuals. Attention should therefore be given to various factors that resulted in the shaping of “Persian” imagery across the globe, not only in terms of national ideologies, but also within the context of several protagonists, such as scholars, collectors and dealers, as well as of the objects themselves. This volume brings together Islamic Iranian and Central Asian art experts from diverse disciplinary and professional backgrounds, and intends to offer a novel insight into what is collectively known as Persian art.
Author: Vladimir Lukonin
Publisher: Parkstone International
ISBN: 1783107960
Category : Art
Languages : en
Pages : 766
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Book Description
Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnificent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Lukonin, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10thcentury BCE through the early 20th century. In the second part of the book they have catalogued Persian Art giving locations, origins, descriptions, and artist biographies where available. Persian Art demonstrates a common theme which runs through the art of the region over the past three millennia. Despite many religious and political upheavals, Persian Art whether in its architecture, sculpture, frescoes, miniatures, porcelain, fabrics, or rugs; whether in the work of the humble craftsmen or the high art of court painters displays the delicate touch and subtle refinement which has had a profound influence on art throughout the world.
Author: Kadoi Yuka Kadoi
Publisher: Edinburgh University Press
ISBN: 147446968X
Category : Architecture
Languages : en
Pages : 200
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Book Description
In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the historical, religious or scientific role of visual culture in the shaping, influencing and transforming of distinctive 'Persian' aesthetics across the various historical periods, ranging from pre-Islamic, medieval and early modern Islamic to modern times.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870995642
Category : Drawing
Languages : en
Pages : 97
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Book Description
Author: Vladimir Lukonin
Publisher: Parkstone International
ISBN:
Category : Art
Languages : en
Pages : 85
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Book Description
Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnif icent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Loukonine, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10th-century BCE through the early 20thcentury. Persian Art demonstrates a common theme which runs through the art of the region over the past three millennia. Despite many religious and political upheavals, Persian Art – whether in its architecture, sculpture, frescoes, miniatures, porcelain, fabrics, or rugs; whether in the work of the humble craftsmen or the high art of court painters – displays the delicate touch and subtle refinement which has had a profound influence on art throughout the world.
